Nineteenth-century dust-jackets' is a comprehensive general history of publishers' dust jackets during the first century of their use. From the earliest known jacket issued in 1819, the author surveys the entire field of British, American and European jackets and documents a part of publishing history that was nearly lost to the nineteenth-century custom of discarding dust-jackets so that the more decorative bindings could be seen. The book examines when and why publishers began to issue dust-jackets, the subsequent growth of their use, and the role they played in marketing. Included are the rare all-enclosing jackets that were issued on some annuals and trade books, ornate Victorian jackets, binders' and stationers' jackets, and many others. A chapter on Lewis Carroll's jackets includes letters he wrote to his publisher on the subject, which are published here for the first time.
Book-jackets (or "dust-jackets," as they are often called), along with other detachable book coverings such as slip-cases, have been regularly used by publishers in the English-speaking world and some countries of the European continent since the early part of the nineteenth century. Historians of publishing practices, however, have not accorded them the scrutiny that one might have expected such a ubiquitous and noticeable phenomenon to receive. This illustrated book is intended as a compact introduction to the historical study of these objects, which -- though removable from the books they cover -- are essential parts of those books as published. The present work offers a concise history both of publishers' detachable book coverings (primarily British and American) and of the attention they have received from scholars, dealers, collectors, and librarians. It also surveys their use by publishers (as protective devices and advertising media) and their usefulness to scholars of literature, art, and book history (as sources for biography, bibliography, cultural analysis, and the development of graphic design). In effect, the book constitutes a plea for the preservation and cataloguing of this significant class of material, so that it will be available for future examination. Following the text is a list of some of the surviving pre-1901 examples of British and American publishers' printed book-jackets and other detachable coverings. This list, with 1,888 entries, is the outgrowth of a process the author began in 1969: he has kept a record of every pre-1901 jacket that he came across or learned about. Because surviving jackets from the nineteenth century are scarce (most having been thrown away by the original booksellers or purchasers of the books), and because the large majority of those that do survive are known in only a single copy, it is important to have a listing that indicates their whereabouts, or at least the basis for knowing that they exist or once existed. The list thus provides a guide to the body of evidence on which generalizations about the history of nineteenth-century jackets must be based, until more examples are reported. The book also contains two image sections: the first containing eight black-and-white plates, and the second containing sixteen color plates. G. Thomas Tanselle, former vice president of the John Simon Guggenheim Memorial Foundation and adjunct professor of English at Columbia University, is president of the Bibliographical Society of the University of Virginia and co-editor of the Northwestern-Newberry Edition of the writings of Herman Melville. He has previously served as president of the Bibliographical Society of America, the Grolier Club, and the Society for Textual Scholarship. His books include Royall Tyler (1967), Guide to the Study of United States Imprints (1971), A Rationale of Textual Criticism (1989), Textual Criticism and Scholarly Editing (1990), The Life and Work of Fredson Bowers (1993), Literature and Artifacts (1998), Textual Criticism since Greg (2005), and Bibliographical Analysis (2009). His collection of American imprints is in the Beinecke Library at Yale, where his assemblage of nineteenth-century book-jackets will soon be placed as well.
A deep dive into the history of the illustrated book jacket, tracing its development across the twentieth century, reflecting some of the most iconic designs of the era
The Routledge History of Nineteenth-Century America provides an important overview of the main themes within the study of the long nineteenth century. The book explores major currents of research over the past few decades to give an up-to-date synthesis of nineteenth-century history. It shows how the century defined much of our modern world, focusing on themes including: immigration, slavery and racism, women's rights, literature and culture, and urbanization. This collection reflects the state of the field and will be essential reading for all those interested in the development of the modern United States.
Through an examination of the two icons of the nineteenth century American temperance movement -- the self-made man and the crusading woman -- Fletcher demonstrates the evolving meaning and context of temperance and gender.
This book studies everyday writing practices among ordinary people in a poor rural society in the 19th and early 20th centuries. Using the abundance of handwritten material produced, disseminated and consumed some centuries after the advent of print as its research material, the book's focus is on its day-to-day usage and on "minor knowledge," i.e., text matter originating and rooted primarily in the everyday life of the peasantry. The focus is on the history of education and communication in a global perspective. Rather than engaging in comparing different countries or regions, the authors seek to view and study early modern and modern manuscript culture as a transnational (or transregional) practice, giving agency to its ordinary participants and attention to hitherto overlooked source material. Through a microhistorical lens, the authors examine the strength of this aspect of popular culture and try to show it in a wider perspective, as well as asking questions about the importance of this development for the continuity of the literary tradition. The book is an attempt to explain “the nature of the literary culture” in general – how new ideas were transported from one person to another, from community to community, and between regions; essentially, the role of minor knowledge in the development of modern men.
This collection of papers draws on insights from social anthropology to illuminate historical material, and presents a set of closely integrated studies on the inter-connections between feminism and medical, social and educational ideas in the nineteenth century. Throughout the book evidence from both the USA and UK shows that feminists had to operate in a restricting and complex social environment in which the concept of "the lady" and the ideal of the saintly mother defined the nineteenth-century woman’s cultural and physical world.
German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.
