With an estimated 10,000 ancient rock art sites, Nine Mile Canyon has long captivated people the world over. The author takes the reader on a journey into Nine Mile Canyon through the eyes of the generations of archaeologists who have gone there only to leave bewildered by what it all means.
In this critically acclaimed Maine classic, first published in 1945, Helen Hamlin writes of her adventures teaching school at a remote Maine lumber camp and then of living deep in the Maine wilderness with her game warden husband. Her experiences are a must-read for anyone who loves the untamed nature and wondrous beauty of Maine's north woods and the unique spirit of those who lived there. In the 1930s, in spite of being warned that remote Churchill Depot was 'no place for a woman', the remarkable Helen Hamlin set off at age twenty to teach school at the isolated lumber camp at the headwaters of the Allagash River. She eventually married a game warden and moved deeper into the wilderness. In her book, Hamlin captures that time in her life, complete with the trappers, foresters, lumbermen, woods folk, wild animals, and natural splendour that she found at Umsaskis Lake and then at Nine Mile Bridge on the St. John River.
North of Price, Utah, Nine Mile Canyon slashes through the West Tavaputs Plateau and erodes its way east to the Green River, Utah. In 1847, settlements began in Utah along the Wasatch Front. The rangeland was soon taken, and stockmen pushed up Spanish Fork Canyon to discover great grazing for their stockand an amazing place where ancient people had lived, leaving homes and their stories on brown slate walls with inscriptions and paint. These stockmen were the first homesteaders in Nine Mile Canyon. Three families of early settlers were the Houskeepers, Algers, and Rich families, coming between 1885 and 1893.
The epic story of the fastest boat ride in history, on a hand-built dory named the "Emerald Mile," through the heart of the Grand Canyon on the Colorado river.
Over many centuries, the prehistoric Fremont and Anasazi peoples of present-day Utah left an artistic record in which distinctive styles are readily identifiable. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah's abundant prehistoric rock art offers glimpses of a lost world. The Rock Art of Utah is a rich sample of the many varieties of rock art found in the state. Through nearly two hundred high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 1930s, rock art expert Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah's abundant prehistoric rock art offers glimpses of a lost world. Over many centuries, the Fremont and Anasazi peoples left an artistic record in which distinctive styles are readily identifiable. The Rock Art of Utah is a guide to the many varieties of rock art found in the state. Through dozens of high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 30s, author Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy. Now in an updated edition, it will engage anyone with an interest in the ancient peoples of the Colorado Plateau.
"The public lands of the western United States comprise some 450 million acres of grassland, steppe land, canyons, forests, and mountains. It's an American commons, and it is under assault as never before. Journalist Christopher Ketcham has been documenting the confluence of commercial exploitation and governmental misconduct in this region for over a decade. His revelatory book takes the reader on a journey across these last wild places, to see how capitalism is killing our great commons. Ketcham begins in Utah, revealing the environmental destruction caused by unregulated public lands livestock grazing, and exposing rampant malfeasance in the federal land management agencies, who have been compromised by the profit-driven livestock and energy interests they are supposed to regulate. He then turns to the broad effects of those corrupt politics on wildlife. He tracks the Department of Interior's failure to implement and enforce the Endangered Species Act--including its stark betrayal of protections for the grizzly bear and the sage grouse--and investigates the destructive behavior of U.S. Wildlife Services in their shocking mass slaughter of animals that threaten the livestock industry. Along the way, Ketcham talks with ecologists, biologists, botanists, former government employees, whistleblowers, grassroots environmentalists and other citizens who are fighting to protect the public domain for future generations. This Land is a colorful muckraking journey--part Edward Abbey, part Upton Sinclair--exposing the rot in American politics that is rapidly leading to the sell-out of our national heritage"--
"In 1931 a group from Harvard University's Peabody Museum accomplished something that had never been attempted in the history of American archaeology: a six-week, four-hundred-mile horseback survey of Fremont prehistoric sites through some of the West's most rugged terrain. The expedition was successful, but a report on the findings was never completed. What should have been one of the great archaeological stories in American history was relegated to boxes and files in the basement of the Peabody Museum at Harvard. Now, based on over a thousand pages of documents (field journals, correspondence, and receipts) and over four hundred photographs, this book recounts the remarkable day-to-day adventures of this crew of one professor, five students, and three Utah guides who braved heat, fatigue, and the dangerous canyon wilderness to reveal vestiges of the Fremont culture in the Tavaputs Plateau and Uinta Basin areas. To better tell this story, authors Spangler and Aton undertook extensive fieldwork to confirm the sites; their recent photographs and those of the original expedition are shared on these pages. This engaging narrative situates the 1931 survey and its discoveries within the history of American archaeology"--Provided by publisher.