“In Norman Fischer’s translation, the words of the Psalms are clothed in renewed beauty – clear, uncompromising, shining with devotion.”–Jack Kornfield, author of After the Ecstasy, the Laundry A week with the Trappist monks of Gethsemani Abbey in Kentucky left Norman Fischer feeling inspired by the uplifting, soaring verses chanted each day, but also astonished by the violence, passion, and bitterness expressed. This experience started him on a journey through Eastern and Western spirituality and his own Jewish roots toward these moving and intimate translations of the Psalms. In ninety-three poems of praise, celebration, suffering, and lamentation, Opening to You brings the Psalms alive, conveying their beauty and power in accessible English for today’s readers of every spiritual path or religious background and transforming the sacred songs into the timeless music of enlightenment.
In the spirit of the bestselling classics DON'T LET THE PIGEON DRIVE THE BUS and THE MONSTER AT THE END OF THIS BOOK comes a riotously funny, interactive picture book from a hot new team. "Excuse me, but who do you think you are, opening this book when the cover clearly says, DO NOT OPEN THIS BOOK? The reason you weren't supposed to open this book is because it is not yet written ...You think it's easy to put words together? Hah Now go away--I need time to think." So begins Pig's valiant attempt to pen his masterpiece. But he is constantly interrupted by the reader who is seduced at every turn into foiling his efforts ("please go away" "please do not turn the page")--until at last we reach the final page & discover that together, Pig & the reader have indeed created a book.
A great movie’s first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. In Cinematic Overtures, Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique. From Joe Gillis’s voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from the stream-of-consciousness montage as found in Hiroshima, mon amour to the slowly unfolding beginning of Schindler’s List, Cinematic Overtures analyzes opening shots from a range of Hollywood as well as international films. Insdorf pays close attention to how the viewer makes sense of these scenes and the cinematic world they are about to enter. Including dozens of frame enlargements that illustrate the strategies of opening scenes, Insdorf also examines how films explore and sometimes critique the power of the camera’s gaze. Along with analyses of opening scenes, the book offers a series of revelatory and surprising readings of individual films by some of the leading directors of the past seventy-five years. Erudite but accessible, Cinematic Overtures will lead film scholars and ardent movie fans alike to greater attentiveness to those fleeting opening moments.
Recipient of the Wanda Gag Read Aloud Book Award They told you, but you just couldn’t listen—so the creators of Warning: Do Not Open This Book! are back with a zany monkey crew, and they need your help! In Warning, Do Not Open This Book!, which School Library Journal called “more fun than a barrel of monkeys,” turning pages meant increased chaos and delight. Now the tables have turned, and opening the book is the only way to save the group of monkeys who are trapped between its pages. This irresistibly entertaining rescue effort puts power in the hands of the page-turner, and giggles into everyone! “These monkeys are a RIOT! And their books are funny, too!” —Ame Dyckman
What are the origins of Brazilian Jiu-Jitsu? Is it merely a by-product--a rebel offspring--of Judo? What was the nature and content of the art that Mitsuyo Maeda, a.k.a. "Count Koma", and other Japanese were teaching in the Amazon? Was it Judo? Jiu-Jitsu? His own personal fight-tested style, built on a foundation of Judo and informed by his dozens and dozens of matches around the world? What was the bridge between the art he learned at the Kodokan and the Brazilian style that claims him as its godfather: a style now practiced by millions worldwide (and growing bigger every day)? Should Maeda even be at the center of this story? And what role did Carlos and Hélio Gracie play in all of this? Did they "invent" BJJ? Would BJJ exist without them? And, if so, what--if anything--did they create? And why does this history matter to the average BJJ practitioner today? Any history possesses its official narrative with its own favorite characters and events. But true history is seldom simple, and more oft than not the real story is far richer than the popular version that is widely repeated and handed down. The history of BJJ and MMA in Brazil doesn't escape this paradigm. The recent renaissance in research in regards to the history of martial arts in Brazil led to the author's curiosity, which in turn led to the documentary Closed-Guard: The Origins of Jiu-Jitsu in Brazil, which in turn led to this book. This manuscript started as an account of the author's recollections of the film's production, and quickly grew into much more. Opening Closed Guard: The Story Behind the Film contains conclusions, analysis, and historical interpretations, as well as the story behind the documentary itself and the many challenges it faced along the way. It contains interviews, research articles pertaining to the history of Jiu-Jitsu in Brazil, as well as the author's own take on the current state of BJJ and MMA. Finally, it is the story of the author rediscovering his love for Jiu-Jitsu in a completely new and unexpected way. ABOUT THE AUTHOR Born in the US from a Brazilian mother and American father, and having spent his life between these two countries, Robert Drysdale remains the only American competitor to have ever won both the IBJJF and ADCC World Championships, the two most prestigious tournaments in all of Jiu-Jitsu. Furthermore, he has also cultivated a career in MMA, both as a fighter and as a coach. The author also holds a Bachelor's Degree in History, as well as a long-held passion for this discipline. He lives in Las Vegas, Nevada, where he teaches Brazilian Jiu-Jitsu and MMA. He is also the co-founder of the international team Zenith Jiu-Jitsu, and is the father of two girls.
He left KoRn to help himself. He went back to help others. And along the way, he nearly lost everything. A life-changing spiritual awakening freed Brian “Head” Welch from a stranglehold of drugs and alcohol and prompted him to leave the highly successful nu-metal band KoRn in 2005. What followed was a decade-long trial by fire, from the perils of fathering a teen lost in depression and self-mutilation to the harsh realities of playing solo and surviving the shattering betrayal of a trusted friend. In this intensely inspiring redemption saga, perhaps most inspiring is Brian’s radical decision to rejoin KoRn and reconcile with the tribe of people he once considered family in the metal music scene. Brian returned to his musical roots with a clear head and a devoted heart. Though his story is wild, hilarious, and deeply poignant, the message is simple: God will love you into the freedom of being yourself, as long as you keep the relationship going and never, ever quit.
Opening Israel's Scriptures is a collection of thirty-six essays on the Hebrew Bible, from Genesis to Chronicles, which gives powerful insight into the complexity and inexhaustibility of the Hebrew Scriptures as a theological resource. Based on more than two decades of lectures on Old Testament interpretation, Ellen F. Davis offers a selective yet comprehensive guide to the core concepts, literary patterns, storylines, and theological perspectives that are central to Israel's Scriptures. Underlying the whole study is the primary assumption that each book of the canon has literary and theological coherence, though not uniformity. In both her close readings of individual texts and in her broad demonstrations of the coherence of whole books, Davis models the best practices of contemporary exegesis, integrating the insights of contemporary scholars with those of classical theological resources in Jewish and Christian traditions. Throughout, she keeps an eye to the experiences and concerns of contemporary readers, showing through multiple examples that the critical interpretation of texts is provisional, open-ended work--a collaboration across generations and cultures. Ultimately what she offers is an invitation into the more spacious world that the Bible discloses, which challenges ordinary conceptions of how things "really" are.
Lamar Giles takes readers on a wild and dark ride in this contemporary Witness Protection thriller, perfect for fans of James Patterson, Harlan Coben, and John Grisham. Nick Pearson is hiding in plain sight. In fact, his name isn't really Nick Pearson. He shouldn't tell you his real name, his real hometown, or why his family just moved to Stepton, Virginia. And he definitely shouldn't tell you about his friend Eli Cruz and the major conspiracy Eli was uncovering when he died. About how Nick had to choose between solving Eli's murder with his hot sister, Reya, and "staying low-key" like the Program said to do. But he's going to tell you—unless he gets caught first. . . .
