Values of Beauty

Values of Beauty

Author: Paul Guyer

Publisher: Cambridge University Press

Published: 2005-06-13

Total Pages: 384

ISBN-13: 1316583058

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Values of Beauty discusses major ideas and figures in the history of aesthetics from the beginning of the eighteenth century to the end of the twentieth century. The core of the book features Paul Guyer's essays on the epochal contribution of Immauel Kant, and sets Kant's work in the context of predecessors, contemporaries, and successors including David Hume, Alexander Gerard, Archibald Alison, Arthur Schopenhauer, and John Stuart Mill All of the essays emphasize the complexity rather than isolation of our aesthetic experience of both nature and art; and the interconnection of aesthetic values such as beauty and sublimity on the one hand, and prudential and moral values on the other. Guyer emphasizes that the idea of the freedom of the imagination as the key to both artistic creation and aesthetic experience has been a common thread throughout the modern history of aesthetics, although the freedom of the imagination has been understood and connected to other forms of freedom in a variety of ways.


Reading David Hume’s 'Of the Standard of Taste'

Reading David Hume’s 'Of the Standard of Taste'

Author: Babette Babich

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-05-06

Total Pages: 396

ISBN-13: 3110585502

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This collection on the Standard of Taste offers a much needed resource for students and scholars of philosophical aesthetics, political reflection, value and judgments, economics, and art. The authors include experts in the philosophy of art, aesthetics, history of philosophy as well as the history of science. This much needed volume on David Hume will enrich scholars across all levels of university study and research.


Four Dissertations

Four Dissertations

Author: David Hume

Publisher: Burns & Oates

Published: 2000

Total Pages: 426

ISBN-13:

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In 1756 a volume of Hume's essays entitled Five Dissertations was printed and ready for distribution. The essays included "The Natural History of Religion", "Of the Passions", "Of Tragedy", "Of Suicide", and "Of the Immortality of the Soul". The latter two essays made direct attacks on common religious doctrines by defending a person's moral right to commit suicide and by criticizing the idea of life after death. Early copies were passed around, and someone of influence threatened to prosecute Hume's publisher if the book was distributed as is. The printed copies of Five Dissertations were then physically altered, with a new essay "Of the Standard of Taste" inserted in place of the two removed essays. Hume also took this opportunity to alter two particularly offending paragraphs in the Natural History. The essays were then bound with the new title Four Dissertations and distributed in January, 1757. The essays in Four stand together as a unified whole, showcasing his psychology of the passions and demonstrating its application to both religion and aesthetics. This edition also includes Hume's extended Dedication, a passionate endorsement of intellectual and artistic freedom, which has been out of print since the original publication in 1757. The essays on suicide and the immortality of the soul, long separated from the other essays, are here finally put back, as intended by Hume. "On the Immortality of the Soul" briskly dismisses metaphysical, moral, and physical arguments, and refers us instead to a revelation that Hume himself clearly did not believe in. "On Suicide" vigorously rebuts the theologians' claim that self-destruction is a crime, arguing instead that under certaincircumstances, suicide might be not permissible but morally required. Included are "Two Letters on Suicide" from Rousseau's Eloisa.


Taste

Taste

Author: Denise Gigante

Publisher: Yale University Press

Published: 2008-10-01

Total Pages: 264

ISBN-13: 0300133057

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div What does eating have to do with aesthetic taste? While most accounts of aesthetic history avoid the gustatory aspects of taste, this book rewrites standard history to uncover the constitutive and dramatic tension between appetite and aesthetics at the heart of British literary tradition. From Milton through the Romantics, the metaphor of taste serves to mediate aesthetic judgment and consumerism, gusto and snobbery, gastronomes and gluttons, vampires and vegetarians, as well as the philosophy and physiology of food. The author advances a theory of taste based on Milton’s model of the human as consumer (and digester) of food, words, and other commodities—a consumer whose tasteful, subliminal self remains haunted by its own corporeality. Radically rereading Wordsworth’s feeding mind, Lamb’s gastronomical essays, Byron’s cannibals and other deviant diners, and Kantian nausea, Taste resituates Romanticism as a period that naturally saw the rise of the restaurant and the pleasures of the table as a cultural field for the practice of aesthetics. /DIV