Efuru

Efuru

Author: Flora Nwapa

Publisher: Waveland Press

Published: 2013-10-21

Total Pages: 223

ISBN-13: 1478613270

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Appearing in 1966, Efuru was the first internationally published book, in English, by a Nigerian woman. Flora Nwapa (1931–1993) sets her story in a small village in colonial West Africa as she describes the youth, marriage, motherhood, and eventual personal epiphany of a young woman in rural Nigeria. The respected and beautiful protagonist, an independent-minded Ibo woman named Efuru, wishes to be a mother. Her eventual tragedy is that she is not able to marry or raise children successfully. Alone and childless, Efuru realizes she surely must have a higher calling and goes to the lake goddess of her tribe, Uhamiri, to discover the path she must follow. The work, a rich exploration of Nigerian village life and values, offers a realistic picture of gender issues in a patriarchal society as well as the struggles of a nation exploited by colonialism.


The Concubine

The Concubine

Author: Elechi Amadi

Publisher: Heinemann

Published: 1966

Total Pages: 228

ISBN-13: 9780435905569

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Set in a remote village in Eastern Nigeria, an area yet to be affected by European values and where society is orderly and predictable, the story concerns a woman "of great beauty and dignity" who inadvertently brings suffering and death to all her lovers. The novel portrays a society still ruled by traditional gods, offering a glimpse into the human relationships that such a society creates.


Idu

Idu

Author: Flora Nwapa

Publisher:

Published: 2024-05-31

Total Pages: 0

ISBN-13: 9781838221539

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'What we are all praying for is children. What else do we want if we have children?' These two sentences from Idu contain the basic theme of this novel set in a rural Nigerian community where the life of the individual is woven into that of the community as a whole. Idu, the protagonist, faces the challenge of infertility, leading her husband Adiewere to take a second wife. Eventually, Idu gives birth to a son named Ijoma, but it takes four years before she becomes pregnant again. However, tragedy strikes as Adiewere mysteriously dies before the arrival of their second child. Defying societal norms, Idu rejects the idea of marrying her husband's brother and instead chooses to join her husband in the afterlife, showcasing that children alone do not define her ultimate desires in life. Idu stands as a testament to Nwapa's commitment to portraying the lives and struggles of African women in the face of societal pressures.


Discussion about Efuru by Flora Nwapa

Discussion about Efuru by Flora Nwapa

Author: Mumtaz Mazumdar

Publisher: GRIN Verlag

Published: 2011-09

Total Pages: 29

ISBN-13: 3640998456

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Essay from the year 2011 in the subject Literature - Africa, Assam University, course: MA, language: English, abstract: The novel Efuru is written by Flora Nwapa. Nwapa is the first Nigerian and Igbo woman who to write a novel upon the Igbo female. The Igbos are one of the three major tribes of Nigeria, inhabiting Anambra, Imo and Edo states. There have been prominent male novelists who were Igbos and wrote in English. But, the male writers rarely included the females. Nwapa, atlast breaks the silence. She arose in response to consolidation of male authorship. She adds to the beginning of the new knowledge upon Igbo women with Efuru. Key words: Efuru, Igbo, female,


Women are Different

Women are Different

Author: Flora Nwapa

Publisher:

Published: 1992-01

Total Pages: 138

ISBN-13: 9780865433267

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The moving story of a group of Nigerian women which follows their lives from their schooldays together through the trials and tribulations of their adult lives. Through their stories we see some of the universal problems faced by women everywhere: the struggle for financial independence and a rewarding career, the difficulties of relationships, and the dilemmas of bringing up a family, often without a partner. Set against the background of a developing Nigeria, this novel shows Nwapa at her finest.


Binding Cultures

Binding Cultures

Author: Gay Wilentz

Publisher: Indiana University Press

Published: 1992-05-22

Total Pages: 180

ISBN-13: 9780253207142

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"Wilentz . . . makes convincing arguments for the connections between African and Afro-American women's culture." —Nellie McKay "Wilentz's jargon-free, intelligent discussion . . . will appeal to students in African, African American, and women's literature courses, as well as general readers interested in the emerging field." —Choice "Through these works, Wilentz demonstrates the powerful transformation possible through understanding—and embracing—the past, even if that past includes oppression and brutalization." —Belles Lettres Binding Cultures investigates the cultural bonds between African and African-American women writers such as Nigerian Flora Nwapa and Ghanaians Efua Sutherland and Ama Ata Aidoo, writers who focus on the role of women in passing on cultural values to future generations, and African-American writers Alice Walker, Toni Morrison, and Paule Marshall, who self-consciously evoke African culture to help create a more integrated African-American community.


The Promised Land

The Promised Land

Author: Grace Ogot

Publisher: African Books Collective

Published: 1991-06-15

Total Pages: 129

ISBN-13: 9966566112

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A young farmer and his wife who have migrated to Tanzania from Kenya become embroiled in issues of personal jealousy and materialism, and a melodramatic tale of tribal hatreds ensues. The novel explores Ogot's concept of the ideal African wife: obedient and submissive to her husband; family and community orientated; and committed to non-materialist goals. The style is distinctively ironic giving the story power and relevance. Grace Ogot has been employed in diverse occupations as a novelist, short story writer, scriptwriter, politician, and representative to the UN. Some of her other works include The Island of Tears (1980), the short story collection Land Without Thunder (1988), The Strange Bride (1989) and The Other Woman (1992). The Promised Land was originally published in 1966, and has since been reprinted five times.


"Wilderness Into Civilized Shapes"

Author: Laura Wright

Publisher: University of Georgia Press

Published: 2010

Total Pages: 226

ISBN-13: 0820335681

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This study examines how postcolonial landscapes and environmental issues are represented in fiction. Wright creates a provocative discourse in which the fields of postcolonial theory and ecocriticism are brought together. Laura Wright explores the changes brought by colonialism and globalization as depicted in an array of international works of fiction in four thematically arranged chapters. She looks first at two traditional oral histories retold in modern novels, Zakes Mda's The Heart of Redness (South Africa) and Ngugi wa Thiong'o's Petals of Blood (Kenya), that deal with the potentially devastating effects of development, particularly through deforestation and the replacement of native flora with European varieties. Wright then uses J. M. Coetzee's Disgrace (South Africa), Yann Martel's Life of Pi (India and Canada), and Joy Williams's The Quick and the Dead (United States) to explore the use of animals as metaphors for subjugated groups of individuals. The third chapter deals with India's water crisis via Arundhati Roy's activism and her novel, The God of Small Things. Finally, Wright looks at three novels--Flora Nwapa's Efuru (Nigeria), Keri Hulme's The Bone People (New Zealand), and Sindiwe Magona's Mother to Mother (South Africa)--that depict women's relationships to the land from which they have been dispossessed. Throughout Wilderness into Civilized Shapes, Wright rearticulates questions about the role of the writer of fiction as environmental activist and spokesperson, the connections between animal ethics and environmental responsibility, and the potential perpetuation of a neocolonial framework founded on western commodification and resource-based imperialism.


The Lake Goddess

The Lake Goddess

Author: Flora Nwapa

Publisher:

Published: 2023-02

Total Pages: 0

ISBN-13: 9781739276706

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The Lake Goddess came to be Flora Nwapa's last novel, yet possibly her most important one, as it restores African culture and spirituality. "Nwapa's message is clear: she-Ona/Ogbuide/woman-may have many children, but she also independently succeeds in her own life, and she is a source of healing and inspiration to all human beings suffering from the ills and madness of modern society worldwide. The goddess whom Nwapa invoked finally reemerges in her original glory in The Lake Goddess to brighten women's path. Her powers and mysteries shine, once again, despite the onslaught of foreign powers and their religions, when Nwapa accounts for the destructive forces of globalization and for attempts to push Uhammiri's children into the abyss of derangement, to rob the deity of her benevolence, and to deny her people both children and wealth. Yet, when the lake goddess finally appears with her image fully restored in Nwapa's last novel, the messenger, who invoked her, has left the land, crossed the river, and joined her ancestors to live on.