One Vacant Chair by Joe Coomer It's where you sit down that determines everything in life. Sarah's aunt Edna paints portraits of chairs. Not people in chairs, just chairs. The old house is filled with her paintings, and the chairs themselves surround her work—a silent yet vigilant audience. At the funeral of Grandma Hutton—whom Edna has cared for through a long and vague illness—Sarah begins helping her aunt clean up the last of a life. This includes honoring Grandma's surprising wish to have her ashes scattered in Scotland. As the novel turns from the oppressive heat of Texas to the misty beauty of Scotland, Sarah learns of her aunt's remarkable secret life and comes to fully understand the fragile business of living, and even of dying.
In an insightful, intimate look at the links between the Civil War soldier and his home and family, Mitchell draws on the letters, diaries, and memoirs of common soldiers to show how mid-19th-century ideas shaped the Union soldier's approach to everything from military discipline to battlefield bravery. Halftone illustrations.
In many ways, the Northern soldier in the Civil War fought as if he had never left home. On campsites and battlefields, the Union volunteer adapted to military life with attitudes shaped by networks of family relationships, in units of men from the same hometown. Understanding these links between the homes the troops left behind and the war they had to fight, writes Reid Mitchell, offers critical insight into how they thought, fought, and persevered through four bloody years of combat. In The Vacant Chair, Mitchell draws on the letters, diaries, and memoirs of common soldiers to show how mid-nineteenth-century ideas and images of the home and family shaped the union soldier's approach to everything from military discipline to battlefield bravery. For hundreds of thousands of "boys," as they called themselves, the Union army was an extension of their home and childhood experiences. Many experienced the war as a coming-of-age rite, a test of such manly virtues as self-control, endurance, and courage. They served in companies recruited from the same communities, and they wrote letters reporting on each other's performance--conscious that their own behavior in the army would affect their reputations back home. So, too, were they deeply affected by letters from their families, as wives and mothers complained of suffering or demanded greater valor. Mitchell also shows how this hometown basis for volunteer units eroded respect for military rank, as men served with officers they saw as equals: "Lieut Col Dewey introduced Hugh T Reid," one sergeant wrote dryly, "by saying, 'Boys, behold your colonel,' and webeheldhim." In return, officers usually adopted paternalist attitudes toward their "boys"--especially in the case of white officers commanding black soldiers. Mitchell goes on to look at the role of women in the soldiers' experiences, from the feminine center of their own households to their hatred of Confederate women as "she-devils." The intimate relations and inner life of the Union soldier, the author writes, tell us much about how and why he kept fighting through four bloody years--and why demoralization struck the Confederate soldier as the war penetrated the South, threatening his home and family while he was at the front. "The Northern soldier did not simply experience the war as a husband, son, father, or brother--he fought that way as well," he writes. "That was part of his strength. The Confederate soldier fought the war the same way, and, in the end, that proved part of his weakness." The Vacant Chair uncovers this critical chapter in the Civil War experience, showing how the Union soldier saw--and won--our most costly conflict.
The Civil War has torn Brianna Taylor’s family apart and made her a widow. Determined to ease the suffering of the wounded crowding the Union hospitals and honor the memory of the man she loved, she embarks on a career as a nurse. But then he arrives—a patient who makes her feel alive again in spite of her resolve to stay detached. Captain Justin Thompson understands the cost of war all too well, yet he felt compelled to fight for the Union his father died defending. Wounded at Cold Harbor and left to die at a military hospital, he owes his life to Brianna, who seems determined to guard her professional boundaries despite his best efforts to breach them. Just as he’s winning the battle for her heart, he’s forced to return to the front of a cruel war that could very well separate them forever.
Inhabiting an island off the coast of Maine left to her by her great-uncle Arno, Hannah finds her life as a dedicated and solitary artist rudely interrupted one summer when a dog, matted with feathers and seaweed, arrives with the tide. He is only the first of a series of unexpected visitors and is soon followed by a teenager running from an abu...
Nine weeks after losing her husband, Charlotte escapes to a wooden motor yacht in New Hampshire, where her shipmates are an aging blue-haired widow, an emotional seventeen-year-old, and the ugliest dog in literature. A genuine bond develops among the three women, as their distinct personalities and paths cross and converge against the backdrop of emotional secrets, abuse, and the wages of old age. Off the boat, Charlotte, an archaeologist, joins a local excavation to uncover an ancient graveyard. Here she can indulge her passion for reconstructing the past, even as she tries to bury her own recent history. She comes to realize, however, that the currents of time are as fluid and persistent as the water that drifts beneath her comforting new home.
René Girard (1923–2015) was one of the leading thinkers of our era—a provocative sage who bypassed prevailing orthodoxies to offer a bold, sweeping vision of human nature, human history, and human destiny. His oeuvre, offering a “mimetic theory” of cultural origins and human behavior, inspired such writers as Milan Kundera and J. M. Coetzee, and earned him a place among the forty “immortals” of the Académie Française. Too often, however, his work is considered only within various academic specializations. This first-ever biographical study takes a wider view. Cynthia L. Haven traces the evolution of Girard’s thought in parallel with his life and times. She recounts his formative years in France and his arrival in a country torn by racial division, and reveals his insights into the collective delusions of our technological world and the changing nature of warfare. Drawing on interviews with Girard and his colleagues, Evolution of Desire: A Life of René Girard provides an essential introduction to one of the twentieth century’s most controversial and original minds.
A New York Times Notable Book of 2019 A unique exploration of the life and work of Rudyard Kipling in Gilded Age America, from a celebrated scholar of American literature At the turn of the twentieth century, Rudyard Kipling towered over not just English literature but the entire literary world. At the height of his fame in 1907, he was awarded the Nobel Prize for Literature, becoming its youngest winner. His influence on major figures—including Freud and William James—was pervasive and profound. But in recent decades Kipling’s reputation has suffered a strange eclipse. Though his body of work still looms large, and his monumental poem “If—” is quoted and referenced by politicians, athletes, and ordinary readers alike, his unabashed imperialist views have come under increased scrutiny. In If, scholar Christopher Benfey brings this fascinating and complex writer to life and, for the first time, gives full attention to Kipling's intense engagement with the United States—a rarely discussed but critical piece of evidence in our understanding of this man and his enduring legacy. Benfey traces the writer’s deep involvement with America over one crucial decade, from 1889 to 1899, when he lived for four years in Brattleboro, Vermont, and sought deliberately to turn himself into a specifically American writer. It was his most prodigious and creative period, as well as his happiest, during which he wrote The Jungle Book and Captains Courageous. Had a family dispute not forced his departure, Kipling almost certainly would have stayed. Leaving was the hardest thing he ever had to do, Kipling said. “There are only two places in the world where I want to live,” he lamented, “Bombay and Brattleboro. And I can’t live in either.” In this fresh examination of Kipling, Benfey hangs a provocative “what if” over Kipling’s American years and maps the imprint Kipling left on his adopted country as well as the imprint the country left on him. If proves there is relevance and magnificence to be found in Kipling’s work.
