WMR saw action as infantry on Gallipoli followed by mounted action in Sinai and Palestine to the end of the war. Text contains much detail plus Roll of Honour, a list of those wounded, and Decorations--abebooks website.
Illustrated with over 40 photos and 10 maps “Official history of a NZ Regiment which saw service in the Middle East in the Great War. The Regiment was established in 1911, but this book deals solely with its WWI services - Egypt, Gallipoli and Palestine (Gaza, Beersheba, Jerusalem, Jordan). The narrative is clear and informative, with plenty of detail and with many individuals mentioned by name (especially casualties). Apps: Roll of Honour (KIA and WIA, Gallipoli and Palestine), H & A, List of COs.—N&M Print Version
Contains over 55 photos and 10 maps. “The record of a New Zealand infantry regiment in Egypt, at Gallipoli and on the Western Front, from formation to disbandment....When the force sailed on 14 October 1914, the embarkation strength of the Otago Battalion was 34 officers and 1,076 other ranks....In April 1915 the division sailed for Gallipoli via Mudros, and on the 25th of that month the Otago Battalion landed with the brigade near Anzac Cove. The battalion was eight months at Gallipoli, fighting in several actions, particularly the second battle of Krithia and the battle of Sari Bair. It was evacuated in December 1915 and returned to Egypt where a 2nd Battalion was formed for each of the four original battalions and the combined New Zealand and Australian Division was reorganized as an all New Zealand Division which crossed to France in April 1916...On the Western Front the New Zealand Division was an elite formation and the regiment was involved in most of the major operations - the Somme, Messines, Third Ypres and the battles of 1918. Two VCs were won including one of the most famous, that awarded to Sgt Travis (real name Savage) of the 2nd Battalion, known as the king of No Man’s Land, who was killed in Rossignol Wood in July 1918 and is buried in Couin New British Cemetery; the divisional commander attended his funeral. He gets a chapter to himself in the book. This is a good, authoritative history as the title suggests, in which personalities are identified in the narrative, casualty figures and reinforcements noted; minor actions are described as well as the bigger picture."—N&M Print ed.
First published eight years ago to enthusiastic reviews and critical acclaim, this classic celebrated readable scholarship is now available in ebook. Telling the story of the mounted riflemen in Sinai and Palestine, Devil’s on Horses uses the soldiers’ original letters and diaries to describe the crucial battles against the Ottoman Turkish Forces. The horses play a major part in the story, but of the thousands of faithful animals involved, only one would ever return home. By then the war was over and the Turkish Empire had been destroyed. The Anzac soldiers and their horses had played a vital role in securing the victory.
The First World War has often been understood in terms of the combat experiences of soldiers on the Western Front; those combatants who served in the other theatres of the war have been neglected. Using personal testimonies, official documentation and detailed research from a diverse range of archives, The British Imperial Army in the Middle East explores the combat experiences of these soldiers. The army that fought the Ottoman Empire was a multinational and multi-ethnic force, drawing personnel from across Britain's empire, including Australia, New Zealand, and India. By taking a transnational and imperial perspective on the First World War, this book ensures that the campaigns in Egypt and Palestine are considered in the wider context of an empire mobilised to fight a total and global war.
This monograph examines the relationship between music and memory as it relates to the Gallipoli Campaign (1915-6). Drawing upon a wide variety of sources in many languages, it explores the multiple ways in which music is employed to remember and to forget, to celebrate and to commemorate a victory (on the part of the Central Powers) and a defeat (on the part of the Allied forces) in the Dardanelles during the First World War (1914-8). Further, it argues that commemoration itself can be viewed as an ‘instrument of war’. In particular, it investigates the complex positionality of individual actors during the centennial commemorations of the Gallipoli landings (24 April, 2015) where the Australians and the Turks most notably have employed music to reimagine the past, both nationalities invoking the ‘Gallipoli spirit’ (tr. ‘Çanakkale ruhu’) to advance a nationalist agenda and a resurgent militarism through the selective memorialization of an imperial past. The book interrogates through music the ambivalent position of minorities. With specific reference to the Irish (amongst the British) and the Armenians (amongst the Ottomans), it shows how song might serve both to articulate a nationalist defiance and an imperialist consensus during a tumultuous period of irredentism. By uncovering the complex pathways of musical transmission, it demonstrates through musical analysis how the colonized could become the colonizer (in the case of the Irish) or a minority might conform to a majority (in the case of the Armenians). Further, the publication looks at the uneasy alliance between the Turks and the Germans. It focuses on a German musician (as an imperial bandmaster) and Germanic entrepreneurs (in the recording industry) who entertained or who served the German Mission in Istanbul. Here, it considers by way of musical composition the shared wish on the part of the Germans and the Turks to create a Lebensraum in Asia.
Ultimately these cross purposes brought disaster, pulling a fatally weak and woefully unprepared Ottoman state into a global war, and unleashing vicious, internal ethnic repression that brought it defeat and dismemberment. The diaries and official reports of German spy and propagandist Curt Prufer - translated here into English in their entirety for the first time - chronicle the complexities of the fragile Ottoman-German alliance from the perspective of a participant. Much like fellow soldier-scholar T.E. Lawrence, Prufer and his colleagues tried to steal the loyalties of the Muslim subjects of the opposing sides. The book explores these episodes of sabotage, subversion and subterfuge - from managing spies to preparing for the attack on the Suez Canal in 1915 - and in the process sheds light onto the ways World War I played out across the Middle East. Complemented throughout by in-depth and meticulously researched footnotes, this primary source collection is an invaluable addition to the extant corpus of late Ottoman and World War I historical documents.