Oscar and the Grand Old Dude Named York
Oscar and the Grand Old Dude Named York

Author: Ross Curnow

Publisher: Walker Books Australia

Published: 2024-08-01

Total Pages: 186

ISBN-13: 1760657859

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A hilarious, fast-paced tale about a boy, a necklace, his crush and how the booby traps set by his maniacal neighbour save the day. The perfect book for fans of David Walliams and L. Pinchon's Tom Gates series, who are moving onto the next readership level. Oscar’s life has become a mystery. He has no idea why his grandfather bequeathed him a necklace – of all things! He could give it to Tiffany Crandle, if she actually knew he existed! The only one who does notice him is his neighbour Basil York, who apparently wants him dead – at least that’s what the weird-and-definitely-not-wonderful daily booby traps he sets for him seem to imply! Things get even stranger when his grandfather’s shop is burgled, and suddenly Oscar, his friend Maddie are in danger. Who knew that an old necklace would turn out to be such bait for bad guys? Oscar has more going on a kid in Year 7 should have to deal with … and Basil York might just turn out to be the biggest mystery of all.

The Advocate
The Advocate

Author:

Publisher:

Published: 2004-01-20

Total Pages: 96

ISBN-13:

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The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

The First Oscar Hammerstein and New York's Golden Age of Theater and Music
The First Oscar Hammerstein and New York's Golden Age of Theater and Music

Author: Adolph S. Tomars

Publisher: McFarland

Published: 2020-04-23

Total Pages: 217

ISBN-13: 0786496150

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Oscar Hammerstein I came to New York in the 1860s, a Prussian runaway with $1.50 in his pocket, and found work at a cigar factory. A decade later he was publishing the nation's leading tobacco trade journal and held dozens of patents for cigar-rolling machinery. He made a fortune and turned his efforts to theater. He built eight of them, including four around Longacre Square--later Times Square--which became a thriving theater district. A daring impresario, he was involved at all levels, from booking to composition to stagecraft. Throughout the Gay Nineties and early 20th century, he billed the world's top actors, prima donnas and vaudeville acts. Then, as now, show business was speculation and high adventure, with rivalries fought in the headlines. Always a storm center, Hammerstein played a skillful chess game with both partners and performers while staging first-class shows for capacity crowds. This biography--from an unfinished manuscript by the son of one of his stage managers--recounts the heyday of his bold productions, his often turbulent relationships with associates, and the birth of Broadway.

The Oxford Companion to the American Musical
The Oxford Companion to the American Musical

Author: Thomas S. Hischak

Publisher: Oxford University Press

Published: 2008-06-02

Total Pages:

ISBN-13: 0199887322

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From the silver screen to the Great White Way, small community theatres to television sets, the musical has long held a special place in America's heart and history. Now, in The Oxford Companion to the American Musical, readers who flocked to the movies to see An American in Paris or Chicago, lined up for tickets to West Side Story or Rent, or crowded around their TVs to watch Cinderella or High School Musical can finally turn to a single book for details about them all. For the first time, this popular subject has an engaging and authoritative book as thrilling as the performances themselves. With more than two thousand entries, this illustrated guide offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more. Biographical entries range from early stars Fred Astaire, Bing Crosby, Mary Martin, and Mae West to contemporary show-stoppers Nathan Lane, Savion Glover, and Kristin Chenoweth, while composers Irving Berlin, George Gershwin, Richard Rodgers, and Andrew Lloyd Webber all have articles, and the choreography of Bob Fosse, Tommy Tune, and Debbie Allen receives due examination. The plays and films covered range from modern hits like Mamma Mia! and Moulin Rouge! to timeless classics such as Yankee Doodle Dandy and Show Boat. Also, numerous musicals written specifically for television appear throughout, and many entries follow a work-Babes in Toyland for example-as it moves across genres, from stage, to film, to television. The Companion also includes cross references, a comprehensive listing of recommended recordings and further reading, a useful chronology of all the musicals described in the book, plus a complete index of Tony Award and Academy Award winners. Whether you are curious about Singin' in the Rain or Spamalot, or simply adore The Wizard of Oz or Grease, this well-researched and entertaining resource is the first place to turn for reliable information on virtually every aspect of the American musical.

Grand Design
Grand Design

Author: Tino Balio

Publisher: Univ of California Press

Published: 1995

Total Pages: 500

ISBN-13: 9780520203341

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The advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. The year 1939, celebrated as "Hollywood's greatest year," saw the release of such memorable films as Gone with the Wind, The Wizard of Oz, and Stagecoach. It was a time when the studios exercised nearly absolute control over their product as well as over such stars as Bette Davis, Clark Gable, and Humphrey Bogart. In this fifth volume of the award-winning series History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era.

Suffrage Reconstructed
Suffrage Reconstructed

Author: Laura E. Free

Publisher: Cornell University Press

Published: 2015-11-06

Total Pages: 246

ISBN-13: 1501701088

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The Fourteenth Amendment, ratified on July 9, 1868, identified all legitimate voters as "male." In so doing, it added gender-specific language to the U.S. Constitution for the first time. Suffrage Reconstructed considers how and why the amendment's authors made this decision. Vividly detailing congressional floor bickering and activist campaigning, Laura E. Free takes readers into the pre- and postwar fights over precisely who should have the right to vote. Free demonstrates that all men, black and white, were the ultimate victors of these fights, as gender became the single most important marker of voting rights during Reconstruction. Free argues that the Fourteenth Amendment's language was shaped by three key groups: African American activists who used ideas about manhood to claim black men's right to the ballot, postwar congressmen who sought to justify enfranchising southern black men, and women's rights advocates who began to petition Congress for the ballot for the first time as the Amendment was being drafted. To prevent women's inadvertent enfranchisement, and to incorporate formerly disfranchised black men into the voting polity, the Fourteenth Amendment's congressional authors turned to gender to define the new American voter. Faced with this exclusion some woman suffragists, most notably Elizabeth Cady Stanton, turned to rhetorical racism in order to mount a campaign against sex as a determinant of one's capacity to vote. Stanton's actions caused a rift with Frederick Douglass and a schism in the fledgling woman suffrage movement. By integrating gender analysis and political history, Suffrage Reconstructed offers a new interpretation of the Civil War–era remaking of American democracy, placing African American activists and women's rights advocates at the heart of nineteenth-century American conversations about public policy, civil rights, and the franchise.