The essays in this volume use the concept of heresy to gain insight into the value of social order during the eighteenth century. By applying the vocabulary of religion to behaviours that might more usually be studied as deviance, the contributors can account for the complexity and vehemence of conflicts over right order played out in the literary, artistic, and political arenas of the age. The essays examine a range of cultural encounters between orthodox and heterodox figures.
This is the first scholarly study to focus on satirical prints of women in the late eighteenth century. This was the golden age of graphic satire: thousands of prints were published, and they were viewed by nearly all sections of the population. These prints both reflected and sought to shape contemporary debate about the role of women in society. Cindy McCreery's study examines the beliefs and prejudices of Georgian England which they revealed.
Feeling British argues that the discourse of sympathy both encourages and problematizes a sense of shared national identity in eighteenth-century and Romantic British literature and culture. Although the 1707 Act of Union officially joined England and Scotland, government policy alone could not overcome centuries of feuding and ill will between these nations. Accordingly, the literary public sphere became a vital arena for the development and promotion of a new national identity, Britishness. Feeling British starts by examining the political implications of the Scottish Enlightenment's theorizations of sympathy the mechanism by which emotions are shared between people. From these philosophical beginnings, this study tracks how sympathetic discourse is deployed by a variety of authors - including Defoe, Smollett, Johnson, Wordsworth, and Scott - invested in constructing, but also in questioning, an inclusive sense of what it means to be British.
At once political institution, lived experience, and discursive figure, exile defined Louis XIV's absolutist France. The Place of Exile connects the movements of both people and books through and around this absolutist territory in order to understand the deliberate construction of real and imagined marginal cultures. Four case studies of everyday, sociable writing called leisure literature guide us through an ever-widening territory of disaffection and alienation, from the center of absolutism at Louis XIV's first court to Europe's international communities of refugees.
This book is a study of the measurement and understanding of time in seventeenth-century Europe, particularly in France. Close readings of literary representations of time in Moliere, Mme de Sevigne, and Mmd de Lafayette are contextualized with historical studies of court life under Louis XIV, the restructuring of the early modern French postal system, and the emergencce of new practices of periodical publication, respectively. An epistemological backdrop for these historical and literary studies is provided by an introductory analysis of developments in the science of time measurement under Louis XIV. A concluding section places questions of human temporality in the contemporary context of global environmental concerns.
Exploring canonical and non-canonical literature, scurrilous pamphlets and court cases, music, religion and politics, consumer culture and sexual subcultures, these essays concern the lives and representations of homosexuals in the long eighteenth century
"Theoretically and historically grounded, Literary Memory will appeal to all those interested in the writings of Scott, the Scottish Enlightenment, Romantic cultural history, the history of the novel, narrative theory, and literature in relation to psychology and psychoanalysis."--BOOK JACKET.
This book engages in a critical recovery and reconstruction of the Wesleyan theological legacy in relation to current theological concepts and Christian practices with the intent to present opportunities for future directions. The contributors address urgent questions from the contexts in which people now live, particularly questions regarding social holiness and Christian practices. To that end, the authors focus on historical figures (John Wesley, Susanna Wesley, Harry Hoosier and Richard Allen); historical developments (such as the ways in which African Americans appropriated Methodism); and theological themes (such as holistic healing, work and vocation, and prophetic grace). The purpose is not to provide a comprehensive historical and theological coverage of the tradition, but to exemplify approaches to historical recovery and reconstruction that follow appropriately the mentorship of John Wesley and the living tradition that has emerged from his witness. Contributors: W. Stephen Gunter, Richard P. Heitzenrater, Diane Leclerc, William B. McClain, Randy L. Maddox, Rebekah L. Miles, Mary Elizabeth Mullino Moore, Amy G. Oden, and Elaine A. Robinson.
Scandal existed long before celebrity gossip columns, often hidden behind the closed doors of the Georgian aristocracy. But secrets were impossible to keep in a household of servants who listened at walls and spied through keyholes. The early mass media pounced on these juicy tales of adultery, eager to cash in on the public appetite for sensation and expose the shocking moral corruption of the establishment. Drawing on a rich collection of original and often outrageous sources, this book brings vividly to life stories of infidelity in high places – passionate, scandalous, poignant and tragic. It reveals how the flood of print detailing sordid sexual intrigues created a national outcry and made people question whether the nobility was fit to rule. Susan C. Law is a journalist and historian. Her work has been published in a wide range of newspapers and magazines, including The Times Higher Education Supplement, BBC History Magazine and London Evening Standard. Dr Law completed her PhD in History at Warwick University, and has spent many years researching the 18th and 19th century aristocracy, servants, family life and country houses.
