The Novel: An Alternative History, 1600-1800

The Novel: An Alternative History, 1600-1800

Author: Steven Moore

Publisher: Bloomsbury Publishing USA

Published: 2013-08-29

Total Pages: 1025

ISBN-13: 1623565197

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Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japanese graphic novels, eccentric English novels, and the earliest American novels. These minor novels are not only interesting in their own right, but also provide the context needed to appreciate why the major novels were major breakthroughs. The novel experienced an explosive growth spurt during these centuries as novelists experimented with different forms and genres: epistolary novels, romances, Gothic thrillers, novels in verse, parodies, science fiction, episodic road trips, and family sagas, along with quirky, unclassifiable experiments in fiction that resemble contemporary, avant-garde works. As in his previous volume, Moore privileges the innovators and outriders, those who kept the novel novel. In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most 'elastic' of literary forms” (Booklist).


The Lives of the Novel

The Lives of the Novel

Author: Thomas G. Pavel

Publisher: Princeton University Press

Published: 2015-06-30

Total Pages: 360

ISBN-13: 0691165785

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Reprint. Originally published: Princeton, New Jersey: Princeton University Press, A 2013.


History of Wolves

History of Wolves

Author: Emily Fridlund

Publisher: Grove/Atlantic, Inc.

Published: 2017-01-03

Total Pages: 292

ISBN-13: 0802189776

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A teenage girl comes of age amid hidden dangers and family secrets in the Minnesota woods in this “beautiful, icy [and] electrifying debut” novel (NPR). Teenage Linda lives with her parents in the austere woods of northern Minnesota, where their nearly abandoned commune stands as a last vestige of a counter-culture world. Isolated at home and an outsider at school, Linda is drawn to the new history teacher Mr. Grierson. But his shocking arrested for child pornography leaves Linda adrift as she wrestles with her own fledgling desires. When the young Gardner family moves in across the lake, Linda finds herself welcomed into their home as a babysitter for their little boy. But this new sense of belonging comes with secrets and expectations she doesn’t understand. Over the course of a summer, Linda will have to make choices that reverberate throughout her life. Finalist for the Man Booker Award One of the New York Times 100 Notable Books of 2017


Fictional Worlds

Fictional Worlds

Author: Thomas G. Pavel

Publisher: Harvard University Press

Published: 1986

Total Pages: 194

ISBN-13: 9780674299665

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Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties, and their reason for being.


Search History

Search History

Author: Eugene Lim

Publisher: Coffee House Press

Published: 2021-10-05

Total Pages: 162

ISBN-13: 1566896266

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Search History oscillates between a wild cyberdog chase and lunch-date monologues as Eugene Lim deconstructs grieving and storytelling with uncanny juxtapositions and subversive satire. Frank Exit is dead—or is he? While eavesdropping on two women discussing a dog-sitting gig over lunch, a bereft friend comes to a shocking realization: Frank has been reincarnated as a dog! This epiphany launches a series of adventures—interlaced with digressions about AI-generated fiction, virtual reality, Asian American identity in the arts, and lost parents—as an unlikely cast of accomplices and enemies pursues the mysterious canine. In elliptical, propulsive prose, Search History plumbs the depths of personal and collective consciousness, questioning what we consume, how we grieve, and the stories we tell ourselves.


The Columbia History of the American Novel

The Columbia History of the American Novel

Author: Emory Elliott

Publisher: Columbia University Press

Published: 1991

Total Pages: 940

ISBN-13: 9780231073608

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Designed as a companion to The Columbia Literary History of the United States, this compilation of 31 major essays covers the American novel from the 1700s to the present, although the majority deal with the 20th century. Within each era, themes, genres, and topics such as realism, gender, romance, and technology are discussed in depth, as well as modern Canadian, Caribbean, and Latin American fiction. Each essayist selects only the authors who best illustrate the topic, thus subtly skewing the view of the literary scene at that time. The volume also covers women, minorities, popular fiction, and the book marketplace. ISBN 0-231-07360-7: $59.95.


The History of Bees

The History of Bees

Author: Maja Lunde

Publisher: Simon and Schuster

Published: 2017-08-22

Total Pages: 371

ISBN-13: 1501161393

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“Imagine The Leftovers, but with honey” (Elle), and in the spirit of Station Eleven and Never Let Me Go, this “spectacular and deeply moving” (Lisa See, New York Times bestselling author) novel follows three generations of beekeepers from the past, present, and future, weaving a spellbinding story of their relationship to the bees—and to their children and one another—against the backdrop of an urgent, global crisis. England, 1852. William is a biologist and seed merchant, who sets out to build a new type of beehive—one that will give both him and his children honor and fame. United States, 2007. George is a beekeeper fighting an uphill battle against modern farming, but hopes that his son can be their salvation. China, 2098. Tao hand paints pollen onto the fruit trees now that the bees have long since disappeared. When Tao’s young son is taken away by the authorities after a tragic accident, she sets out on a grueling journey to find out what happened to him. Haunting, illuminating, and deftly written, The History of Bees joins “the past, the present, and a terrifying future in a riveting story as complex as a honeycomb” (New York Times bestselling author Bryn Greenwood) that is just as much about the powerful bond between children and parents as it is about our very relationship to nature and humanity.


Without the Novel

Without the Novel

Author: Scott Black

Publisher: University of Virginia Press

Published: 2019-08-23

Total Pages: 302

ISBN-13: 0813942853

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No genre manifests the pleasure of reading—and its power to consume and enchant—more than romance. In suspending the category of the novel to rethink the way prose fiction works, Without the Novel demonstrates what literary history looks like from the perspective of such readerly excesses and adventures. Rejecting the assumption that novelistic realism is the most significant tendency in the history of prose fiction, Black asks three intertwined questions: What is fiction without the novel? What is literary history without the novel? What is reading without the novel? In answer, this study draws on the neglected genre of romance to reintegrate eighteenth-century British fiction with its classical and Continental counterparts. Black addresses works of prose fiction that self-consciously experiment with the formal structures and readerly affordances of romance: Heliodorus’s Ethiopian Story, Cervantes’s Don Quixote, Fielding’s Tom Jones, Sterne’s Tristram Shandy, and Burney’s The Wanderer. Each text presents itself as a secondary, satiric adaptation of anachronistic and alien narratives, but in revising foreign stories each text also relays them. The recursive reading that these works portray and demand makes each a self-reflexive parable of romance itself. Ultimately, Without the Novel writes a wider, weirder history of fiction organized by the recurrences of romance and informed by the pleasures of reading that define the genre.


The Novel

The Novel

Author: Michael Schmidt

Publisher: Harvard University Press

Published: 2014-05-12

Total Pages: 1299

ISBN-13: 0674369068

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The 700-year history of the novel in English defies straightforward telling. Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, Michael Schmidt does full justice to its complexity. Like his hero Ford Madox Ford in The March of Literature, Schmidt chooses as his traveling companions not critics or theorists but “artist practitioners,” men and women who feel “hot love” for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English. Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliché—some irreducible quality that keeps readers coming back to its pages.