Featuring the artwork of Vernon Kerr, Painting: Land & Sea includes a variety of easy-to-follow, step-by-step projects that are approachable for the beginning artist, including dynamic landscapes and seascapes with sweeping vistas. Nature provides an endless variety of appealing subjects to inspire the artist. And with the versatile mediums of oil and acrylic, you can both layer transparent glazes and apply thick, luscious strokes of color for a wide range of interesting effects. In Painting: Land & Sea, artist Vernon Kerr shows you his step-by-step process for painting seascapes and landscapes in oil and acrylic, from simple sketches to the most elaborate renderings. In addition, he demonstrates how to capture the beauty of nature in all its seasons and at different times of the day, as well as the importance of making small color studies and learning the various cloud formations. You’ll also discover tips for using color effectively, with additional helpful information on composition, perspective, texture, and contrast. And along the way, you’ll learn special techniques for creating dramatic skies, luminous waves, and lush landscapes. From rendering light and shadow to creating realism through depth and texture, aspiring artists will discover the basics of oil and acrylic painting through engaging, inspirational lessons and useful artist tips. Beginning artists will find helpful information about selecting the right paintbrushes, supports, and paints to get started in acrylic painting. Additionally, artists will discover useful tips for using basic and special acrylic painting techniques to render textures, suggest dimension, and create effects. Designed for beginners, the How to Draw & Paint series offers an easy-to-follow guide that introduces artists to basic tools and materials and includes simple step-by-step lessons for a variety of projects suitable for the aspiring artist. With comprehensive instruction, plenty of artist tips and tricks, and beautiful artwork to inspire, Painting: Land & Sea is the perfect resource for any aspiring acrylic painter.
Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.
A widely cited resource on painting in the style of the old masters, this classic guide contains a wealth of insights for amateur and professional artists. Daniel Burleigh Parkhurst, one of the foremost artist/instructors of the early 20th century, presents a master's course in the science and technique of painting that encourages the use of traditional tools and methods. Parkhurst's four-part treatment encompasses materials, general principles, technical principles, and practical applications. Topics include canvases, easels, brushes, paints, and other tools; attitude and originality; drawing, perspective, light and shade, composition, and color; and sketching, still life, flowers, portraits, landscapes, and figures. 64 illustrations enhance this informative manual.
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
222 page, 8.5 x 11", spiral bound and tabbed Artist Edition book dedicated to charting and swatching colored pencils, pastel pencils, watercolor pencils, ink, and markers. Book includes 49 pre-labeled charts (with color names and numbers) of the most popular brands. Book also includes blank charts for additional brands and media, and a large number of original line art illustrations that can be colored. This book was designed and illustrated for the adult coloring market by Susan Carlson (aka Ruby Charm Colors).
During the vast stretches of early geologic time, the islands of the Caribbean archipelago separated from continental land masses, rose and sank many times, merged with and broke from other land masses, and then by the mid-Cenozoic period settled into the current pattern known today. By the time Native Americans arrived, the islands had developed complex, stable ecosystems. The actions these first colonists took on the landscape—timber clearing, cultivation, animal hunting and domestication, fishing and exploitation of reef species—affected fragile land and sea biotic communities in both beneficial and harmful ways. On Land and Sea examines the condition of biosystems on Caribbean islands at the time of colonization, human interactions with those systems through time, and the current state of biological resources in the West Indies. Drawing on a massive data set collected from long-term archaeological research, the study reconstructs past lifeways on these small tropical islands. The work presents a wide range of information, including types of fuel and construction timber used by inhabitants, cooking techniques for various shellfish, availability and use of medicinal and ritual plants, the effects on native plants and animals of cultivation and domestication, and diet and nutrition of native populations. The islands of the Caribbean basin continue to be actively excavated and studied in the quest to understand the earliest human inhabitants of the New World. This comprehensive work will ground current and future studies and will be valuable to archaeologists, anthropologists, botanists, ecologists, Caribbeanists, Latin American historians, and anyone studying similar island environments.