Bulletin
Author: Östasiatiska museet
Publisher:
Published: 1984
Total Pages: 624
ISBN-13:
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Author: Östasiatiska museet
Publisher:
Published: 1984
Total Pages: 624
ISBN-13:
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Publisher:
Published: 1999
Total Pages: 420
ISBN-13:
DOWNLOAD EBOOKThe Ultimate Netsuke Bibliography is a comprehensive bibliography of more than 4,400 bibliographic print and non-print entries covering all aspects of Japanese netsuke, the miniature carvings which Japanese men used to suspend various items from the sash belt that fastened their kimono. It is organized into 15 major and 5 minor categories. Each category is further divided into 11 subcategories. Additional features include four indices (Author, Journal, Place, and Subject), and a variety of appendices. It contains 2,196 books, 1,861 journal articles (457 from the Netsuke Kenkyukai Study Journal), 367 from the Journal of the International Netsuke Collectors Society 1,494 auction catalogs, 431 items in French, 254 items in Japanese, 60 items prior to 1900, including 9 auction catalogs. Includes most materials published through the end of 1998. A section of Late Arrivals, including last minute submissions and items in early 1999, is listed as well. This volume is a necessity for every netsuke collector, bibliophile, art library and museum.
Author: Bernard Quaritch (Firm)
Publisher:
Published: 1907
Total Pages: 1028
ISBN-13:
DOWNLOAD EBOOKAuthor: Emil Hannover
Publisher:
Published: 1925
Total Pages: 314
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch
Publisher:
Published: 1909
Total Pages: 68
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch (Firm)
Publisher:
Published: 1912
Total Pages: 2634
ISBN-13:
DOWNLOAD EBOOKAuthor: Grand Rapids Public Library (Grand Rapids, Mich.)
Publisher:
Published: 1909
Total Pages: 728
ISBN-13:
DOWNLOAD EBOOKAuthor: Luzac &co
Publisher:
Published: 1928
Total Pages: 110
ISBN-13:
DOWNLOAD EBOOKAuthor: Willa Z. Silverman
Publisher: University of Toronto Press
Published: 2008-01-01
Total Pages: 337
ISBN-13: 080209211X
DOWNLOAD EBOOKThe late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.