On Curating II

On Curating II

Author: Carolee Thea

Publisher: Distributed Art Publishers (DAP)

Published: 2016

Total Pages: 135

ISBN-13: 9781938922909

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On Curating 2, Carolee Thea's new volume of interviews with 14 of today's leading curators, explores the lively system of art biennials that is thriving around the world--particularly outside Europe and America. Spawned by their more formal Western predecessors and motivated by the forces of history and politics, the newer incarnations of the biennial often occur in the cities of the postcolonial world and the Global South, as well as in former socialist countries. The new generation of curators who are organizing these surprisingly provocative and experimental exhibitions hail from cities as diverse as Bogotá, Dakar, Havana, Jakarta, Jerusalem, Lagos, Mumbai, Seoul and Zagreb, and they are the subjects of the interviews collected in this book. Thea's interviewees are Nancy Adajania, Wassan Al-Khudhairi, David Elliott, Mami Kataoka, Sunjung Kim, Koyo Kouoh, Gerardo Mosquera, Ugochukwu-Smooth Nzewi, Jack Persekian, José Roca, Bisi Silva, Carol Yinghua Lu, Alia Swastika and WHW. On Curating 2 also includes color illustrations of works by El Anatsui, Boris Groys, Cai Guo-Qiang, Fiona Hall, Mona Hatoum, Pablo Helguera, Emily Jacir, Michael Joo, Paul McCarthy, Ana Mendieta, Zanele Muholi, Issa Samb, Do Ho Suh and Rirkrit Tiravanija, among many others. Carolee Thea is the author of On Curating: Interviews with Ten International Curators (DAP, 2009) and Foci: Interviews with Ten International Curators (2001). An independent scholar, writer, artist and curator, she is the American/English editor for Atlantica #45, and has curated exhibitions for the American Institute of Architects, the Canal Street Billboard Project, Hofstra Museum and Skidmore College. Thea has taught at Pratt Institute, Parsons School of Art, the College of New Rochelle and other institutions. Thea lives and works in New York City.


On Curating

On Curating

Author: Carolee Thea

Publisher: Distributed Art Publishers (DAP)

Published: 2009

Total Pages: 124

ISBN-13:

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Carolee Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija.


Teaching In/Between: Curating Educational Spaces with Autohistoria-Teoría and Conocimiento

Teaching In/Between: Curating Educational Spaces with Autohistoria-Teoría and Conocimiento

Author: Leslie C. Sotomayor II

Publisher: Vernon Press

Published: 2022-05-03

Total Pages: 156

ISBN-13: 1648894151

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'Teaching In/Between: Curating educational spaces with autohistoria-teoría and conocimiento' is an iteration of an educator's embodied teaching and theorizing through testimonio work. Sotomayor, through a decolonizing feminist teaching inquiry, documents and analyzes her experiences as a facilitator in higher education while teaching the undergraduate course 'Latina Feminisms, Latinas in the US: Gender, Culture and Society'. This unique book is her interpretation and implementation of the seven recursive stages of Gloria Anzaldúa's conocimiento theory as transformative acts to guide her research design and teaching approach. Sotomayor's distinct bridging of Anzaldúa's theories of autohistoria-teoría and conocimiento offers an expansive perspective to how theorizing and curating our lived experiences can be transformational processes within academia. Sotomayor applies Anzaldúa's theories and her own theorizing to curate educational spaces that decolonize White hegemonic academic canons and empower underrepresented learners who may experience a deep sense of not belonging in academia. She situates herself in the study as curator, and her practice as curator as an agent of self-knowledge production and theorizing to create self-empowering learning environments. Sotomayor's work dwells within the lineage of border and cultural studies with shared voices of Gloria Anzaldúa, AnaLouise Keating, Mariana Ortega, Ami Kantawala, Maxine Greene, and Ruth Behar. Her work is considered a guide for teaching practitioners and researchers who hope to develop ways of knowing within their teaching environments that are inclusive and holistic for learners through a non-linear transformative process. 'Teaching In/Between' can be adapted for classroom use for pre-service teachers and instructors as well as creative interpretations for interdisciplinary works within Chicana/x, Latina/x, Art Education, Visual Arts and History, Women's & Gender Studies, Border and Cultural Studies.


Curating and the Legacies of Colonialism in Contemporary Iberia

Curating and the Legacies of Colonialism in Contemporary Iberia

Author: Carlos Garrido Castellano

Publisher: University of Wales Press

Published: 2022-06-01

Total Pages: 418

ISBN-13: 1786838753

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This book provides the first systematic genealogy of postcolonial and decolonial practices emerging from Iberian art spaces. The title redefines Iberian Studies through a decolonial lens. It expands current debates on curating and contemporary art by exploring how cultural programming has engaged with the legacies and continuities of colonialism in contemporary European societies.


Curationism

Curationism

Author: David Balzer

Publisher: Coach House Books

Published: 2014-10-14

Total Pages: 144

ISBN-13: 1552452999

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Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture?


Curating Differently

Curating Differently

Author: Jessica Sjöholm Skrubbe

Publisher: Cambridge Scholars Publishing

Published: 2016-01-14

Total Pages: 190

ISBN-13: 1443887382

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Exhibitionary spaces and curatorial strategies ideologically frame the encounter between art and its publics. For more than forty years, feminist art curating, as a practice of art interpretation and a politics of display, has intersected with the diverse area of feminist art historical research and feminist artistic practices. It is only recently, however, that a theorization of feminist art curating and feminist exhibition histories as a specific field of knowledge has emerged.Curating Differently is a collection of essays that offers critical perspectives on, and analyses of, the intersections of feminisms, art exhibitions, and curatorial spaces from the 1970s onward. It brings together case studies from Australia, Israel, Europe, and North America that critically account for diverse strategies and interventions in curatorial space. The essays contribute with historical perspectives on feminist exhibition practices and curatorial models and first-hand accounts of feminist interventions within the art museum, as well as timely analyses of current intersections of feminisms within curating in the contemporary global art world.As a major contribution to the ongoing scholarly debate on the institutionalization of feminisms in art and its relative success, or failure, Curating Differently will provide new insights and provoke further discussion on the history and theory of feminist art exhibitions and curatorial spaces.


A Companion to Curation

A Companion to Curation

Author: Brad Buckley

Publisher: John Wiley & Sons

Published: 2020-01-29

Total Pages: 517

ISBN-13: 1119206855

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The definitive reference text on curation both inside and outside the museum A Companion to Curation is the first collection of its kind, assembling the knowledge and experience of prominent curators, artists, art historians, scholars, and theorists in one comprehensive volume. Part of the Blackwell Companion series, this much-needed book provides up-to-date information and valuable insights on the field of curatorial studies and curation in the visual arts. Accessible and engaging chapters cover diverse, contemporary methods of curation, its origin and history, current and emerging approaches within the profession, and more. This timely publication fills a significant gap in literature on the role of the curator, the art and science of curating, and the historical arc of the field from the 17th century to the present. The Companion explores topics such as global developments in contemporary indigenous art, Asian and Chinese art since the 1980s, feminist and queer feminist curatorial practices, and new curatorial strategies beyond the museum. This unique volume: Offers readers a wide range of perspectives on curating in both theory and practice Includes coverage of curation outside of the Eurocentric and Anglosphere art worlds Presents clear and comprehensible information valuable for specialists and novices alike Discusses the movements, models, people and politics of curating Provides guidance on curating in a globalized world Broad in scope and detailed in content, A Companion to Curation is an essential text for professionals engaged in varied forms of curation, teachers and students of museum studies, and readers interested in the workings of the art world, museums, benefactors, and curators.


Curating Revolution

Curating Revolution

Author: Denise Y. Ho

Publisher: Cambridge University Press

Published: 2018

Total Pages: 325

ISBN-13: 1108417957

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Curating Revolution examines how Mao-era exhibitions shaped popular understandings of, and participation in, the political campaigns of China's Communist revolution.


Curating Art

Curating Art

Author: Janet Marstine

Publisher: Routledge

Published: 2021-12-30

Total Pages: 585

ISBN-13: 1317416651

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Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums. Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of East and West while acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. The book will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains.