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This is the only encyclopedia and social history of swearing and foul language in the English-speaking world. It covers the various social dynamics that generate swearing, foul language, and insults in the entire range of the English language. While the emphasis is on American and British English, the different major global varieties, such as Australian, Canadian, South African, and Caribbean English are also covered. A-Z entries cover the full range of swearing and foul language in English, including fascinating details on the history and origins of each term and the social context in which it found expression. Categories include blasphemy, obscenity, profanity, the categorization of women and races, and modal varieties, such as the ritual insults of Renaissance "flyting" and modern "sounding" or "playing the dozens." Entries cover the historical dimension of the language, from Anglo-Saxon heroic oaths and the surprising power of medieval profanity, to the strict censorship of the Renaissance and the vibrant, modern language of the streets. Social factors, such as stereotyping, xenophobia, and the dynamics of ethnic slurs, as well as age and gender differences in swearing are also addressed, along with the major taboo words and the complex and changing nature of religious, sexual, and racial taboos.
Vol. 14: John Adams reached Paris on October 26, 1782, for the final act of the American Revolution: the peace treaty. This volume chronicles his role in the negotiations and the decision to conclude a peace separate from France. Determined that the United States pursue an independent foreign policy, Adams's letters criticized Congress's naive confidence in France. But in April 1783, frustrated at delays over the final treaty and at real and imagined slights from Congress and Benjamin Franklin, Adams believed the crux of the problem was Franklin's moral bankruptcy and servile Francophilia in the service of a duplicitous Comte de Vergennes. Volume 14 covers more than just the peace negotiations. As American minister to the Netherlands, Adams managed the distribution of funds from the Dutch-American loan. Always an astute observer, he commented on the fall of the Shelburne ministry and its replacement by the Fox-North coalition, the future of the Anglo-American relationship, and the prospects for the United States in the post-revolutionary world. But he was also an anxious father, craving news of John Quincy Adams's slow journey from St. Petersburg to The Hague. By May 1783, Adams was tired of Europe, but resigned to remaining until his work was done
This is the story of a most ingenious invention: the novel. Desribed for the first time in The Rise of The Novel, Ian Watt's landmark classic reveals the origins and explains the success of the most popular literary form of all time. In the space of a single generation, three eighteenth-century writers -- Daniel Defoe, Samuel Richardson and Henry Fielding -- invented an entirely new genre of writing: the novel. With penetrating and original readings of their works, as well as those of Jane Austen, who further developed and popularised it, he explains why these authors wrote in the way that they did, and how the complex changes in society – the emergence of the middle-class and the new social position of women – gave rise to its success. Heralded as a revelation when it first appeared, The Rise of The Novel remains one of the most widely read and enjoyable books of literary criticism ever written, capturing precisely and satisfyingly what it is about the form that so enthrals us.
Political Correctness “Geoffrey Hughes has brought together with great panache the very many manifestations of political correctness, both absurd and vicious, and shown how they express a single collective mind-set. His book establishes beyond doubt that there is such a phenomenon, that it has become dominant in our culture, and that it represents a growing tendency to censor public debate and to prevent people from questioning orthodoxies which we all know to be false.” Roger Scruton, American Enterprise Institute “What a joy this book is! Hughes’ study traces, with unflagging zest, the modern history of PC. Sumptuous in data, in judgment precise, this is the latest and fullest of Hughes’ series on the social history of language.” Walter Nash, Professor Emeritus, University of Nottingham Political Correctness is now an everyday phrase and part of the modern mindset. Everyone thinks they know what it means, but its own meaning constantly shifts. Its surprising origins have led to it becoming integrated into contemporary culture in ways that are both idealistic and ridiculous. Originally grounded in respect for difference and sensitivity to suffering, it has often become a distraction and even a silencer of genuine issues, provoking satire and parody. In this carefully researched, thought-provoking book, Geoffrey Hughes examines the trajectory of political correctness and its impact on public life. Exploring the origins, progress, content, and style of PC, Hughes’ journey leads us through authors as diverse as Chaucer, Shakespeare and Swift; Philip Larkin, David Mamet, and J.M. Coetzee; from nursery rhymes to Spike Lee films. Focusing on the historical, semantic, and cultural aspects of political correctness, this outstanding and unique work will intrigue anyone interested in this ongoing debate.
