Jo Shapcott's award-winning first three collections, gathered in Her Book: Poems 1988-1998, revealed her to be a writer of ingenuous, politically acute and provocative poetry, and rightly earned her a reputation as one of the most original and daring voices of her generation. In Of Mutability, Shapcott is found writing at her most memorable and bold. In a series of poems that explore the nature of change - in the body and the natural world, and in the shifting relationships between people - these poems look freshly but squarely at mortality. By turns grave and playful, arresting and witty, the poems in Of Mutability celebrate each waking moment as though it might be the last, and in so doing restore wonder to the to the smallest of encounters.
Christine de Pizan (ca. 1364–ca. 1431) has long been recognized as France’s first professional woman of letters, and interest in her voluminous and wide-ranging corpus has been steadily rising for decades. During the tumultuous later years of the Hundred Years’ War, Christine’s lone but strong feminine voice could be heard defending women, expounding the highest ideals for good governance, and lamenting France’s troubled times alongside her own personal trials. In The Mutability of Fortune, Christine fuses world history with autobiography to demonstrate mankind’s subjugation to the ceaselessly changing, and often cruel, whims of Fortune. Now, for the first time, this poem is accessible to an English-speaking audience, further expanding our appreciation of this ground-breaking woman author and her extraordinary body of work.
A chronicle of motherhood and infancy, Brady's Mutability marks the excesses of attention and love in this unique relationship, the gradual unfurling of one person into two. In poems and prose, these scripts offer a "model of duplicity," revealing how the beginnings of language, the spaces which open up through movement, the undeniable possibility of harm, and the unbearable intimacy between mother and child challenge the premise of individual autonomy. Seeking "a writing of honest particularity, not clean, in a form which would catch rather than cauterize this pouring," Mutability brilliantly captures the experience of motherhood. At the same time, Brady explores the child-space, a utopian place of discovery and adaptation, as an arena of risk, violence, possession, and privation. Carefully observing the consequences of "the beginning of all possibility, and the beginning of its finitude," the book notes the child's discovery of being a new person to "the discovery of an exit." Brady's unique and moving book celebrates and investigates life's most essential relationship.
These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.
As Information Technology becomes a vital part of our everyday activities, ranging from personal use to government and defense applications, the need to develop high-assurance systems increases. Data and applications security and privacy are crucial elements in developing such systems. Research Directions in Data and Applications Security XVIII presents original unpublished research results, practical experiences, and innovative ideas in the field of data and applications security and privacy. Topics presented in this volume include: -Database theory; -Inference control; -Data protection techniques; -Distributed systems; -Access control models; -Security policy; -Design and management; -Privacy; -Network security. This book is the eighteenth volume in the series produced by the International Federation for Information Processing (IFIP) Working Group 11.3 on Data and Applications Security. It contains twenty-three papers and two invited talks that were presented at the Eighteenth Annual IFIP WG 11.3 Conference on Data and Applications Security, which was sponsored by IFIP and held in Sitges, Catalonia, Spain in July 2004. Research Directions in Data and Applications Security XVIII is a high-quality reference volume that addresses several aspects of information protection, and is aimed at researchers, educators, students, and developers.
“We think of English as a fortress to be defended, but a better analogy is to think of English as a child. We love and nurture it into being, and once it gains gross motor skills, it starts going exactly where we don’t want it to go: it heads right for the goddamned electrical sockets.” With wit and irreverence, lexicographer Kory Stamper cracks open the obsessive world of dictionary writing, from the agonizing decisions about what to define and how to do it to the knotty questions of ever-changing word usage. Filled with fun facts—for example, the first documented usage of “OMG” was in a letter to Winston Churchill—and Stamper’s own stories from the linguistic front lines (including how she became America’s foremost “irregardless” apologist, despite loathing the word), Word by Word is an endlessly entertaining look at the wonderful complexities and eccentricities of the English language.
This is one of the wisest books I've read in years... —New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.
