Capturing a behind-the-scenes glimpse into the world of science fiction, this unique autobiography by Robert Silverberg shows how famous stories in this genre were conceived and written. Chronicling his career as one of the most important American science fiction writers of the 20th century, this account reveals how he rose to prominence as the pulp era was ending-and the genre was beginning to take on a more sophisticated tone-to eventually be named a Grand Master by the Science Fiction Writers of America.
Polish director Tadeusz Kantor, who died in 1990 at the age of 75, is widely recognized as one of the most important theatre artists of this century. Critics have ranked him with such influential directors as Stanislavsky, Meyerhold, Brecht, and Grotowski. Known in the United States primarily for his visually stunning productions, he is also highly regarded throughout Europe for his theoretically adventurous writings. Michal Kobialka, whom Kantor authorized to translate his work, provides us with the first collection of Kantor's essays in English, together with his analysis of the corpus of Kantor's work, both written and staged.
The heightened environmental awareness that defines our contemporary urban age is both a challenge and an opportunity for urban planners and designers. In order to acquire perspective, context and leverage, city-makers must access the intangible realms of meaning to investigate the nature of social life and its relationship to space. In response to provocative spatial discourse from Lefebvre, Foucault and the Situationists International, Other Spaces, plural narratives of place in Berlin’s SO36, explores the application of theory in today’s broad and increasingly interdisciplinary planning and design practice. Deeply rooted in the philosophy of space, the concept of otherness is presented as a distinctive critical element and promising tool for contemporary urban analysis. As a source of spatial knowledge, otherness raises issues of relativity and reveals the layered, multi-dimensional reality of the urban environment. Both physical and symbolic, it complements conventional research methodologies with a qualitative, creative and proactive element. Unlocking a place-based imagination may be an instrumental tool for more responsible and creative urbanism. The SO36 case study suggests an alternative research approach that focuses on the observational, the experiential, and the intuitive as the fundamental basis for knowledge creation. An initial assessment of the built environment evolved to reveal abstract and subjective, but nevertheless complimentary dimensions of space. Alternative techniques of urban exploration and mapping were deployed, using otherness as a guiding principle to comparatively dissect urban morphologies and architectural typologies. Bridging the gap between professionals and citizens, this approach selectively explores urban themes and associations that reflect physical and symbolic otherness. The outcomes indicate a relationship between form and meaning, which is based and strongly supported by the community's distinctive personal and collective spatial imagination. Ultimately, what is revealed are conflicting social realities that exist simultaneously in symbiosis and define the neighborhood as a kaleidoscope of place. Das gesteigerte Umweltbewusstsein unseres zeitgenössischen, urbanen Zeitalters ist für Stadtplaner und Designer sowohl eine Herausforderung als auch eine Chance. Um bessere Sichtweisen, Zusammenhänge und Einfluss zu erlangen, müssen städtische Entscheidungsträger auf den vagen Bereich der Bedeutung zurück greifen, um das Wesen von Sozialleben und dessen Verhältnis zu Raum zu untersuchen. Als Antwort auf den provokativen Raumdiskurs von Lefebvre, Foucault und der Situationistischen Internationalen, untersucht Other Spaces, plural narratives of place in Berlin´s SO36 die Anwendung von Theorie in der weiten und zunehmend interdisziplinären Planungs- und Designpraxis der Gegenwart. Das Konzept der Andersheit ist tief verwurzelt in der Philosophie des Raumes. Es stellt sowohl einen charakteristischen, kritischen Faktor sowie ein vielversprechendes Mittel einer Analyse der zeitgenössischen Urbanität dar. Andersheit als eine Quelle des räumlichen Wissens wirft Themen der Relativität auf, gleichzeitig offenbart es die vielschichtige, multidimensionale Gegebenheit der städtischen Umwelt. Konventionelle Forschungsmethoden werden sowohl materiell als auch symbolisch mit einem qualitativen, kreativen und initiativen Faktor ergänzt. Das Freilegen einer ortsbezogenen Idee kann ein hilfreiches Mittel für mehr Verantwortung und kreativere Stadtplanung sein. Die Fallstudie SO36 zeigt einen alternativen Forschungsansatz auf, der sich auf die Beobachtung, die Empirie und die Intuition als die wesentlichen Bestandteile für die Generierung von Wissen konzentriert. Eine anfängliche Einschätzung der bebauten Umwelt weicht der Freilegung abstrakterer und subjektiverer, aber nichtsdestotrotz ergänzender Raumdimensionen. Alternative Techniken der Stadtforschung und Kartographie wurden eingesetzt, die Andersheit als ein Leitprinzip anwenden, um urbane Strukturen und architektonische Typologien aufzugliedern. Dieser Ansatz erforscht gezielt urbane Bezugspunkte und Gemeinschaften, die eine äußerliche und symbolische Andersheit widerspiegeln, und überbrückt so die Kluft zwischen Experten und Einwohnern. Die Resultate deuten eine Verbindung zwischen Gestalt und Bedeutung an, die auf der unverkennbaren, persönlichen wie kollektiven räumlichen Vorstellungskraft der Gemeinschaft beruht, und von dieser auch unterstützt wird. Letztlich werden widersprüchliche, soziale Realitäten frei gelegt, die in einer gleichzeitigen Symbiose existieren und Nachbarschaft als ein Kaleidoskop von Orten definieren.
This book by the late Fred Kersten—known to many as the translator of Edmund Husserl’s Ideas I—takes up the challenge of Husserl’s phenomenology as the “will to return to the matters themselves,” providing extensive methodological reflections before proceeding to a series of painstaking phenomenological analyses based on a number of evocative examples such as the indeterminate mass of the hillside that looms up before me as I walk toward it in the dark.
Resonating with the ethos of open dialogue and the experimentation of women artists' collectives in the 1970s and 1980s, Of Other Spaces constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Highlighting the inherent seditiousness that animates feminist thinking, the book seeks out the lodestone of a volatile politics that calls for and instigates urgent alternatives to the cultural, political, and economic machineries of power that haunt this world. The book documents an exhibition and symposium that brought together women artists, writers, and thinkers. Contributors 12, Anne Bean, James Bell, Laura Edbrook & Sarah Forrest, Rose English, Rebecca Gordon-Nesbitt, Althea Greenan, Margaret Harrison, Sophia Yadong Hao, Susan Hiller, Amelia Jones, Mary Kelly, Alexandra Kokoli, Linder, Kirsty Logan, Katherine Maynell, Lynda Morris, Laura Mulvey, Annabel Nicolson, Adele Patrick, Cullinan Richards, Su Richardson, Monica Ross, Hannah O'Shea, Catherine Spencer, Georgina Starr, Marina Vishmidt
The Other Space Race is a unique look at the early U.S. space program and how it both shaped and was shaped by politics during the Cold War. Eisenhower’s “New Look” expanded the role of the Air Force in national security, and ultimately allowed ambitious aerospace projects, namely the “Dyna-Soar,” a bomber equipped with nuclear weapons that would operate in space. Eisenhower’s space policy was purely practical, creating a strong deterrent against the use of nuclear arms against the United States. With the Soviet launch of Sputnik in 1957, the political climate changed, and space travel became part of the United States’ national discourse. Sambaluk explores what followed, including the scuttling of the “Dyna-Soar” program and the transition from Eisenhower’s space policy to John Kennedy’s. This well-argued, well-researched book gives much needed perspective on the Cold War’s influence on space travel and it’s relation to the formation of public policy.
This important study upsets the popular assumption that human relations in small-scale societies are based on shared experience. In a theoretically innovative account of the lives of the Korowai of West Papua, Indonesia, Rupert Stasch shows that in this society, people organize their connections to each another around otherness. Analyzing the Korowai people's famous "tree house" dwellings, their patterns of living far apart, and their practices of kinship, marriage, and childbearing and rearing, Stasch argues that the Korowai actively make relations not out of what they have in common, but out of what divides them. Society of Others, the first anthropological book about the Korowai, offers a picture of Korowai lives sharply at odds with stereotypes of "tribal" societies.
The texts presented in Proportion Harmonies and Identities (PHI) Time and Space were compiled to establish a multidisciplinary platform for presenting, interacting, and disseminating research. It also aims to foster awareness and discussion on Time and Space, focusing on different visions relevant to Architecture, Arts and Humanities, Design and Social Sciences, and its importance and benefits for the sense of identity, both individual and communal. The idea of Time and Space has been a powerful motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.
This selection of non-fictional work from the author of Life, a User's Manual, demonstrates Georges Perec's characteristic lightness of touch, wry humour and accessibility.
According to current philosophical lore, Kant rejected the notion that philosophy can progress by psychological means and endeavored to restrict it accordingly. This book reverses the frame from Kant the anti-psychological critic of psychological philosophy to Kant the preeminent psychological critic of non-psychological philosophy.
