The Musee d'Orsay contains one of the most magnificent collections of 19th- and early 20th-century art in the world. Limited to the years between 1848 and 1914, the collection showcases Impressionist and Postimpressionist favorites by Monet, Renoir, Cassatt, Van Gogh, Seurat, and Signac. In addition, Realist, Nabis, Symbolist, and Fauvist movements are represented in works by Millet, Gauguin, Redon, and Matisse. The light-filled galleries are also ideal for viewing the sculpture. Works in other media include furniture, objets d'art, architecture, photography, jewelry, and glassware. This book's color plates depict many of the masterpieces, and the text traces the roots of the core collection within the context of developing and changing art trends.
Hundreds of paintings are reproduced in a guide to the Paris museum and accompanied by essays by a renowned art historian on Realism, Impressionism, Symbolism, and many other topics
In this volume, examples of Post-Impressionism from one of the world's premier art museums provide an overview of innovations ushered in by the popular movement. Representing a pivotal moment in the history of European art, the Post-Impressionists created some of the most recognizable and stylistically inventive paintings of the modern era. Published to accompany a major exhibition, this book presents over one hundred celebrated paintings from the unparalleled collection of Paris's Musee d'Orsay. Focusing on the decades around 1900, this publication presents late Impressionist landmarks by Monet and Renoir; early modern masterpieces by Cezanne, Gauguin, Toulouse-Lautrec, and Van Gogh; and avant-garde canvases by the Nabis painters Denis, Bonnard, and Vuillard. The volume also provides a unique look at the Musee d'Orsay's outstanding collection of Pointillism, including works by artists such as Seurat and Signac. Together these works offer a fresh assessment of seismic transitions in the European art world at the turn of the twentieth century that ushered in the birth of modern painting and produced lasting treasures of its own.
Serious visual artists can now easily understand and apply the secret geometry that masters used to create remarkable art. Superior mathematical skills aren’t required because there are hundreds of excellent step-by-step diagrams to explain everything with simplicity. Learn how the ancient and modern masters used dynamic symmetry to promote unity, movement, rhythm, and strength. These qualities, along with many others, allowed their art to have visual clarity, impact, and stand the test of time. This is an essential book for painters, photographers, sculptors, and cinematographers that hold composition and design with a high priority. For far too long, artists have been stuck with the basic tools of artistic composition, like the rule of thirds and leading lines. Unfortunately, we’re incapable of reaching the master level if all we know are the basics. Powerful tools like dynamic symmetry and other composition techniques have been kept a secret from all of us. It’s time to learn of them, push past any plateau that stands in our way, and finally unlock our true potential!
An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Édouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices. Featuring over 175 illustrations and profiles of several models, Posing Modernity illuminates long-obscured figures and proposes that a history of modernism cannot be complete until it examines the vital role of the black female muse within it. Published in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York Exhibition Schedule: Miriam and Ira D. Wallach Art Gallery, Columbia University, New York (10/24/18-02/10/19) Musée d'Orsay (03/25/19-07/14/19)
Experience the Louvre's majestic halls, grand galleries, and stunning artworks in this exquisite visit to the world-renowned museum--highlighting beloved works of art alongside hidden gems, all situated in the palace's stunning architectural spaces. Every year, more than ten million visitors from around the world visit the Louvre's 68,000 square meters of gallery space containing more than 35,000 works of art. The Louvre is widely considered the most innovative of the world's preeminent museums. This gorgeous tome is a celebration of an enduring institution and the magnificent works of art that it houses. Rather than showing only isolated images of the artworks themselves, this book shows many of the pieces in the context of the beautiful galleries and spaces where they live, to give the reader an experience similar to being at the Louvre. The Louvre explores the eight centuries of fascinating history surrounding the museum, which began in the Middle Ages as a fortress, then became a royal residence which continued to enlarge, expand, and develop over the centuries with the most brilliant architects and painters being called to work on this architectural masterpiece. In 1793, the Louvre confirmed its role as a "temple of the arts" when it was made the first national museum open to the public. From then on, its collections continued to grow from its roots in the old royal collection, benefiting from acquisitions, archaeological discoveries, donations, and bequests. Centuries of growth, evolution, and transformation culminated in the 1980s with the "Grand Louvre" project symbolized by I.M. Pei's world-famous and critically acclaimed modernist pyramid.
