For Willa Cather, "the world broke in two in 1922 or thereabouts." The whole legacy of Western civilization stood on the far side of World War I, and in the spiritually impoverished present she looked back to that. To that she directed readers of these essays, declaring that anyone under forty years old would not be interested in them. But she was wrong: since its first publication in 1936, Not Under Forty has appealed to readers of all ages who share Cather's concern for excellence, for what endures, in literature and in life.
DigiCat Publishing presents to you this special edition of "Not Under Forty" by Willa Cather. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
We are delighted to publish this classic book as part of our extensive classic literature collection. This book is a reproduction of an important historical work. Unlike some other reproductions of classic texts, We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. Also in books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. We use state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. My trip into the mountains was wholly successful. All the suggestions the old lady had given me proved excellent, and I felt very grateful to her. I stayed away longer than I had intended. I returned to Aix-les-Bains late one night, got up early the next morning, and went to the bank, feeling that Aix is always a good place to come back to. When I returned to the hotel for lunch, there was the old lady, sitting in a chair just outside the door, looking worn and faded. Why, since she had her car and her driver there, she had not run away from the heat, I do not know. But she had stayed through it, and gone out sketching every morning. She greeted me very cordially, asked whether I had an engagement for the evening, and suggested that we should meet in the salon after dinner.
For Willa Cather, "the world broke in two in 1922 or thereabouts." The whole legacy of Western civilization stood on the far side of World War I, and in the spiritually impoverished present she looked back to that. To that she directed readers of these essays, declaring that anyone under forty years old would not be interested in them. But she was wrong: since its first publication in 1936, Not Under Forty has appealed to readers of all ages who share Cather's concern for excellence, for what endures, in literature and in life
For Willa Cather, "the world broke in two in 1922 or thereabouts." The whole legacy of Western civilization stood on the far side of World War I, and in the spiritually impoverished present she looked back to that. To that she directed readers of these essays, declaring that anyone under forty years old would not be interested in them. But she was wrong.
An orphan and thief, Hugo lives in the walls of a busy train station. He desperately believes a broken automaton will make his dreams come true. But when his world collides with an eccentric girl and a bitter old man, Hugo's undercover life are put in jeopardy. Turn the pages, follow the illustrations and enter an unforgettable new world!
An essential companion to the Harry Potter books, The Tales of Beedle the Bard is a collection of fairytales from the wizarding world, via the enchanted pen of J.K. Rowling. Rich with allusions and symbols from the Harry Potter stories, and enhanced with fascinating commentary from beloved sage Professor Albus Dumbledore, this is a Hogwarts Library book to treasure and enjoy for years to come. All of the gorgeous, grim and gothic detail of the Bard's five bewitching tales has been brought to life by Chris Riddell, thrice winner of the Kate Greenaway Medal. Much loved by generations of witches and wizards, and translated from the original runes by Hermione Granger, this beautiful edition is the perfect gift for Harry Potter fans. Mischievous and witty, Beedle the Bard's stories are a deeply satisfying read in the tradition of all great fables and fairytales. Kindnesses are rewarded and selfishness shown to be the ruin of many a wizard. Burping cauldrons, hairy hearts and cackling stumps are met along the way. Each tale is brought vividly to life with Riddell's trademark wry humour and elegance, including 'The Tale of the Three Brothers', familiar to readers of Harry Potter from the crucial role it plays in Harry Potter and the Deathly Hallows. Now available in a paperback format featuring a brand new cover by Chris Riddell, this edition contains all of the mesmerising illustrations from the original hardback plus an exclusive additional art print of Harry, Ron and Hermione for readers to take out and keep. Prepare to be spellbound! The Tales of Beedle the Bard is published in aid of Lumos, an international children's charity founded in 2005 by J.K. Rowling.
The Uke Book Illustrated clearly explains every step in the construction of a ukulele through in the format of a graphic novel. This artistically conceived and executed book reveals the practical aspects of an ancient trade, showing of the preparation and selection of materials, assembly and construction, the tools and jigs, and how to approach the work.
