Opera for All Seasons

Opera for All Seasons

Author: Marianne Williams Tobias

Publisher: Indiana University Press

Published: 2010-06-03

Total Pages: 497

ISBN-13: 0253353408

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From operas presented in reconfigured army barracks to those mounted on a stage rivaling that of New York's Metropolitan Opera House, Indiana University Opera Theater has grown into a world-class training ground for opera's next generation. This illustrated history captures the excitement, hard work, and talent that distinguish each performance and that have made IU Opera Theater what it is today. It includes six decades of opera production from the inaugural Tales of Hoffman, a legendary Parsifal, and a performance of Martinů's Greek Passion at the Met, to the 2008 La Bohème--the first opera streamed live on the internet from Indiana University to a worldwide audience.


A Season of Opera

A Season of Opera

Author: M. Owen Lee

Publisher: University of Toronto Press

Published: 1998-01-01

Total Pages: 258

ISBN-13: 9780802083876

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Father Lee is internationally known for his commentaries on opera. This book gathers his best commentaries and articles on 23 works for the musical stage, from the pioneering Orpheus of Monteverdi to the forward-looking Ariadne of Richard Strauss.


The Story Orchestra: Four Seasons in One Day

The Story Orchestra: Four Seasons in One Day

Author:

Publisher: Frances Lincoln Children's Books

Published: 2016-10-04

Total Pages: 0

ISBN-13: 9781847808776

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Discover what it would be like to travel through the four seasons in one day in this musical story based on the classical masterpiece The Four Seasons—push the button in each breathtaking scene to hear the vivid sound of an orchestra playing from Vivaldi's score. Follow a little girl called Isabelle and her dog, Pickle, as they take on the adventure of a lifetime. As a sign of the changing seasons, Isabelle carries a little apple tree with her, and we see it bud, blossom, and lose its leaves. As you and your little one journey through the vibrant scenes illustrated by artist Jessica Courtney-Tickle, you will press the buttons to hear 10 excerpts from The Four Seasons violin concerti. At the back of the book, find a short biography of the composer, Antonio Vivaldi, with details about his composition of The Four Seasons. Next to this, you can replay the musical excerpts and, for each of them, read a discussion of the instruments, rhythms, and musical techniques that make them so powerful. A glossary defines musical terms. The Story Orchestra series brings classical music to life for children through gorgeously illustrated retellings of classic ballet stories paired with 10-second sound clips of orchestras playing from their musical scores. Manufacturer's note: please pull the white tab out of the back of the book before use. Sound buttons require a firm push in exact location to work, which may be hard for young children. All sound clips are 10 seconds long.


The Last Five Years

The Last Five Years

Author:

Publisher: Hal Leonard Corporation

Published: 2003-07-01

Total Pages: 129

ISBN-13: 145843270X

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(Vocal Selections). Jason Robert Brown, the creator of Parade and Songs for a New World , has written a distinctive new Off-Broadway musical. The Last Five Years tells the story of a failed marriage of 20-somethings: he a successful novelist, she a struggling actress. Her story is told in reverse, his conventionally moving forward. They meet in the middle at the point of their wedding. Brown's strong writing has found a solid following among musical theatre fans. Our songbook features piano/vocal arrangements of 12 songs: Goodbye Until Tomorrow * I Can Do Better Than That * If I Didn't Believe in You * Moving Too Fast * The Next Ten Minutes * Nobody Needs to Know * A Part of That * The Schmuel Song * Shiksa Goddess * Still Hurting * A Summer in Ohio * When You Come Home to Me. "Short, bittersweet and nearly perfect, Brown has come up with a winning combination of music and book." Variety


Italian Opera Houses and Festivals

Italian Opera Houses and Festivals

Author: Karyl Charna Lynn

Publisher: Scarecrow Press

Published: 2005-11-01

Total Pages: 366

ISBN-13: 1461706785

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Italian Opera in the 18th and 19th centuries was an experience unequaled anywhere else in the world. The unique emotion, flavor, and passion that existed have yet to be attained in any other country. Opera houses in Italy are the birthplace of this great art form. They represent its beauty and richness. More than just concrete, stone, glass, and wood, they are alive, each with a character and history of its own. This work recreates the social, political, architectural, and performance histories of each house by including eyewitness accounts from Italian newspapers, journals, and books of the time. It covers more than 50 Italian opera houses and festivals, organized by their city of origin and geographic region. Each chapter is a journey back in time, beginning with the first theaters and performances in the city and concluding with an architectural description of the principal theater and a practical information guide for visitors (including hotel recommendations). The operatic activities of the main theater, including inaugurations, important performances, and world premieres, are also covered. A photospread, along with brief descriptions of opera-related sites, including the birthplaces, dwellings, and museums of Italy's greatest composers, give an even more complete portrait of the art.


Opera on Stage

Opera on Stage

Author: Lorenzo Bianconi

Publisher: University of Chicago Press

Published: 2002-07

Total Pages: 449

ISBN-13: 0226045919

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The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.


Mad Scenes and Exit Arias

Mad Scenes and Exit Arias

Author: Heidi Waleson

Publisher: Metropolitan Books

Published: 2018-10-02

Total Pages: 304

ISBN-13: 1627794972

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From the Wall Street Journal's opera critic, a wide-ranging narrative history of how and why the New York City Opera went bankrupt—and what it means for the future of the arts In October 2013, the arts world was rocked by the news that the New York City Opera—“the people’s opera”—had finally succumbed to financial hardship after 70 years in operation. The company had been a fixture on the national opera scene—as the populist antithesis of the grand Metropolitan Opera, a nurturing home for young American talent, and a place where new, lively ideas shook up a venerable art form. But NYCO’s demise represented more than the loss of a cherished organization: it was a harbinger of massive upheaval in the performing arts—and a warning about how cultural institutions would need to change in order to survive. Drawing on extensive research and reporting, Heidi Waleson, one of the foremost American opera critics, recounts the history of this scrappy company and reveals how, from the beginning, it precariously balanced an ambitious artistic program on fragile financial supports. Waleson also looks forward and considers some better-managed, more visionary opera companies that have taken City Opera’s lessons to heart. Above all, Mad Scenes and Exit Arias is a story of money, ego, changes in institutional identity, competing forces of populism and elitism, and the ongoing debate about the role of the arts in society. It serves as a detailed case study not only for an American arts organization, but also for the sustainability and management of nonprofit organizations across the country.