The art form known as Odissi is the descendent of the temple dance that evolved in the Jagannath Temple in Puri. This book offers a chronological survey of the form and style of this dance. It gives readers an outline of the architects and contemporary gurus of the dance. 'Odissi - The Dance Divine' is a chronological survey of the form and style of the dance. The art form today known as Odissi is the descendent of the temple dance that evolved in the Jagannath Temple in Puri. Revered as one of the holiest placesm the temple was the centre of culture, religion and
This book explores the synergy between yoga and dance, enhancing physical, mental, and spiritual well-being. It shows how yoga improves dancers' strength, flexibility, and focus, while dance adds creativity and fluidity to yoga. The spiritual essence of Odissi dance and the therapeutic benefits of both disciplines are also examined. Readers will discover how these practices promote a balanced, fulfilling life.
The encyclopaedia highlights the South Asian country of India with its varied ramifications. As a rich country with all its diversity, it has played a significant role in world affairs for more than two thousand years. India is the most populous country in the world, and its economy is growing rapidly. It is marching ahead in science and technology. In the hundredth anniversary of its independence in 2047, it aspires to become a developed nation. One should be aware of this country in this globalized world. It is not only fascinating but also knowledge-enhancing. The encyclopaedia holds importance due to several reasons: information on a vast range of subjects, scientific methodology, accuracy, and reliability. It could be used as a starting point for further research. The book will be useful for general readers, serious researchers, graduate students, and academics.
- Describes Odissi's mechanism for creating, dispersing and expressing energy - Explores the principles of yoga in Indian dance and building a tangible artistic practice based on this understanding - Meant for performers, dance enthusiasts and general readers alike Dance as Yoga addresses the background, technique and embodiment of the odissi dance form. It describes odissi's mechanism for creating, dispersing, and expressing energy, as well as some early experiments in choreography that extended its accepted parameters with reference to Choreological Studies. It is meant for both performers and audiences to better appreciate the reasons for the restraints inherent in such dance forms and, by doing so, have an informed appreciation of innovation that builds on traditional strengths. Contents: Preface; Introduction; 1. Odissi's Temple Legacy; 2. The Guru's Path; 3. Choreological Studies; 4. Strand Body; 5. Strand Movement; 6. Sound-Movement Nexus; 7. Covert Structures; 8. Reflections on Choreography; Annexure A; Annexure B; Glossary 1; Glossary 2; Bibliography; Acknowledgements; Index.
India’s rich cultural legacy has been founded on the abiding faith of the Indians in the divine power, whose worship had found expression through dance. ‘Bhakti’ or devotion was the underlying essence of the various dance forms that developed in India. Indian Classical Dances is a unique presentation of the eight classical dance styles – Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, Odissi and Sattriya, through a concise portrayal of the background of each dance form, the salient features, format of presentation, music and costume. The simplistic approach of the narration coupled with the unique collection of photographs, will enable the lay reader to visualise, comprehend and appreciate the diverse dance forms of India.
The Dancing God: Staging Hindu Dance in Australia charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage. Ideal for anyone with an interest in global dance, The Dancing God is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.
Naked holy men denying sexuality and feeling; elderly people basking in the warmth and security provided by devoted and attentive family members; fastidious priests concerned solely with rules of purity and the minutiae of ritual practice; puritanical moralists concealing women and sexuality behind purdah's veils—these are familiar Western stereotypes of India. The essays in Divine Passions, however, paint other, more colorful and emotionally alive pictures of India: ecstatic religious devotees rolling in temple dust; gray-haired elders worrying about neglect and mistreatment by family members; priests pursuing a lusty, carefree ideal of the good life; and jokers reviling one another with bawdy, sexual insults at marriages. Drawing on rich ethnographic data from emotion-charged scenarios, these essays question Western academic theories of emotion, particularly those that reduce emotions to physiological sensations or to an individual's private feelings. Presenting an alternative view of emotions as culturally constructed and morally evaluative concepts grounded in the bodily self, the contributors to Divine Passions help dispel some of the West's persistent misconceptions of Indian emotional experience. Moreover, the edition as a whole argues for a new and different understanding of India based on field research and an understanding of the devotional (bhakti) tradition. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
