The Cambridge bibliography of English literature. 3. 1800 - 1900
Author: Frederick Wilse Bateson
Publisher: CUP Archive
Published: 1940
Total Pages: 1132
ISBN-13:
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Author: Frederick Wilse Bateson
Publisher: CUP Archive
Published: 1940
Total Pages: 1132
ISBN-13:
DOWNLOAD EBOOKAuthor: Paul R. Deslandes
Publisher: Indiana University Press
Published: 2005-05-04
Total Pages: 356
ISBN-13: 9780253111258
DOWNLOAD EBOOKThe mythic status of the Oxbridge man at the height of the British Empire continues to persist in depictions of this small, elite world as an ideal of athleticism, intellectualism, tradition, and ritual. In his investigation of the origins of this myth, Paul R. Deslandes explores the everyday life of undergraduates at Oxford and Cambridge to examine how they experienced manhood. He considers phenomena such as the dynamics of the junior common room, the competition of exams, and the social and athletic obligations of intercollegiate boat races to show how rituals, activities, relationships, and discourses all contributed to gender formation. Casting light on the lived experience of undergraduates, Oxbridge Men shows how an influential brand of British manliness was embraced, altered, and occasionally rejected as these students grew from boys into men.
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Publisher:
Published: 1885
Total Pages: 668
ISBN-13:
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Published: 1906
Total Pages: 484
ISBN-13:
DOWNLOAD EBOOKCoverage of publications outside the UK and in non-English languages expands steadily until, in 1991, it occupies enough of the Guide to require publication in parts.
Author: British Museum. Dept. of Printed Books
Publisher:
Published: 1905
Total Pages: 292
ISBN-13:
DOWNLOAD EBOOKAuthor: George Watson
Publisher: Cambridge University Press
Published: 1977-06-16
Total Pages: 294
ISBN-13: 9780521213103
DOWNLOAD EBOOKMore than fifty specialists have contributed to the new edition of volume 5 of the Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
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Published: 1899
Total Pages: 412
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DOWNLOAD EBOOKAuthor: George Cornewall Lewis
Publisher: BoD – Books on Demand
Published: 2024-07-30
Total Pages: 226
ISBN-13: 3385544459
DOWNLOAD EBOOKReprint of the original, first published in 1877.
Author: Paul Rodmell
Publisher: Routledge
Published: 2017-07-05
Total Pages: 531
ISBN-13: 1351572261
DOWNLOAD EBOOKThe first book devoted to the composer Charles Villiers Stanford (1852-1924) since 1935, this survey provides the fullest account of his life and the most detailed appraisal of his music to date. Renowned in his own lifetime for the rapid rate at which he produced new works, Stanford was also an important conductor and teacher. Paul Rodmell assesses these different roles and considers what Stanford's legacy to British music has been. Born and brought up in Dublin, Stanford studied at Cambridge and was later appointed Professor of Music there. His Irish lineage remained significant to him throughout his life, and this little-studied aspect of his character is examined here in detail for the first time. A man about whom no-one who met him could feel indifferent, Stanford made friends and enemies in equal numbers. Rodmell charts these relationships with people and institutions such as Richter, Parry and the Royal College of Music, and discusses how they influenced Stanford's career. Perhaps not the most popular of teachers, Stanford nevertheless coached a generation of composers who were to revitalize British music, amongst them Coleridge-Taylor, Ireland, Vaughan-Williams, Holst, Bridge and Howells. While their musical styles may not be obviously indebted to Stanford's, it is clear that, without him, British music of the first half of the twentieth century might have taken a very different course.