What does the term "neoconservative" mean? Who are we talking about and where did they come from? Abrams answers those very questions through a detailed and critical study of neoconservatism's leading thinker, Norman Podhoretz, and the magazine he edited for 35 years, Commentary. Podhoretz has been described as "the conductor of the neocon orchestra" and through Commentary Podhoretz powerfully shaped neoconservatism. Rich in research, the book is based upon a wide range of sources, including archival and other material never before published in the context of Commentary magazine, including Podhoretz's private papers. It argues that much of what has been said about neoconservatism is the product of willful distortion and exaggeration both by the neoconservatives themselves and their many enemies. From this unique perspective, Abrams examines the origins, rise, and fall of neoconservatism. In understanding Podhoretz, a figure often overlooked, this book sheds light on the origins, ideas, and intellectual pedigree of neoconservatism.
This is the first biography of the Jewish-American intellectual Norman Podhoretz, longtime editor of the influential magazine Commentary. As both an editor and a writer, he spearheaded the countercultural revolution of the 1960s and - after he "broke ranks" - the neoconservative response. For years he defined what was at stake in the struggle against communism; recently he has nerved America for a new struggle against jihadist Islam; always he has given substance to debates over the function of religion, ethics, and the arts in our society. The turning point of his life occurred, at the age of forty near a farmhouse in upstate New York, in a mystic clarification. It compelled him to "unlearn" much that he had earlier been taught to value, and it also made him enemies. Revealing the private as well as the public man, Thomas L. Jeffers chronicles a heroically coherent life.
Now hailed as a "proto-feminist classic" (Vulture), Pulitzer Prize winner Herman Wouk's powerful coming-of-age novel about an ambitious young woman pursuing her artistic dreams in New York City has been a perennial favorite since it was first a bestseller in the 1950s. A starry-eyed young beauty, Marjorie Morgenstern is nineteen years old when she leaves home to accept the job of her dreams--working in a summer-stock company for Noel Airman, its talented and intensely charismatic director. Released from the social constraints of her traditional Jewish family, and thrown into the glorious, colorful world of theater, Marjorie finds herself entangled in a powerful affair with the man destined to become the greatest--and the most destructive--love of her life. Rich with humor and poignancy, Marjorie Morningstar is a classic love story, one that spans two continents and two decades in the life of its heroine. "I read it and I thought, 'Oh, God, this is me.'" --Scarlet Johansson
A controversial memoir about American intellectual life and academia and the relationship between politics, money, and education. Norman Podhoretz, the son of Jewish immigrants, grew up in the tough Brownsville section of Brooklyn, attended Columbia University on a scholarship, and later received degrees from the Jewish Theological Seminary and Cambridge University. Making It is his blistering account of fighting his way out of Brooklyn and into, then out of, the Ivory Tower, of his military service, and finally of his induction into the ranks of what he calls “the Family,” the small group of left-wing and largely Jewish critics and writers whose opinions came to dominate and increasingly politicize the American literary scene in the fifties and sixties. It is a Balzacian story of raw talent and relentless and ruthless ambition. It is also a closely observed and in many ways still-pertinent analysis of the tense and more than a little duplicitous relationship that exists in America between intellect and imagination, money, social status, and power. The Family responded to the book with outrage, and Podhoretz soon turned no less angrily on them, becoming the fierce neoconservative he remains to this day. Fifty years after its first publication, this controversial and legendary book remains a riveting autobiography, a book that can be painfully revealing about the complex convictions and needs of a complicated man as well as a fascinating and essential document of mid-century American cultural life.
In the years of cultural and political ferment following World War II, a new generation of Jewish- American writers and thinkers arose to make an indelible mark on American culture. Commentary was their magazine; the place where they and other politically sympathetic intellectuals -- Hannah Arendt, Saul Bellow, Lionel Trilling, Alfred Kazin, James Baldwin, Bernard Malamud, Philip Roth, Cynthia Ozick and many others -- shared new work, explored ideas, and argued with each other. Founded by the offspring of immigrants, Commentary began life as a voice for the marginalized and a feisty advocate for civil rights and economic justice. But just as American culture moved in its direction, it began -- inexplicably to some -- to veer right, becoming the voice of neoconservativism and defender of the powerful. This lively history, based on unprecedented access to the magazine's archives and dozens of original interviews, provocatively explains that shift while recreating the atmosphere of some of the most exciting decades in American intellectual life.
For almost half a century—as a magazine editor and as the author of numerous bestselling books and hundreds of articles—Norman Podhoretz has helped drive the central political and intellectual debates in this country. Now, in this provocative and powerfully argued book, he takes on the most controversial issue of our time—the war against the global network of terrorists that attacked us on 9/11.
From the bestselling author of World War IV, a brilliant investigation of a central question in American politics and culture. During his career as a neoconservative thinker, Norman Podhoretz has been asked no question more often than “Why are so many Jews liberals?” In this provocative book he sets out to solve this puzzle. He first offers a fascinating account of anti-Semitism in the West to show the historical roots of Jewish mistrust of the right. But, Podhoretz argues, since the Six Day War of 1967 Jewish allegiance to the left no longer makes sense, and yet most Jews continue supporting the Democratic Party and the liberal agenda. Reviewing the history of Jewish political attitudes and examining the available evidence, Podhoretz argues against the conventional explanations for Jewish liberalism—finally proposing his own.
Allen Ginsberg, Lionel and Diana Trilling, Lillian Hellman, Hannah Arendt, and Norman Mailer -- all are ex-friends of Norman Podhoretz, the renowned editor and critic and leading member of the group of New York intellectuals who came to be known as "the Family." As only a family member could, Podhoretz tells the story of these friendships, once central to his life, and shows how the political and cultural struggles of the past fifty years made them impossible to sustain. With wit, piercing insight, and startling honesty, we are introduced as never before to a type of person for whom ideas were often matters of life and death, and whose passing from the scene has left so large a gap in American culture. Podhoretz was the trailblazer of the now-famous journey of a number of his fellow intellectuals from radicalism to conservatism -- a journey through which they came to exercise both cultural and political influence far beyond their number. With this fascinating account of his once happy and finally troubled relations with these cultural icons, Podhoretz helps us understand why that journey was undertaken and just how consequential it became. In the process we get a brilliantly illuminating picture of the writers and intellectuals who have done so much to shape our world. Combining a personal memoir with literary, social, and political history, this unique gallery of stern and affectionate portraits is as entertaining as a novel and at the same time more instructive about postwar American culture than a formal scholarly study. Interwoven with these tales of some of the most quixotic and scintillating of contemporary American thinkers are themes that are introduced, developed, and redeveloped in a variety of contexts, with each appearance enriching the others, like a fugue in music. It is all here: the perversity of brilliance; the misuse of the mind; the benightedness of people usually considered especially enlightened; their human foibles and olympian detachment; the rigors to be endured and the prizes to be won and the prices to be paid for the reflective life. Most people live their lives in a very different way, and at one point, in a defiantly provocative defense of the indifference shown to the things by which intellectuals are obsessed, Norman Podhoretz says that Socrates' assertion that the unexamined life was not worth living was one of the biggest lies ever propagated by a philosopher. And yet, one comes away from Ex-Friends feeling wistful for a day when ideas really mattered and when there were people around who cared more deeply about them than about anything else. Reading of a time when the finest minds of a generation regularly gathered in New York living rooms to debate one another with an articulateness, a passion, and a level of erudition almost extinct, we come to realize how enviable it can be to live a life as poignantly and purposefully examined as Norman Podhoretz's is in Ex-Friends.
