Plagued by nightmares she doesn't understand and a temper she can't control, 16-year-old Red struggles to save Granny's troubled business and to nurture her budding romance with Peter, even as the betrayal of her classmates awakens the wolf within.
Strangers don't come to Storybrooke. The town's residents are victims of a curse--trapped by an Evil Queen in a world without magic, they don't remember that they were once Snow White, Prince Charming, Jiminy Cricket, and other characters from a fairytale world. The curse keeps them in Storybrooke, and keeps everyone else out...until a dark stranger with a typewriter arrives on a motorcycle. August, the mysterious newcomer, claims to be in Storybrooke because, as a writer, the town inspires him. As the other characters discover, though, he knows more about fairytales than he lets on. With one foot in the nonmagical world, one foot in fairytale land, and both hands on a typewriter, August is the perfect narrator to tell fans the story of ONCE UPON A TIME's first season and ready them for a surprise in the next.
Build confidence and engagement with this Rebus favourite fairy tale; through seeing and saying the picture words, children develop essential early pre-reading skills, and begin to understand and enjoy the reading process.
Set in the vibrant Industrial Age and filigreed with family drama and epic ambition, Crosley chronicles one of the great untold tales of the twentieth century. Crosley is a once-in-two-lifetimes book, examining the conquests of Powel Crosley, Jr., one of the most original innovators of the twentieth century, and Lewis Crosley, his brother who engineered the successful culmination of all Powel's plans.
Sixteen-year-old Regina is very different from the Regina known by fans of ABC's "Once Upon a Time." She seeks romance, adventure, and approval. Of course, getting approval from a mother like Cora is next to impossible. For Regina, friendships have always been a rare commodity. Could it be that Regina has finally found a true friend? Or is it too good to be true? As Regina struggles to find her own identity and create her own destiny, she discovers that her fate might just be to become everything she despises.
A history of the Hollywood film industry as a modern system of labor, this book reveals an important untold story of an influential twentieth-century workplace. Ronny Regev argues that the Hollywood studio system institutionalized creative labor by systemizing and standardizing the work of actors, directors, writers, and cinematographers, meshing artistic sensibilities with the efficiency-minded rationale of industrial capitalism. The employees of the studios emerged as a new class: they were wage laborers with enormous salaries, artists subjected to budgets and supervision, stars bound by contracts. As such, these workers--people like Clark Gable, Katharine Hepburn, and Anita Loos--were the outliers in the American workforce, an extraordinary working class. Through extensive use of oral histories, personal correspondence, studio archives, and the papers of leading Hollywood luminaries as well as their less-known contemporaries, Regev demonstrates that, as part of their contribution to popular culture, Hollywood studios such as Paramount, Warner Bros., and MGM cultivated a new form of labor, one that made work seem like fantasy.
Descended from West African kings and healers, raised in the turbulence of Guinea in the 1960s, Kadiatou Diallo was married off at the age of thirteen and bore her first child when she was sixteen. Twenty-three years later, that child—a gentle, innocent young man named Amadou Diallo—was gunned down without cause on the streets of New York City. Now Kadi Diallo tells the astonishing, inspiring story of her life, her loss, and the defiant strength she has always found within. It was Kadi Diallo’s voice that captivated the public when she came to America to defend her slain son, and it is that same voice—candid, wise, and generous—that fills the pages of this extraordinary book. Kadi reaches back to her earliest memories of growing up in Guinea, the daughter of a strict man who was thwarted by the relics of the French colonial system. Raised in a world in which age-old religious and cultural rituals were disappearing before the onslaught of modernity, Kadi saw her own childhood end abruptly at age thirteen when her father literally gave her away in marriage. Kadi prayed for death, but instead she found herself plunged into a baffling new life—the life of a second wife in a strange household in a distant country, and soon afterwards the teenage mother of a sweet-natured son. Yet somehow, Kadi managed not only to survive but to flourish. Despite the rigid strictures of African-Islamic culture, she attended school and later started a successful business of her own. She eventually divorced and remarried and lived for eight years in Bangkok. Back in Guinea, she learned that her oldest child Amadou had been shot in New York City in a case of racial profiling. Kadi read with outrage the American newspaper description of her son as “an unarmed West African street vendor.” “Nothing,” she writes, “could be more distant from the truth.” Now, with great pride and searing love, Kadi Diallo finally tells the truth about herself and her son. My Heart Will Cross This Ocean is an extraordinary book—a girl’s story of desire and innocence, a wife’s story of defiance, a mother’s story of unbearable loss, and a woman’s story of unshakable strength and love.
First edition of Sinclair's savage satire, loosely based on the life and career of Edward L. Doheny, and the Teapot Dome scandal of the Harding administration. Although Sinclair's famous novel The Jungle deals with Chicago's meatpacking industry, he moved west to Pasadena in 1916 and began writing novels set in California, the best of which was Oil!, the story of the education of Bunny Ross, son of wildcat oil man Joe Ross after oil is discovered outside Los Angeles. The novel was the basis for Paul Thomas Anderson's 2007 film There Will Be Blood. In California Classics, Lawrence Clark Powell called Oil! "Sinclair's most sustained and best writing."