This title offers a compact history of the meanings and uses of plagiarism from antiquity to the present. It is an interpretation of Oscar Wilde's plagiarism and of its impact on Joyce, Borges, Gide, and many others.
In Oscar Wilde's Chatterton, Joseph Bristow and Rebecca N. Mitchell explore Wilde's fascination with the eighteenth-century forger Thomas Chatterton, who tragically took his life at the age of seventeen. This innovative study combines a scholarly monograph with a textual edition of the extensive notes that Wilde took on the brilliant forger who inspired not only Coleridge, Wordsworth, and Keats but also Victorian artists and authors. Bristow and Mitchell argue that Wilde's substantial “Chatterton” notebook, which previous scholars have deemed a work of plagiarism, is central to his development as a gifted writer of criticism, drama, fiction, and poetry. This volume, which covers the whole span of Wilde's career, reveals that his research on Chatterton informs his deepest engagements with Romanticism, plagiarism, and forgery, especially in later works such as “The Portrait of Mr. W. H.,”The Picture of Dorian Gray, and The Importance of Being Earnest. Grounded in painstaking archival research that draws on previously undiscovered sources,Oscar Wilde's Chatterton explains why, in Wilde's personal canon of great writers (which included such figures as Charles Baudelaire, Gustave Flaubert, Théophile Gautier, and Dante Gabriel Rossetti), Chatterton stood as an equal in this most distinguished company.
A materialist account of Wilde's career as a writer, Oscar Wilde's Profession contests three widely held assumptions about his success: that there is a clear distinction between his life as a journalist and his artistic celebrity; that he was an aesthetic 'purist' in his attitude towards his own books; and that his career was driven by an oppositional sexual or nationalist politics. The authors bring together evidence from the publishing trade, from Wilde's contracts and correspondence with publishers, and from documentation about his earnings (particularly the plays) to show that he always worked for money, but that he achieved far less financial success than is usually thought. Far from subverting the nascent consumerism of his time, he was thoroughly immersed in its values--in the commodification of culture in which books became product. At the same time, Oscar Wilde's Profession provides a uniquely detailed account of Wilde's processes of composition, springing from the re-examination of his writing practice currently being undertaken in the Oxford English Texts edition of his complete work: it surveys his writing practices across the whole of the oeuvre, and radically reinterprets the significance of his revision and 'plagiarism'.
With extensive reference to and exposition on Wilde's theoretical writings and letters, Frankel shows that, far from being marginal elements of the literary text, these decorative devices were central to Wilde's understanding of his own writings as well as to his "aesthetic" theory of language. Extensive illustrations support Frankel's arguments.".
‘Pen, Pencil, and Poison’ is one of Wilde’s most intriguing essays. Part biography, part social commentary, and part philosophical debate, he writes the biography of an art critic, who was also convicted of murder. However, in true Wildean style, there’s more to the essay than meets the eye. While documenting the life and crimes of Thomas Griffiths Wainwright, Wilde explores the ideas of dual identity, sin in the formation of the personality, and the relationship between crime and culture. ‘Pen, Pencil, and Poison’ is a fascinating insight into some of the conventions of the time. Oscar Wilde (1854 – 1900) was an Irish novelist, poet, playwright, and wit. He was an advocate of the Aesthetic movement, which extolled the virtues of art for the sake of art. During his career, Wilde wrote nine plays, including ‘The Importance of Being Earnest,’ ‘Lady Windermere’s Fan,’ and ‘A Woman of No Importance,’ many of which are still performed today. His only novel, ‘The Picture of Dorian Gray’ was adapted for the silver screen, in the film, ‘Dorian Gray,’ starring Ben Barnes and Colin Firth. In addition, Wilde wrote 43 poems, and seven essays. His life was the subject of a film, starring Stephen Fry.
Professor Kohl's aim is to gain fresh insight into his literary and critical œuvre of Oscar Wilde. He analyses each of his works on the basis of a textually oriented interpretation, taking equal account of the biographical and intellectual contexts through the use of contradictions that Wilde show as individualism and convention.
Works of Wilde’s annus mirabilis of 1891 in one volume, with an introduction by renowned British playwright. The Soul of Man Under Socialism draw on works from a single miraculous year in which Oscar Wilde published the larger part of his greatest works in prose—the year he came into maturity as an artist. Before the end of 1891, he had written the first of his phenomenally successful plays and met the young man who would win his heart, beginning the love affair that would lead to imprisonment and public infamy. In a witty introduction, playwright, novelist and Wilde scholar Neil Bartlett explains what made this point in the writer’s life central to his genius and why Wilde remains a provocative and radical figure to this day. Included here are the entirety of Wilde’s foray into political philosophy, The Soul of Man Under Socialism; the complete essay collection Intentions; selections from The Portrait of Dorian Gray as well as its paradoxical and scandalous preface; and some of Wilde’s greatest fictions for children. Each selection is accompanied by stimulating and enlightening annotations. A delight for fans of Oscar Wilde, In Praise of Disobedience will revitalize an often misunderstood legacy.