A lushly festive Christmas Eve ball is the setting for newfound love in New York Times bestselling author Jodi Thomas’s novella. At twenty-one, future heiress Jacqueline Hartman needs a husband, or so her father claims. And at tonight’s ball, she must choose one, even though what she longs for is independence and adventure far from the Texas ranch where she was born. Gruff, honorable former Army captain Cody Lamar is just one of the local ranchers who plans to ask for her hand, even if his primary attraction is to the land she will inherit. A down-and-out actor mistaken for a bank robber (and currently impersonating a marshal) and an Irish hotel maid with dreams of her own are only two of the people who will complicate the evening. When it comes to love, this Christmas promises to deliver the most unexpected gifts . . . Previously published in the anthology A Texas Kind of Christmas
Book of SaintsWho are the saints, why are the lives of saints important for children, and what can children learn from lives and actions? In Loyola Kids Book of Saints, the first in the Loyola Kids series, best-selling author Amy Welborn answers these questions with exciting and inspiring stories, real-life applications, and important information about these heroes of the church. This inspiring collection of saints’ stories explains how saints become saints, why we honor them, and how they help us even today. Featuring more than sixty saints from throughout history and from all over the world, Loyola Kids Book of Saints introduces children to these wonderful role models and heroes of the church. Ages 8-12.
Forget naughty or nice; this is a battle of good and evil. Luminary Joyce and co-author Geringer deliver the first book in a new series. Before Santa was Santa, he was Nicholas St. North--a daredevil swordsman whose prowess with double scimitars was legendary. Illustrations.
Around Christmas we think a lot about presents, but have you ever wondered why we give gifts? Learn about the life of Saint Nicholas and discover why he became known as one of the greatest giftgivers of all time. Told as a delightful poem, this colorfully illustrated children's book also includes tools to help parents engage in conversation about the content.
"Bestselling author Glenn Beck re-tells the story of Santa Claus, imagining him at the first Christmas and casting him as a guardian for the infant and adult Jesus"--
Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.
