Paint Made Flesh

Paint Made Flesh

Author: Mark Scala

Publisher: Vanderbilt University Press

Published: 2009

Total Pages: 148

ISBN-13:

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Paint Made Flesh examines the ways in which European and American painters have used oil paint and the human body to convey enduring human vulnerabilities, among them anxieties about desire, appearance, illness, aging, war, and death. In the tradition of great figure painting stretching back to Rembrandt and Titian, the 34 artists in the exhibition, working in the years since World War II, exploit oil paint's visual and tactile properties to mirror those of the body, while exploring the body's capacity to reflect the soul.Drawn from private and public collections and arranged by chronology and nationality, the 43 paintings in the exhibition reflect a wide range of styles. Strong colors and vigorous brushwork associated with German expressionism give crude life to figures by artists ranging from the San Francisco Bay area painters to a younger generation, including Markus Lüpertz and Susan Rothenberg. Candid depictions of flesh by British painters Francis Bacon and Lucian Freud suggest psychological pain at the margins of society, while paint as skin betrays the inner feelings of Jenny Saville's swollen females.


Worlds Made Flesh

Worlds Made Flesh

Author: Lauryn Mayer

Publisher: Routledge

Published: 2004-06

Total Pages: 170

ISBN-13: 1135877548

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Lauryn Mayer examines chronicle histories that have been largely ignored by scholars, bringing these neglected texts into dialogue.


Providence Made Flesh

Providence Made Flesh

Author: Terry J. Wright

Publisher: Wipf and Stock Publishers

Published: 2009-11-01

Total Pages: 303

ISBN-13: 1608991601

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Traditional discussions of the Christian doctrine of providence often center on the relation between divine agency and human freedom, seeking to offer an account of the extent to which a person is free before God, the first cause of all things. Terry J. Wright argues that such riddles of causation cannot determine the content of providence, and suggests a unique and alternative framework that depicts God's activity in terms of divine faithfulness to that which God has made. Providence is not God as first cause acting through creaturely secondary causation; rather, providence is God's sovereign mediation of the divine presence across the whole world, achieved through creaturely faithfulness made possible and guaranteed by his own faithful action in Jesus Christ.


Soul Made Flesh

Soul Made Flesh

Author: Carl Zimmer

Publisher: Simon and Schuster

Published: 2005-06-06

Total Pages: 384

ISBN-13: 0743272056

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Soul Made Flesh is the remarkable untold story of a dramatic turning point in history -- the exciting discovery of how the human brain works.


The Word Made Flesh Made Word

The Word Made Flesh Made Word

Author: David G. Miller

Publisher: Susquehanna University Press

Published: 1995

Total Pages: 164

ISBN-13: 9780945636854

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Edward Taylor's dilemma as Puritan, preacher, and poet was to discover a way in human language to express the ineffable Divine. This first book-length study of Edward Taylor's prose suggests that Taylor's use of language illustrates the very theological truths he struggled with as a minister and a writer. Taylor's poetic metaphors have long been noted for their vitality and linguistic absurdity. This penetrating study of Taylor's Christographia sermons concludes that Taylor intentionally forces his types and metaphors into failure to illustrate how necessary it is for the incarnate Christ to redeem both the medium and the messenger. The author places Taylor in historical, theological, and stylistic contexts and then looks at how both types and metaphors used by Taylor tend to follow the pattern of establishment, failure, and redemption. By focusing on the typological images of Moses, David, and the Jewish religious ceremonies, for example, Taylor shows how such images both point toward Christ and obscure the truth of Christ. By using metaphorical images of light, plants, and "living buildings," Taylor attempts to paint a portrait of Christ for his congregation, all the while insisting that human language can never illustrate the Divine.


Words Made Flesh

Words Made Flesh

Author: R. Jared Staudt

Publisher: CUA Press

Published: 2024-06

Total Pages: 345

ISBN-13: 1949822443

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Forming souls and building culture together form the sacramental mission of Catholic education. These profoundly related goals are laid out by the Church for education, following the general sacramental principle that permeates the whole of Catholic life. This approach seeks conformity to the Logos, the divine mind, that shapes the way disciples think, imagine, and pray. Guided by this approach, the student will be able to contemplate the truth of reality in a holistic and integrated fashion. As sacramental, it also leads to a concrete embodiment in the life of the Christian community and the daily actions of the disciple. A sacramental approach to education draws together the inner and outer life: mind and body, soul and culture, prayer and work, salvation and mission, the individual and community. For the future of society and renewal within the Church, we need nothing less than a reintegration of the person and our communities through the renewal of education, forming students deeply rooted in our heritage and prepared to hand it on in creative ways.


The Ground of the Image

The Ground of the Image

Author: Jean-Luc Nancy

Publisher: Fordham Univ Press

Published: 2005

Total Pages: 176

ISBN-13: 0823225402

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If anything marks the image, it is a deep ambivalence. Denounced as superficial, illusory, and groundless, images are at the same time attributed with exorbitant power and assigned a privileged relation to truth. In this collection of writings on images and visual art, the author explores this through an extraordinary range of references.


Portrait Painting Atelier

Portrait Painting Atelier

Author: Suzanne Brooker

Publisher: Watson-Guptill

Published: 2011-11-15

Total Pages: 210

ISBN-13: 0823008355

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The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.