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Excerpt from Old Irish Folk Music and Songs: A Collection of 842 Irish Airs and Songs, Hitherto Unpublished If the names have survived in the two branches, why not the airs? And I thought it just possible - indeed I half hoped - that in Danish collections of popular music I might light on versions of our Molly Astore, Garryowen, The Boyne Water, Patrick's Day, The Groves of Blarney, &c. In order' to hunt this matter up, I procured from a well-known publisher in Copenhagen three fine collections of Scandinavian popular traditional music, mostly with words - Danish, Swedish, and Norwegian containing 294 Danish melodies (including twelve of the Faroe Islands), 223 Swedish, and 161 Norwegian. All are accompanied with elaborate notes; but it was tantalizing that I could not read one word of them; for they are all - as well as the songs - in Danish. The music I could read, however and I went over the three collections, air by air. In general character and structure the Danish airs approach nearer to Irish than do the Swedish and Norwegian; but I may say at once that on the whole the result of my search was disappointing. I could find no considerable number of Danish airs either identical with, or closely resembling, those of Ireland. Yet I found a few. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Through an investigation of the reportage in nineteenth-century English metropolitan newspapers and illustrated journals, this book begins with the question 'Did anti-O'Connell sentiment in the British press lead to "killing remarks," rhetoric that helped the press, government and public opinion distance themselves from the Irish Famine?' The book explores the reportage of events and people in Ireland, focussing first on Daniel O'Connell, and then on debates about the seriousness of the Famine. Drawing upon such journals as The Times, The Observer, the Morning Chronicle, The Scotsman, the Manchester Guardian, the Illustrated London News, and Punch, Williams suggests how this reportage may have effected Britain's response to Ireland's tragedy. Continuing her survey of the press after the death of O'Connell, Leslie Williams demonstrates how the editors, writers and cartoonists who reported and commented on the growing crisis in peripheral Ireland drew upon a metropolitan mentality. In doing so, the press engaged in what Edward Said identifies as 'exteriority,' whereby reporters, cartoonists and illustrators, basing their viewpoints on their very status as outsiders, reflected the interests of metropolitan readers. Although this was overtly excused as an effort to reduce bias, stereotyping and historic enmity - much of unconscious - were deeply embedded in the language and images of the press. Williams argues that the biases in language and the presentation of information proved dangerous. She illustrates how David Spurr's categories or tropes of invalidation, debasement and negation are frequently exhibited in the reports, editorials and cartoons. However, drawing upon the communications theories of Gregory Bateson, Williams concludes that the real 'subject' of the British Press commentary on Ireland was Britain itself. Ireland was used as a negative mirror to reinforce Britain's own commitment to capitalist, industrial values at a time of great internal stress.
