Described on its first publication in 1967 as “a scholarly account of Australian music that is also entertaining social history”, Roger Covell’s Austrlaia’s Music: Themes of a New Society has become a classic of Australian music history for its beautifully written explorations of almost two hundred years of music-making across classical, Indigenous and Anglo-Celtic traditions. This revised edition, including more than sixty musical examples, is supplemented by a new postscript written by the author.
Andrew Sayers examines a considerable body of drawings produced by Aboriginal artists between 1803 and 1903. Never before collected as a genre, these works are retained in museums, libraries, or private hands and have rarely been displayed. Often regarded as inauthentic art because of their stylistic borrowings and fluctuations, they enjoy a unique status as products of the interaction between Aboriginal society and the British colonizers. The largest group of drawings comes from the hands of three artists--Tommy McCrae (c1823-1901), William Barak (c1824-1903), and Ulladulla Mickey (c1820-1891), who produced their drawings in the 1880s and 1890s. Visually these drawings are varied, but they possess many of the aesthetic qualities which characterize contemporary Aboriginal art, displaying intense vitality and an acute understanding of flora and fauna.
This publication is unique in its comprehensiveness and recognision of cultural diversity and a broad notion of community. It covers the history of concert music, opera, ballet, music teaching, composition, instruments, venues, union activity, Aboriginal music, and all forms of popular and folk music and dance. It embraces the wide variety of immigrant influences from Europe, America and particularly the Pacific. There's sound art, computer music, electroacoustics, belly dance, debutante balls, subcultures, music videos and much more. Over two hundred academics, practitioners and private researchers from all parts of Australia and beyond are among this book's contributors.
Full texts of all letters, together with translations of those in German, French and Italian. This volume covers the years of scientific reconnaissance in Australia, 1842-4, around Sydney and Newcastle, in the Hunter-Goulburn valley, and to the Moreton Bay district. Continued from volume 133 and in voume 135, with which the main pagination is continuous. This is a new print-on-demand hardback edition of the volume first published in 1968.
The Travels of Hildebrand Bowman (1778) tells the story of a fictional midshipman abandoned in Queen Charlotte Sound, New Zealand, after a battle with Maori that claims the lives of ten of his shipmates. Inspired by an actual event on Captain Cook’s second voyage, Bowman’s adventures take him to increasingly sophisticated cultures—hunter/ gatherer, pastoral/nomadic, agricultural, and commercial—that dramatize stadial history in a Pacific setting. The work provocatively weaves together popular fascination with Cook’s voyages, sensational conceptions of the newly charted Pacific, contemporary ideas on human development and culture, topical satire on London life, and a fanciful castaway story. As an introduction to the cultural connections linking Pacific studies, the Scottish Enlightenment, and eighteenth-century English society and politics, The Travels of Hildebrand Bowman is unique in literary history and unsurpassed as a teaching text. Of equal importance, it marks the birth of a national literature. It is the first New Zealand novel. Historical appendices provide an exceptionally broad range of materials on the Grass Cove “massacre,” the eighteenth-century stadial theory of historical development, cannibalism, and contemporary depictions of the South Pacific and its indigenous peoples.
