Opera, a History of the Impossible Genre

Opera, a History of the Impossible Genre

Author: Jeffrey Langford

Publisher: Taylor & Francis

Published: 2024-10-01

Total Pages: 188

ISBN-13: 1040127568

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Opera, a History of the Impossible Genre offers an accessible and chronological survey of opera. Beginning in the 16th century, each chapter hones its focus on a representative opera and composer, and provides discussion on historical and political context. With further reading lists, key term definitions, and composer biographies to support learning, this book covers the fundamental elements of the genre, including: subject matter, musical structure, aria and ensemble forms, singing styles, orchestra, and the structure of the libretto. The book will also help readers develop an appreciation of opera as a form of musical entertainment, which, despite seemingly insurmountable financial, philosophical, and artistic hurdles, has overcome the “impossible” to become one of the most popular and thrilling types of music heard on stage today. Opera, a History of the Impossible Genre is an approachable undergraduate textbook for students of opera and survey courses.


Opera, a History of the Impossible Genre

Opera, a History of the Impossible Genre

Author: Jeffrey Langford

Publisher:

Published: 2024

Total Pages: 0

ISBN-13: 9781003379546

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Opera, a History of the Impossible Genre offers an accessible and chronological survey of opera. Beginning in the 16th century, each chapter hones its focus on a representative opera and composer, and provides discussion on historical and political context. With further reading lists, key term definitions and composer biographies to support learning, this book covers the fundamental elements of the genre, including: subject matter, musical structure, aria and ensemble forms, singing styles, orchestra and the structure of the libretto. The book will also help readers develop an appreciation of opera as a form of musical entertainment which, despite seemingly insurmountable financial, philosophical, and artistic hurdles, has overcome the "impossible" to become one of the most popular and thrilling types of music heard on stage today. Opera, a History of the Impossible Genre is an approachable undergraduate textbook for students of opera and survey courses.


Historical Dictionary of Opera

Historical Dictionary of Opera

Author: Scott L. Balthazar

Publisher: Scarecrow Press

Published: 2013-07-05

Total Pages: 564

ISBN-13: 0810879433

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Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.


A History of Opera

A History of Opera

Author: Burton D. Fisher

Publisher: Opera Journeys Publishing

Published: 2005

Total Pages: 432

ISBN-13: 1930841981

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A comprehensive history of opera that traces each milestone in opera history from the 16th century Camerata through the next 400 years, and featurrd in depth analysis of all important genres: the Baroque, Classical, and Romantic eras, Bel Canto, Opera Buffa, German Romanticism, Wagner and music drama, Verismo, Impressionism, Expressionism, Serialism, and much more.


The Oxford Illustrated History of Opera

The Oxford Illustrated History of Opera

Author: Roger Parker

Publisher: Oxford University Press, USA

Published: 2001

Total Pages: 618

ISBN-13: 9780192854452

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A historical survey of opera, from its beginnings in Florence 400 years ago, up to opera in the 1990s.


The Cambridge Companion to Richard Strauss

The Cambridge Companion to Richard Strauss

Author: Charles Youmans

Publisher: Cambridge University Press

Published: 2010-11-18

Total Pages: 369

ISBN-13: 1139828525

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Richard Strauss is a composer much loved among audiences throughout the world, both in the opera house and the concert hall. Despite this popularity, Strauss was for many years ignored by scholars, who considered his commercial success and his continued reliance on the tonal system to be liabilities. However, the past two decades have seen a resurgence of scholarly interest in the composer. This Companion surveys the results, focusing on the principal genres, the social and historical context, and topics perennially controversial over the last century. Chapters cover Strauss's immense operatic output, the electrifying modernism of his tone poems, and his ever-popular Lieder. Controversial topics are explored, including Strauss's relationship to the Third Reich and the sexual dimension of his works. Reintroducing the composer and his music in light of recent research, the volume shows Strauss's artistic personality to be richer and much more complicated than has been previously acknowledged.


Nero in Opera

Nero in Opera

Author: Gesine Manuwald

Publisher: Walter de Gruyter

Published: 2013-05-28

Total Pages: 420

ISBN-13: 3110317516

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This book considers the story of Nero and Octavia, as told in the pseudo-Senecan Octavia and the works of ancient historiographers, and its reception in (early) modern opera and some related examples of other performative genres. In total the study assembles more than 30 performative texts (including 22 librettos), ranging chronologically from L'incoronazione di Poppea in 1642/43 until the early 20th century, and provides detailed information on all of them. In a close examination of the libretto (and dramatic) texts, the study shows the impact and development of this fascinating story from the beginnings of historical opera onwards. The volume demonstrates the various transformations of the characters of Nero and his wives and of the depiction of their relationship over the centuries, and it looks at the tension between “historical” elements and genre conventions. The book is therefore of relevance to literary scholars as well as to readers interested in the evolution of Nero’s image in present-day media.


A History of Opera

A History of Opera

Author: Carolyn Abbate

Publisher: W. W. Norton & Company

Published: 2015-09-08

Total Pages: 648

ISBN-13: 0393089533

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“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.


Opera After the Zero Hour

Opera After the Zero Hour

Author: Emily Richmond Pollock

Publisher: Oxford University Press

Published: 2019-08-20

Total Pages: 313

ISBN-13: 0190063750

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Opera After the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany presents opera as a site for the renegotiation of tradition in a politically fraught era of rebuilding. Though the "Zero Hour" put a rhetorical caesura between National Socialism and postwar West Germany, the postwar era was characterized by significant cultural continuity with the past. With nearly all of the major opera houses destroyed and a complex relationship to the competing ethics of modernism and restoration, opera was a richly contested art form, and the genre's reputed conservatism was remarkably multi-faceted. Author Emily Richmond Pollock explores how composers developed different strategies to make new opera "new" while still deferring to historical conventions, all of which carried cultural resonances of their own. Diverse approaches to operatic tradition are exemplified through five case studies in works by Boris Blacher, Hans Werner Henze, Carl Orff, Bernd Alois Zimmermann, and Werner Egk. Each opera alludes to a distinct cultural or musical past, from Greek tragedy to Dada, bel canto to Berg. Pollock's discussions of these pieces draw on source studies, close readings, unpublished correspondence, institutional history, and critical commentary to illuminate the politicized artistic environment that influenced these operas' creation and reception. The result is new insight into how the particular opposition between a conservative genre and the idea of the "Zero Hour" motivated the development of opera's social, aesthetic, and political value after World War II.


Opera History

Opera History

Author: Isabella Kim

Publisher: Publifye AS

Published: 2024-10-16

Total Pages: 109

ISBN-13: 8233934518

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""Opera History: The Evolution of Grand Theatrics and Vocal Mastery"" offers a captivating exploration of opera's development, focusing on vocal techniques and theatrical staging. This comprehensive book traces opera's journey from 16th-century Italian courts to its global presence today, highlighting the art form's unique blend of music and drama. The book argues that opera represents a pinnacle of human artistic achievement, supporting this claim through chronological examination of key periods, composers, and works. Readers will discover intriguing insights into the bel canto technique and Wagner's influential music dramas. The integration of modern scientific understanding of vocal acoustics with historical performance practices provides a fresh perspective on opera's evolution. Structured chronologically, the book progresses through major operatic periods, exploring interdisciplinary connections with literature, visual arts, and sociology. Its scholarly yet accessible writing style, combined with illustrations and musical analyses, makes it valuable for both academics and enthusiasts. By delving into the art and science behind opera's powerful voices and grand theatrics, this book offers readers a deeper appreciation of this complex and enduring art form.