Tackling the most sensitive and timely of showbiz topics, Eliot Tiegel brings us Overexposed: The Price of Fame, examining the troubles of Britney Spears, Lindsay Lohan, Paris Hilton and Nicole Richie. In his enlightening exposé of the current media frenzy plaguing today’s young stars, Tiegel talks with everyone—from George Clooney to mental health professionals, infamous paparazzo Ron Galella to LiLo herself—and has just one thing to say: Isn’t this enough already?
In Overexposed: The Price of Fame, entertainment journalist Eliot Tiegel has left no stone unturned in his probing examination of the effects of in-your-face publicity and the growing importance, presence?and profits?of the paparazzi. Over the last two decades, the world has watched the publicity game change drastically, and, as a result, the potential for lives to be ruined has never been greater. An enlightening expos?, Overexposed closely examines the troubles of Britney Spears, Lindsay Lohan, Paris Hilton, and Nicole Richie from a host of perspectives, including in-depth interviews with major media figures, publicists, and celebrities?from George Clooney to Dr. Phil, infamous paparazzo Ron Galella to LiLo herself. In the end, one question resonates from Tiegel's powerful analysis of the paparazzi-fueled media frenzy: How much is too much?
“A wild read.” —The Guardian Part biography, part social history, Being Britney pieces together a collage of stories, interviews, legends, and fan experiences to construct a definitive portrait of one of the biggest stars in recent history. In her unique narrative, acclaimed music author Jennifer Otter Bickerdike provides a sympathetic yet objective reexamination of Britney’s trajectory from girl next door to woman trapped by fame. Being Britney is the compelling account of a talented, troubled, and much-discussed modern icon whose life, work, and individual significance will be recognized for many decades to come. “Britney is blessed to have such a talented writer and perceptive mind broaching the complexities of her story thus far.” —Shirley Manson, Garbage
Rock Brands: Selling Sound in a Media Saturated Culture, edited by Elizabeth Barfoot Christian, is an edited collection that explores how different genres of popular music are branded and marketed today. The book's core objectives are addressed over three sections. In the first part of Rock Brands, the authors examine how established mainstream artists/bands are continuing to market themselves in an ever-changing technological world, and how bands can use integrated marketing communication to effectively 'brand' themselves. This branding is intended as a protection so that technology and delivery changes don't stifle the bands' success. KISS, AC/DC, Ozzy Osbourne, Phish, and Miley Cyrus are all popular musical influences considered in this part of the analysis. In the second section, the authors explore how some musicians effectively use attention-grabbing issues such as politics (for example, Kanye West and countless country musicians) and religion (such as with Christian heavy metal bands and Bon Jovi) in their lyrics, and also how imagery is utilized by artists such as Marilyn Manson to gain a fan base. Finally, the book will explore specific changes in the media available to market music today (see M.I.A. and her use of new media) and, similarly, how these resources can benefit music icons even after they are long gone, as with Elvis and Michael Jackson. Rock Brands further examines gaming, reality television, and social networking sites as new outlets for marketing and otherwise experiencing popular music. What makes some bands stand out and succeed when so many fail? How does one find a niche that isn't just kitsch and can stand the test of time, allowing the musician to grow as an artist as well as grow a substantial fan base? Elizabeth Barfoot Christian and the book's contributors expertly navigate these questions and more in Rock Brands: Selling Sound in a Media Saturated Culture.
The cultural politics creating and consuming Latina/o mass media. Just ten years ago, discussions of Latina/o media could be safely reduced to a handful of TV channels, dominated by Univision and Telemundo. Today, dramatic changes in the global political economy have resulted in an unprecedented rise in major new media ventures for Latinos as everyone seems to want a piece of the Latina/o media market. While current scholarship on Latina/o media have mostly revolved around important issues of representation and stereotypes, this approach does not provide the entire story. In Contemporary Latina/o Media, Arlene Dávila and Yeidy M. Rivero bring together an impressive range of leading scholars to move beyond analyses of media representations, going behind the scenes to explore issues of production, circulation, consumption, and political economy that affect Latina/o mass media. Working across the disciplines of Latina/o media, cultural studies, and communication, the contributors examine how Latinos are being affected both by the continued Latin Americanization of genres, products, and audiences, as well as by the whitewashing of “mainstream” Hollywood media where Latinos have been consistently bypassed. While focusing on Spanish-language television and radio, the essays also touch on the state of Latinos in prime-time television and in digital and alternative media. Using a transnational approach, the volume as a whole explores the ownership, importation, and circulation of talent and content from Latin America, placing the dynamics of the global political economy and cultural politics in the foreground of contemporary analysis of Latina/o media.
The Hiltons is a sweeping saga of the success-and excess-of an iconic American family. Demanding and enigmatic, patriarch Conrad Hilton's visionary ideas and unyielding will established the model for the modern luxury hotel industry. But outside the boardroom, Conrad struggled with emotional detachment, failed marriages, and conflicted Catholicism. Then there were his children: Playboy Nicky Hilton's tragic alcoholism and marriage to Elizabeth Taylor was the stuff of tabloid legend. Barron Hilton, on the other hand, deftly handled his father's legacy, carrying the Hilton brand triumphantly into the new millennium. Eric, raised apart from his older brothers, accepted his supporting role in the Hilton dynasty with calm and quiet-a stark contrast to the boys' much younger half-sister Francesca, whose battle for recognition led her into courtrooms and conflict. The cast of supporting players includes the inimitable Zsa Zsa Gabor, who was married to Conrad briefly and remained a thorn in his side for decades, and a host of other Hollywood and business luminaries with whom the Hiltons crossed paths and swords over the years.
The first English-language monograph on the French dancer and model, Cléo de Mérode and the Rise of Modern Celebrity Culture explores the haunting legacy of this intriguing and glamorous figure, an international celebrity at the dawn of our star-struck modernity. Situating Mérode at a pivotal moment in the history of fame and visual culture, this study probes the neglected prehistory of a visual culture obsessed with celebrities and their images.
In this enchanting novel from the Booker Prize–winning author, a group of world-weary travelers discover the meaning of life in a mysterious Swiss mountain village. The Age of Magic has begun. Unveil your eyes. Eight weary filmmakers, traveling from Paris to Basel, arrive at a small Swiss hotel on the shores of a luminous lake. Above them, strewn with lights that twinkle in the darkness, looms the towering Rigi mountain. Over the course of three days and two nights, the travelers will find themselves drawn into the mystery of the mountain reflected in the lake. One by one, they will be disturbed, enlightened, and transformed, each in a different way. An intoxicating and dreamlike tale unfolds. Allow yourself to be transformed. Having shown a different way of seeing the world, Ben Okri now offers a different way of reading.
In a world where more people know who Princess Di was than who their own senators are, where Graceland draws more visitors per year than the White House, and where Michael Jordan is an industry unto himself, fame and celebrity are central currencies. In this intriguing book, Tyler Cowen explores and elucidates the economics of fame. Fame motivates the talented and draws like-minded fans together. But it also may put profitability ahead of quality, visibility above subtlety, and privacy out of reach. The separation of fame and merit is one of the central dilemmas Cowen considers in his account of the modern market economy. He shows how fame is produced, outlines the principles that govern who becomes famous and why, and discusses whether fame-seeking behavior harmonizes individual and social interests or corrupts social discourse and degrades culture. Most pertinently, Cowen considers the implications of modern fame for creativity, privacy, and morality. Where critics from Plato to Allan Bloom have decried the quest for fame, Cowen takes a more pragmatic, optimistic view. He identifies the benefits of a fame-intensive society and makes a persuasive case that however bad fame may turn out to be for the famous, it is generally good for society and culture.
The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom – Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen – and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels.
