Our Musical Heritage
Author: Seán Ó Riada
Publisher:
Published: 1982
Total Pages: 94
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Seán Ó Riada
Publisher:
Published: 1982
Total Pages: 94
ISBN-13:
DOWNLOAD EBOOKAuthor: Curt Sachs
Publisher:
Published: 1963
Total Pages: 400
ISBN-13:
DOWNLOAD EBOOKAuthor: Ric Alviso
Publisher:
Published: 2012-12-30
Total Pages: 0
ISBN-13: 9781465213655
DOWNLOAD EBOOKMulticultural Music in America: An Introduction to Our Musical Heritage
Author: Frederic Fay Swift
Publisher:
Published: 1965
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Mark Evans
Publisher:
Published: 2023-10-31
Total Pages: 0
ISBN-13: 9780984767991
DOWNLOAD EBOOKAuthor: Curt Sachs
Publisher:
Published: 1949
Total Pages: 388
ISBN-13:
DOWNLOAD EBOOKAuthor: Charles Leonhard
Publisher:
Published: 1970
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: E. D. Jayaram
Publisher:
Published: 1940
Total Pages: 4
ISBN-13:
DOWNLOAD EBOOKAuthor: Frederic Fay Swift
Publisher:
Published: 1965
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Dwight Reynolds
Publisher: Routledge
Published: 2020-12-31
Total Pages: 388
ISBN-13: 1000289540
DOWNLOAD EBOOKThe Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved.