Beth Waterford has been struggling to rebuild her life around her riding friends and her family since her husbands sudden death. She is content for the most part until the other man she might have married forty years ago unexpectedly comes courting. Should she choose to abandon her hard won peace to risk a new life with an old love that disappointed her in the past? Reluctantly, she reaches out, finds herself in love again, fighting his daughter who will not accept a woman in her fathers life and her own uncertainties. The honeymoon is planned but the groom disappears. His daughter says he is dead. Beths psychic friend insists he is not. How hard will she fight to find the truth?
Mike Schott was given one month to live in March 2007. What started as a headache had manifested into a glioblastoma - the most malignant form of brain cancer. Mike began treatment with a cancer medication not yet approved for his type of cancer. Within weeks his physical and mental health improved, and he was swimming 26 laps a day. He was living life! One More Dance is a story of love, family and commitment. It's the story of Mike and Evonne Schott's courageous journey and battle against brain cancer. And it's a reminder that both life and time are priceless.
Will the prodigal son stay? Coming home to Dreamers Bay to care for his father, Doctor Jamie Morris, has no intention of staying longer than necessary. This small town knows far too much about him, and he’s done with pity. The shock of his dad’s illness must have clouded his judgment, or he would have steeled himself against seeing Stephanie. The only woman he’s ever loved is once more playing havoc with his heart and mind. He still wants her, but the future he craves is calling, and he knows he can’t have both. The chance for Stephanie to realize her dream of opening her café arrives—until the bank reneges on the loan. Taking money from her ex-lover isn’t an option, but typical of Jamie, he makes the offer too tempting to refuse. She might still love him, but history says they can’t be more than friends. Maybe not even that. 5* "Wow....wow...wow. ... The cat and mouse game of love is well and truly alive in this book. Again, gripping from start to finish. Absolutely loving Cheryl Phipps' style.... Romantic, funny and keeps your interest.” Dreamers Bay One More Chance One More Kiss One More Dance One More Step
Twenty-six-year-old Aubrey Adderley is not your typical Southern California girl. Raised mostly by her grandparents, she inherited a love for an era when multimedia and technology did not yet rule the world; when a gentleman's promise was sealed with a handshake and a lady's honor was held in the highest esteem. Aubrey has a passion for classic movies from the Golden Age of cinema. MGM musicals are her favorite; Gene Kelly, her hero. At the tender age of ten, Aubrey accompanies her mother to an autograph signing and meets Mr. Kelly. Aubrey finds his reaction to her somewhat peculiar, but doesn't think about it again until years later when a series of events orchestrated by unknown forces causes everything to begin to make sense. With the help of her level-headed best friend Rusty - and the science lab which has unwittingly been left at her disposal by the doctor whose house she is sitting for the summer - our adventure-loving heroine travels to the past and encounters Gene Kelly at three very different seasons of his life. Against the backdrop of depression-era New York City, Gene and Aubrey attempt to warn an unsuspecting community on Long Island of the impending hurricane which would later be dubbed "The Long Island Express.” Aubrey battles prejudice at a time when women weren't always taken seriously, all the while fighting to stay one step ahead of the mysterious stranger who seems bent upon stopping her at every turn. She struggles against the physical toll that is an unavoidable side-effect of time traveling, and with the moral dilemmas that her travels present. Aubrey's brief visits to the past encompass nearly forty years of Gene's life. Her quest for the heart of her hero teaches her a valuable lesson about perseverance, loyalty, honor and love.
Deluxe -- Thank You -- Pelham Road -- There Is No Mike Here -- Things People Said: An Essay in Seven Steps -- Temporary Talismans -- Six Hours from Anywhere You Want to Be -- No One Is Ordinary; Everyone Is Ordinary -- Ring Theory -- Saris and Sorrows -- Voice Texting with My Mother.
More Dance Improvisations builds on the success of its predecessor, Dance Improvisations, and offers 78 brand-new activities that have been tested and refined by author Justine Reeve, a veteran dance instructor and choreographer. This text offers a wealth of creative ideas that instructors can use to help their dancers explore and experience movement. The 78 improvisation tasks and exercises support all portions of a dance class, from improvisation lessons, warm-ups, and games that stimulate creativity to choreographic tasks for creating movement material. These new activities will provide an invaluable source of creative ideas for all dancers, including those who are exploring their own professional practice. More Dance Improvisations offers expert instruction in planning, teaching, and assessing students’ improvisations; a choreographic toolkit and glossary of dance and choreographic terms; step-by-step instruction and teaching tips that will save instructors preparation time; and extensions of each improv to aid further exploration and development of the improvisation skills. Instructors can use the improvs for individual lessons or in developing an entire lesson plan. “The improvisation tasks and exercises will encourage dancers’ imaginative responses to a varied selection of stimuli, whether alone or in groups,” says author Justine Reeve. “These improvisations will give dancers the keys to unlock ideas that they will find useful on their choreographic journey.” After an introductory chapter that covers many important topics on conducting safe and effective practices and workshops and on how to use the book, the text moves into its first set of improvisations: warm-up games. These games develop quick thinking, group thinking, movement communication, and an awareness of the needs and movements of others. The next two chapters explore solo and duo improvisations as well as group creative tasks. Each improvisation task has a brief description, an image, numbered tasks for clarity, a teaching tip, and ideas to take the task further or develop the dance idea as appropriate. Chapter 5 explores how the physical and aural setting can lead to creating interesting and considered dance. Chapter 6 encourages dancers to use movements, phrases, and sequences created in previous tasks to develop and structure the movement material into something new. “These games, tasks, ideas, stimuli, and developments are here to give instructors and students a little push to find creative vision, explore movement, and discover how these ideas can be developed, adapted, and structured,” says Reeve. “Instructors will find new ways to help their dancers create original movements through both individual and group activities, and students will gain inspiration through using these improvisations.” More Dance Improvisations promotes creativity that leads to innovative breakthroughs for students from middle school through college. It is the perfect resource to help dancers enjoy their exploration of movement and dance as they gain greater awareness of the capabilities they possess.
Dance Dance Dance—a follow-up to A Wild Sheep Chase—is a tense, poignant, and often hilarious ride through Murakami’s Japan, a place where everything that is not up for sale is up for grabs. As Murakami’s nameless protagonist searches for a mysteriously vanished girlfriend, he is plunged into a wind tunnel of sexual violence and metaphysical dread. In this propulsive novel, featuring a shabby but oracular Sheep Man, one of the most idiosyncratically brilliant writers at work today fuses together science fiction, the hardboiled thriller, and white-hot satire.
In Always More Than One, the philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience. Working from Whitehead's process philosophy and Simondon's theory of individuation, she extends the concepts of movement and relation developed in her earlier work toward the notion of "choreographic thinking." Here, she uses choreographic thinking to explore a mode of perception prior to the settling of experience into established categories. Manning connects this to the concept of "autistic perception," described by autistics as the awareness of a relational field prior to the so-called neurotypical tendency to "chunk" experience into predetermined subjects and objects. Autistics explain that, rather than immediately distinguishing objects—such as chairs and tables and humans—from one another on entering a given environment, they experience the environment as gradually taking form. Manning maintains that this mode of awareness underlies all perception. What we perceive is never first a subject or an object, but an ecology. From this vantage point, she proposes that we consider an ecological politics where movement and relation take precedence over predefined categories, such as the neurotypical and the neurodiverse, or the human and the nonhuman. What would it mean to embrace an ecological politics of collective individuation?
This book is dedicated to all of the families who have ever lost a loved one to Alzheimers and Dementia, I have spent over Twenty five years, giving care to these moms and dads, who have acquired this horrible disease . Id like to take you on my journey, and tell you about some of the experiences Ive dealt with, and some of the care Ive done, although some of these days, and nights were hard, and sometimes I felt like running, not to return, I hung in there because I truly felt that this is my calling in life. There were a lot of tears, fears, smiles and laughter, and no matter how sad, or how hard times got, we could always find a moment for love. I hope that you will embrace my story, and find some comfort as you read about all of the challenges I encountered, while giving care to those who could not care for themselves. May you find a little laughter, as I take you through what some of you may view as impossible to go through. But unless you truly have a heart to give this type of care, it could never be for you, it can be greatly overwhelming. But for me, it is therapy, truly therapy. And this is why there are folks like me, it is my passion, I love to care for others. I hope you enjoy, and find some comfort, smiles, and a little laughter, as you go through this journey with me. I do not wish to be disrespectful, nor offend anyone by writing these short stories of actual accounts that happened with some of the people I cared for. Im writing in hopes of you receiving some in site on what it takes to be a great caregiver, or find one. God bless.
In 2010 I spent allot of time spent writing songs and singing them in my car when people weren't around at the open spaces around Linwood NJ where i live, mostly on the edge of the wetlands, the songs have a natural flavor to them and are deep and i hope well thought out.
