From the author of The Norfolk Story Book comes this book of delightful stories. Set sail for adventure on the stormy seas of Yarmouth, discover enchanting tales woven by strangers in Elizabethan Norwich, journey through the forests of ancient Norfolk with a courageous Iceni girl, travel through time with the curious kitten of Thetford, meet the King of a magnificent Norman Castle and find out what life was like in a Victorian Workhouse. Inspired by the museums throughout Norfolk Museums Service, this book consists of eight short stories, all original works of fiction which combine local history with imagination and fun.
On every street there is a story. Roll up, roll up for a circus adventure in Edwardian Yarmouth, merry-go-race through King’s Lynn history with fabulous fairground animals, get swept back in time with the marvellous mice of Wymondham, meet the magical medieval dragon of Norwich and the musical Owl of Holt, discover the magnificent street procession of a Tudor Queen and get ready to be bedazzled by the delightful dancer of a Georgian theatre. Inspired by collections at Norfolk Heritage Centre and the history of Norfolk streets, this book consists of imaginative short stories where love and friendship take centre stage.
This book is a travelogue with short descriptions of chance interviews of folks, ranging in scope from North Cape to the Cape of Good Hope (105 deg. of latitude) and from Green Bay, Wisconsin, USA to Tokyo, Japan (225 deg. of longitude).
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Judy Freeman, author of the Books Kids Will Sit Still For series, gives practical how-to tips on how to tell a story, and write and stage a Reader's Theater script that gets children involved with creative drama. Reader's theater teaches children how to become better listeners, enriches their thinking skills, and encourages their response to literature. Included are ideas on using folk and fairy tales, songs, chants and nonsense rhymes, and a reader's theater script. Also included in this handbook are 400 plus annotated children's books every storyteller should know, 100 great titles for creative drama and reader's theatre and professional books and Web sites for storytelling, creative drama and reader's theater. Grades PreK-6. Judy Freeman, author of the Books Kids Will Sit Still For series, gives personal and practical how-to tips on how to learn and tell a story, how to act out a story using creative drama, and how to write and stage a Reader's Theater script. All are guaranteed to get your children listening, thinking, reading, loving, and living stories with comprehension, fluency, expression, and joy. Once Upon a Time pulls together a wealth of ideas, activities, and strategies for using folk and fairy tales, songs, chants, and nonsense rhymes. Also included in this handbook are the texts of 10 of Judy's favorite stories you can read today and tell tomorrow; a songbook of songs, chants, and nonsense rhymes; and a Reader's Theater script. You'll also find annotated bibliographies: 400+ children's books every storyteller should know; 100+ great children's books to use for creative drama and Reader's Theater; professional books and Web sites for storytelling, creative drama, and Reader's Theater; and a title and author index. Chapters include: ; Getting Started with Storytelling ; Judy Freeman's Songbook: Including Songs, Chants, Riddles, and Plenty of Nonsense ; Judy Freeman's Storybook: Tales You can Hear Today and Tell Tomorrow ; 400+ Children's Books Every Storyteller Should Know ; Getting Started with Creative Drama and Reader's Theater ; 100+ Children's Books Just Right for Creative Drama and/or Reader's Theater
What would the world of work look like if interpreted through the lens of the fairytale? To answer this question Once Upon a Time in Facilities Management explores storied spaces and metaphorical archetypes in the study of business, management, and organization. At its core, the authors offer a diagnostic approach for the study of work organization that links management theory, storytelling, and the business imaginary. An important empirical focus is also included that explores a business service rarely studied in the management literature: Facilities Management (FM), a 'secondary service' of non-core and increasingly outsourced organizational functions. An in-depth appreciation of FM is provided that assesses the people, practices, and processes of the service in a study that also highlights the characteristic liminality of the sector's professional activities. Emphasis is placed on illuminating the storytelling nature of the service, using primarily the genre of fairytales to identify representational archetypes (including queen, shadow, sage, trickster, adventurer, and eternal child) within FM's storied space. In the process, three central characters (essentially modes of FM delivery) are identified - the professional consultant, the external service provider, and the in-house function - with these forming the structural basis of fairytales explaining the culture and symbolism of FM as a business service. The authors conclude by extrapolating findings from the study to inform a discussion of the contributions of folkloric analysis to organization theory explicitly and our understanding of business and management practice more widely.
Recorded on location in the Volta Region in Ghana in 2006-07, these stories are the result of collaboration between Anna Cottrell and Agbotadua Togbi Kumassah. Agbotadua Togbi Kumassah translated the Ewe stories into English and Anna Cottrell has retold them in contemporary English for the wider European market. This edition presents the 24 stories in their original form for the Ghanian market.
The Wandering Vine trilogy is based on three aspects of a spiritual journey through life. Even My Family, book one, is about finding your own path and following it. Cries of Freedom, book two, is about surrounding yourself with unconditional love. Once Again, book three, is about releasing negative karma. In Once Again, book III, the heroine, Elizabeth Randolph, continues on her path; a path that contains fear and heartbreak, as well as joy. She must release the urge to blindly follow her emotions if the joys of life are to continue to open up for her. She must not struggle. She must allow peace into her soul, but will she? Her anxiety is fueled by her nightmares. Or are they memories from a life long ago? Ruben Stone's continued presence, after what Elizabeth believes he has done, keeps her from letting the joys of her life to unfold. Is it her mind or her memory that makes her hate him so? Will she let him destroy her? Rebeccah Wickford, now a young woman, must face her lineage or hide it forever. Will she continue to live as the Boston Brahmin her friends and neighbors believe her to be? Or will she acknowledge her lineage, possibly leaving her in the abyss between the white and black communities, never accepted by either one? George Parkman always deferred to John Appleton, Elizabeth's husband, in the past. Will he continue to acquiesce his future to others? Or will he step up and finally make his feelings known? Will this family, created by Elizabeth, let their hearts determine their paths? Or will their joys be strangled by the past?
DigiCat Publishing presents to you this special edition of "Once Upon a Time in Delaware" by Katharine Pyle. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
