Sixteen ordinary souls. Sixteen not-so-ordinary tales. Ordinary Souls is an anthology about ordinary people. This new collection from J. S. Bailey features an archaeologist in the future who meets a resurrected woman from long ago, a spaceship crew stranded on a distant world, a wealthy divorcee whose love of antiques turns her life into a living nightmare, and much more. Featuring nine new stories and seven previously-published stories including “Vapors” and “Weary Traveler,” which appear in print for the first time.
After a week of hearing ghostly noises, a man is visited in his home by the spirit of his mother, dead for three decades. She reproaches him for his dissolute life and begs him to have Masses said in her name. Then she lays her hand on his sleeve, leaving an indelible burn mark, and departs... A Lutheran minister, no believer in Purgatory, is the puzzled recipient of repeated visitations from "demons" who come to him seeking prayer, consolation, and refuge in his little German church. But pity for the poor spirits overcomes the man's skepticism, and he marvels at what kind of departed souls could belong to Christ and yet suffer still... Hungry Souls recounts these stories and many others trustworthy, Church-verified accounts of earthly visitations from the dead in Purgatory. Accompanying these accounts are images from the "Museum of Purgatory" in Rome, which contains relics of encounters with the Holy Souls, including numerous evidences of hand prints burned into clothing and books; burn marks that cannot be explained by natural means or duplicated by artificial ones. Riveting!
For readers of Roberto Bolaño's Savage Detectives and Muriel Spark's Loitering with Intent, this "sublime" and "delightfully unhinged" metaphysical mystery disguised as a picaresque romp follows one poet's spectacular fall from grace to ask a vital question: Is everyone a plagiarist? (Nicolette Polek, author of Imaginary Museums). A scandal has shaken the literary world. As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night—and the remainder of the novel—to tell. Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts—plans in which our narrator discovers he is obscurely implicated. Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?
What do we mean when we speak about the soul? What are the arguments for the existence of the soul as distinct from the physical body? Do animals have souls? What is the difference between the mind and the soul? The Soul Hypothesis brings together experts from philosophy, linguistics and science to discuss the validity of these questions in the modern world. They contend that there is an aspect of the nature of human beings that is not reducible to the matter that makes up our bodies. This perspective is part of a family of views traditionally classified in philosophy as substance dualism, and has something serious in common with the ubiquitous human belief in the soul. The Soul Hypothesis presents views from a range of sciences and the resulting big picture shows, more clearly than could a single author with one area of expertise, that there is room for a soul hypothesis.
