New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Rachel Cartland came to Hong Kong in 1972 as one of just two female expatriates in the colonial government's elite administrative grade. Her career was shaped by the momentous events that rocked Hong Kong during the following 34 years: corruption and the police mutiny, currency crisis, Tiananmen Square, the change of sovereignty and the devastation of SARS. This accessible memoir ranges from Government House to the infamous Walled City to the rural New Territories.
What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects. Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and literary studies to investigate the intersection of the personal with the material. Raising vital questions of cultural identity, belonging and selfhood, Material Selves is the first book of its kind to consider the relationship between people and things across transcultural and transhistorical contexts. It employs innovative methodologies across ten chapters and critically expands on current models for understanding the dynamic relationship between people and things by tracing the central role objects have played in the construction, creation and performance of identity throughout history. Structured around four key sections exploring biography and narrative; adornment and ornament; reclamation and intervention; and subjects and objects, the volume presents a global selection of case studies that explore, amongst other things, Margaret Olley's enduring fame, the significance of the Khil'a in Safavid Persia and early modern Europe, and 17th-century French painter Charles LeBrun's royal portraiture. Fusing these with contemporary theories of identity, the contributors provide analyses informed by posthumanism, the environmental humanities, race and gender. At the same time, they confront vital questions of identity, agency, and materiality, and highlight the way in which we use objects to tell stories, construct myths and make sense of our place in the world. In doing so, the book illuminates a wide range of cultural and chronological settings whilst giving close attention to the mobility of people and things between, across, and through time and place.
Enjoy a lesson in skiing, Enjoy a lesson in living, Enjoy the Tao of glee, The Bible of happiness. "GLEE" The « SKIPANDA » Panda ski method is a new ski technique, a ski school, which teaches skiing through physical control of gravity, and psychological control of the fear gravity inspires. Born from the learn to ski method, "GLEE" is the first literary essay on skiing, a tale of happiness, a poem to fatherly love, a Little Prince of Skiing, the Tao of skiing. The recreational skier, alike anyone learning to drive a car, is concerned with finding the brake and the steering wheel. But in skiing, the engine is the invisible, unattainable, irresistible gravity. The ski method teaches taming the fear of gravity. The tale spans the whole rainbow of human concern from vivid kinetic descriptions to a new scientific spirituality
In Musing the Mosaic prominent critics of postmodern and contemporary fiction and culture discuss the fictional and theoretical works of Ronald Sukenick, one of the most important American writers to emerge from the late 1960s. Sukenick has been a prolific participant in reshaping the American literary tradition for two generations and played a pivotal role in the creation and growth of the Fiction Collective and FC2 publishing houses, as well as the journals American Book Review and Black Ice Magazine. In his work he argues that contemporary fiction can neither perform traditional functions nor rely on any conventions in an ever-more dynamic world. Staying true to Sukenick's own creative style, one that takes the seams out of writing before re-stitching it in ways that are truly novel, the contributors examine how and why his writing comes closer to the dissolving, fragmentary nature of reality and its lack of closure than perhaps anything written before it.
