There’s no room for magic in the Age of Steam… After winning the Civil War against the Confederate Wielders, the Union Machinists have outlawed magic to usher in a new age of steam-powered technology. Diah, an alchemist and the only non-wielder in his family, owes his brother for saving his life in the war; so when Cager is blackmailed into procuring the magical hide of the White Buffalo, Diah accompanies him to the Dakota territory. Their guide is Oni, a half-Lakota woman with plenty of secrets to hide. She’s a magic wielder with an illegal wand concealed in her knife—and she’s a coyote shifter. To her people, killing the White Buffalo is not only sacrilege, it’s dangerous. Oni has no intention of helping them actually achieve their mission—until she falls in love with Diah…
'Tell It by Heart' is a collection of stories about contemporary women of various ages and ethnic backgrounds who have one thing in common: each embraces a pertinent myth as her guide through a difficult passage. Narrated by therapist Erica Helm Meade, these fictionalized case studies carry us along with all the intrigue of good short stories while at the same time instructing us in the use of healing lore. "Clean, crisp, startling, intelligent and fun, these fictionalized case studies show that life imitates art -- and that art tells the stronger truths". -- James Hillman Author of A Blue Fire
While rookie Henry Spencer struggles to reconcile Heisenberg's Uncertainty Principle with major league baseball, the eccentric residents of a trailer park wonder if Henry is the latest in a line of reincarnated spirits that can be traced back to Isaac Newton.
In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border. Reyna Grande vividly brings to life her tumultuous early years in this “compelling...unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to “El Otro Lado” (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father. Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home. Also available in Spanish as La distancia entre nosotros.
Coyote is not the most reliable character in the galaxy, but when Lady Nature commissions him for a job, he takes it for the promised reward. There are, however, contrary personages whom desire to have their own schemes and story-lines prevail. Whether to stay a free agent or enlist in a group becomes of paramount importance as the struggles intensify. Characters want their own versions of stories with their own images, yet for that to occur, they must be an individual, which can be a dangerous thing in battling societies of divisive factions. Coyote's Song: Part One is written in pentameter rhyming couplets. Millennium and Other Stories explores how family life has changed in America, with new figures rising daily as role models to adopt humans as wayward children whom require eternal vigilance. The scripts supplied to people are vapid renditions of mass-produced corporate art. The only uniqueness is an unoriginal sin of art-theft; the good and bad is decided by bottom-line profit. The revised collection of nine stories contains a variety of genres and how characters are inspired by sundry authors, be it Ganesha or Raymond Chandler, in different systems on collision courses.
Coyote. Anansi. Brer Rabbit. Trickster characters have long been a staple of folk literature. Twenty-six authors, including Holly Black (The Spiderwick Chronicles), Charles de Lint (Little (Grrl) Lost), Ellen Klages, (The Green Glass Sea), Kelly Link (Pretty Monsters), Patricia A, McKillip (Ombria in Shadow), and Jane Yolen, have crafted stories and poems drawing from cultures and traditions all over the world—each surprising, engrossing, and thought provoking. Terri Windling provides a comprehensive introduction to the trickster myths of the world, and the entire book is highlighted by the remarkable decorations of Charles Vess. The Coyote Road, like its companions The Green Man (winner of the World Fantasy Award) and The Faery Reel (a World Fantasy Award Finalist), is essential reading for anyone interested in contemporary fantasy fiction.
"The rereading of these folklore selections in this attractively printed volume underscores again the uniqueness of California mythology. . . . The tales that make up the mythology there are not the worn stand-bys of the world; these tales from the Pacific coast have a freshness of invention that one discovers all too seldom in collections of folklore. They are surprisingly indige-nous."--Ruth Benedict, American Anthropologist. "The volume is organized in such a way that it will be useful to students of literature as well as to students of anthropology, but the authors have not sacrificed accuracy and the critical use of their material in order to produce any kind of spurious picturesqueness. The volume is well gotten up and attractively illustrated."--Margaret Mead, Annals of the American Academy of Political and Social Science. "This is a most laudable attempt to make available to a general laity a representative collection of Californian Indian myths and tales."--Truman Michelson, American Historical Review. The compilers, Edward W. Gifford and Gwendoline Harris Block, were both associated with the University of California, Berkeley, Gifford as a professor of anthropology and director of the Museum of Anthropology and Block as an editor in the Department of Anthropology. Albert L. Hurtado, who provided an introduction for the Bison Book edition, is an associate professor of history at Arizona State University and the author of Indian Survival on the California Borderland Frontier, 1819?60 (1988), winner of the Ray A. Billington Prize for American frontier history.
"In olden days, in a village peopled by animal creatures, lived Wild Cat (another name for Lynx). He was old and mangy, and he was constantly scratching himself with his cane. From time to time, a young girl who lived in the same cabin would grab the cane, also to scratch herself. In vain Wild Cat kept trying to talk her out of it. One day the young lady found herself pregnant; she gave birth to a boy. Coyote, another inhabitant of the village, became indignant. He talked all of the population into going to live elsewhere and abandoning the old Wild Cat, his wife, and their child to their fate . . . " So begins the Nez Percé myth that lies at the heart of The Story of Lynx, Claude Lévi-Strauss's most accessible examination of the rich mythology of American Indians. In this wide-ranging work, the master of structural anthropology considers the many variations in a story that occurs in both North and South America, but especially among the Salish-speaking peoples of the Northwest Coast. He also shows how centuries of contact with Europeans have altered the tales. Lévi-Strauss focuses on the opposition between Wild Cat and Coyote to explore the meaning and uses of gemellarity, or twinness, in Native American culture. The concept of dual organization that these tales exemplify is one of non-equivalence: everything has an opposite or other, with which it coexists in unstable tension. In contrast, Lévi-Strauss argues, European notions of twinness—as in the myth of Castor and Pollux—stress the essential sameness of the twins. This fundamental cultural difference lay behind the fatal clash of European and Native American peoples. The Story of Lynx addresses and clarifies all the major issues that have occupied Lévi-Strauss for decades, and is the only one of his books in which he explicitly connects history and structuralism. The result is a work that will appeal to those interested in American Indian mythology.
A howl in the night. A watchful eye in the darkness. A flutter of movement among the trees. Coyotes. In the dark of the night, a mother coyote stalks prey to feed her hungry pups. Her hunt takes her through a suburban town, where she encounters a mouse, a rabbit, a flock of angry geese, and finally an unsuspecting turkey on the library lawn. POUNCE Perhaps Coyote's family won't go hungry today. This title has Common Core connections.
