In this broad-based study of American fiction, canonical and otherwise, Arnold Weinstein examines closely the strong ties between language, history and culture, with a particular focus on freedom of the self.
It was 1950. Strikingly beautiful, 20-year-old Joan Haverty had arrived in New York and was working as a seamstress. During a deteriorating attempt to reconcile with her lover, fate intervened when Joan heard a stranger's voice calling up to her loft from the street below -- It was Jack Kerouac, needing directions to a party Thus began Joan's stormy romance with and brief marriage to the leather-jacketed archangel of the Beat Generation. She bore his tirades, his passion, his troubled poetic genius, and also bore his child while Kerouac was writing his great signature novel, On the Road.
After caring for his mother at the end of her life, Thomas Gass took a job as a nursing home aide in a for-profit long term care home. This graphic, poignant & chilling book details his experiences in this 'warehouse' for the elderly & asks fundamental questions about care in American nursing homes.
Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel. The "nobodies" of her title are not ignored, silenced, or anonymous women. Instead, they are literal nobodies: the abstractions of authorial personae, printed books, intellectual property rights, literary reputations, debts and obligations, and fictional characters. These are the exchangeable tokens of modern authorship that lent new cultural power to the increasing number of women writers through the eighteenth century. Women writers, Gallagher discovers, invented and popularized numerous ingenious similarities between their gender and their occupation. The terms "woman," "author," "marketplace," and "fiction" come to define each other reciprocally. Gallagher analyzes the provocative plays of Aphra Behn, the scandalous court chronicles of Delarivier Manley, the properly fictional nobodies of Charlotte Lennox and Frances Burney, and finally Maria Edgeworth's attempts in the late eighteenth century to reform the unruly genre of the novel. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel.
The orphan trains stopped running in 1929 and the foster care system began. Hollywood relieved Depression era problems on the subject with films starring Shirley Temple. "Room for One More" with Cary Grant depicted the need for foster families. "Blossoms In the Dust" starring Greer Garson dealt with the social stigma faced by both the parents and the children. Having immigrant parents in the mix added more problems. This was my family. We were a family torn apart as our parents fought to regain their children while the system held them hostage to the moral tenor of the times. Once the State took us a promise was made, a promise believed. Why, in the end, did we then feel twice abandoned, twice betrayed?
“A clever, charming mystery that perfectly captures 1920s society . . . sure to appeal to fans of Ashley Weaver or Rhys Bowen.” —Shelf Awareness August 1924. Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard. Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell. Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to do some sleuthing. Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself. Enter Inspector Devenand Hunter, an Anglo-Indian who is not going to let some society beauty who seems to talk to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it. . . . “A lively debut filled with local color, red herrings, both sprightly and spritely characters, a smidgen of social commentary, and a climactic surprise.” —Kirkus Reviews
Nella Covington can't believe she's agreed to marry the arrogant Samuel L. du Cannon, even if it's only a marriage of convenience. He needs a mother for his small son, and she needs to keep her beloved childhood home. Will she be able to stand his egotistical attitude? His domineering manner? But Jake is such a darling little boy! And he's already captured her heart. What does she have to lose? If Sam's work keeps him on the road enough, she won't have to deal with him much at all. Maybe this just might work. All Sam du Cannon wants is a good mom for his son. He's had it with women. Doesn't ever plan to get involved with another woman again. That makes Nella perfect for him. He's never been overly attracted to plus-size women, so if Nella agrees to marry him, he won't have to worry about being tempted to have a relationship with her. At least, that's what he keeps telling himself. As they lay exhausted from making love, Sam said, "You are, without a doubt, the most passionate woman I have ever known. And you turn me on more than any woman ever has." Not knowing what to say, Nella just reached up and lightly kissed him. "You ain't seen nothing yet," she whispered her promise. Soon they both drifted into a contented sleep. Publisher's Note: The trade paperback & audiobook versions of Nobody's Perfect have a new cover. The ebook still features the original cover.
Gottfried's capably researched and recounted biography offers a none too flattering glimpse into Kaye's well-guarded personal life, including his egotism, cruelty, his strained marriage and his flirtations and affairs. His career is treated in detail, from his obvious early talent to the creation of his acting personae and his sad professional and personal decline before his death in 1987. Lacks a bibliography. Annotation copyright by Book News, Inc., Portland, OR
From the Pulitzer Prize–winning author of Empire Falls, this slyly funny, moving novel about a blue-collar town in upstate New York—and about Sully, one of its unluckiest citizens, who has been doing the wrong thing triumphantly for fifty years—is a classic American story. "Remarkable.... A revelation of the human heart." —The Washington Post Divorced from his own wife and carrying on halfheartedly with another man's, saddled with a bum knee and friends who make enemies redundant, Sully now has one new problem to cope with: a long-estranged son who is in imminent danger of following in his father's footsteps. With its uproarious humor and a heart that embraces humanity's follies as well as its triumphs, Nobody's Fool, from Pulitzer Prize-winning author, Richard Russo, is storytelling at its most generous. Nobody’s Fool was made into a movie starring Paul Newman, Bruce Willis, Jessica Tandy, and Melody Griffith. Look for Everybody’s Fool, available now, and Somebody’s Fool, coming soon.