Old English Lives of Saints, a series composed in the 990s by the Benedictine monk Aelfric, portrays an array of saints--including virgin martyrs, kings, soldiers, and bishops--whose examples modeled courageous faith, self-sacrifice, and individual and collective resistance at a turbulent time when England was under severe Viking attack.
Anonymous Old English Lives of Saints includes narratives from the eleventh and twelfth centuries about locally venerated saints like the abbess Seaxburh, as well as familiar ones like Nicholas and Michael the Archangel. This volume presents new Old English editions and modern English translations of twenty-two unattributed saints' Lives.
Translations of eight saints' lives, giving an insight into women's religious culture in Anglo-Saxon England. Devout, virtuous and independent, the heroines of Old English saints' lives (one of the most popular literary genres of the middle ages) provided exemplars of personal and public inspiration for medieval Christians. The eight lives translated here are the earliest known vernacular accounts of the biographies of Æthelthryth, Agatha, Agnes, Cecilia, Eugenia, Euphrosyne, Lucy, and Mary of Egypt. They depict women escaping unwanted marriages, communicating with male relatives, acquiring an education, living autonomously as hermits, and achieving positions of leadership; such lives document not only the importance of spiritual faith to early Christian women, but also testify to how these women (and their audience) employed faith as a tool for empowerment. Each life is preceded by a brief description of the saint's cult from its early Christian origins to its presence in Anglo-Saxon culture. The translationis accompanied by an introduction establishing the general background for the genre, the conventions of women saints' lives, and women's religious culture in Anglo-Saxon England; and an interpretive essay exploring the relationships between explicit presentations of the female body and the strength of spiritual authority as exhibited in these texts completes the volume. LESLIE A. DONOVAN is Associate Professor at the University of New Mexico.
Religious piety has rarely been animated as vigorously as in Old English Poems of Christ and His Saints. Ranging from lyrical to dramatic to narrative and showing great inventiveness, these ten anonymous poems vividly demonstrate the extraordinary hybrid that emerges when traditional Germanic verse adapts itself to Christian themes.
The twelve essays in this collection advance the contemporary study of the women saints of Anglo-Saxon England by challenging received wisdom and offering alternative methodologies. The work embraces a number of different scholarly approaches, from codicological study to feminist theory. While some contributions are dedicated to the description and reconstruction of female lives of saints and their cults, others explore the broader ideological and cultural investments of the literature. The volume concentrates on four major areas: the female saint in the Old English Martyrology, genre including hagiography and homelitic writing, motherhood and chastity, and differing perspectives on lives of virgin martyrs. The essays reveal how saints' lives that exist on the apparent margins of orthodoxy actually demonstrate a successful literary challenge extending the idea of a holy life.
A groundbreaking assessment of the use medieval English history-writers made of saints' lives. The past was ever present in later medieval England, as secular and religious institutions worked to recover (or create) originary narratives that could guarantee, they hoped, their political and spiritual legitimacy. Anglo-SaxonEngland, in particular, was imagined as a spiritual "golden age" and a rich source of precedent, for kings and for the monasteries that housed early English saints' remains. This book examines the vernacular hagiography produced in a monastic context, demonstrating how writers, illuminators, and policy-makers used English saints (including St Edmund) to re-envision the bonds between ancient spiritual purity and contemporary conditions. Treating history and ethical practice as inseparable, poets such as Osbern Bokenham, Henry Bradshaw, and John Lydgate reconfigured England's history through its saints, engaging with contemporary concerns about institutional identity, authority, and ethics. Cynthia Turner Camp is an Assistant Professor of English at the University of Georgia.
When young Vittorio Innocente’s mother, Cristina, is bitten by a snake in the family stable, no one sees the blue-eyed stranger leaving except for Vittorio. He struggles to keep his mother’s secret but secrets in a small village are hard to keep, and while Cristina’s belly gradually grows under her loose dresses, they find themselves shunned by their superstitious neighbours. A classic of Canadian literature, Lives of the Saints has earned many distinctions since it was originally published in 1990. It was a national bestseller for seventy-five weeks, received the Governor Generals Literary Award for Fiction, the W.H. Smith / Books in Canada First Novel Award, and the F.G. Bressani Prize. In England it won the Betty Trask Award and Winifred Holtby Memorial Prize, in the U.S. was shortlisted for the Los Angeles Times Art Seidenbaum Award for First Fiction, and in France was an Oeil de la letter Selection of the National Libraries Association. It was also adapted into a miniseries starring Sophia Loren.
In The Third Gender, McDaniel addresses the idea of the "third gender" in early hagiography and Latin treatises on virginity and then examines Aelfric's treatment of gender in his translations of Latin monastic Lives for his non-monastic audiences. She first investigates patristic ideas about a "third gender" by describing this concept within the theoretical frameworks of monasticism and then turns to creating a historical and theological cultural context within which to locate an interpretation of Aelfric's portrayals of male and female saints.