Nihilism in Film and Television
Nihilism in Film and Television

Author: Kevin L. Stoehr

Publisher: McFarland

Published: 2015-03-12

Total Pages: 227

ISBN-13: 1476611335

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This book explores the idea of nihilism, emphasized by German philosopher Friedrich Nietzsche, through its appearance in modern popular culture. The author defines and reflects upon nihilism, then explores its manifestation in films and television shows. Among the subjects examined are the award-winning television series The Sopranos and the film noir genre that preceded and influenced it. Films probed include Orson Welles's masterpiece Citizen Kane, the films of Stanley Kubrick, Neil Jordan's controversial The Crying Game and Richard Linklater's unconventional Waking Life. Finally, the author considers nihilism in terms of the decay of traditional values in the genre of westerns, mostly through works of filmmaker John Ford. In the concluding chapter the author broadens the lessons gleaned from these studies, maintaining that the situated and embodied nature of human life must be understood and appreciated before people can overcome the life-negating effects of nihilism.

Cinematic Nihilism
Cinematic Nihilism

Author: John Marmysz

Publisher: Edinburgh University Press

Published: 2017-09-26

Total Pages: 222

ISBN-13: 1474424570

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Through case studies of popular films, including Prometheus, The Dark Knight Rises, Dawn of the Dead and The Human Centipede, this book re-emphasises the constructive potential of cinematic nihilism.

Hitchcock as Philosopher
Hitchcock as Philosopher

Author: Robert J. Yanal

Publisher: McFarland

Published: 2005-06-16

Total Pages: 218

ISBN-13:

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"The work discusses 12 Hitchcock films and reads them as raising and putting forth a position on three problem areas of epistemology: deception, knowledge of mind, and problematic knowledge of the external world. Introductions to these philosophical concepts are given, as well as summaries to the films analyzed"--Provided by publisher.

Nikolai Chernyshevskii and Ayn Rand
Nikolai Chernyshevskii and Ayn Rand

Author: Aaron Weinacht

Publisher: Rowman & Littlefield

Published: 2021-10-07

Total Pages: 183

ISBN-13: 1793634785

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Nikolai Chernyshevskii and Ayn Rand: Russian Nihilism Travels to America argues that the core commitments of the nihilist movement of the 1860’s made their way to 20th century America via the thought of Ayn Rand. While mid-nineteenth-century Russian nihilism has generally been seen as part of a radical tradition that culminated in the Bolshevik Revolution of 1917, the author argues that nihilism’s intellectual trajectory was in fact quite different. Analysis of such sources as Nikolai Chernyshevskii’s What is to Be Done? (1863) and Ayn Rand’s Atlas Shrugged (1957), archival research in Rand’s papers, and broad attention to late-nineteenth century Russian intellectual history all lead the author to conclude that nihilism’s legacy is deeply implicated in one of America’s most widely-read philosophers of capitalism and libertarian freedom.

The Essence of Nihilism
The Essence of Nihilism

Author: Emanuele Severino

Publisher: Verso Books

Published: 2016-10-11

Total Pages: 456

ISBN-13: 1784786128

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In 1969, Emanuele Severino underwent a Vatican trial for the 'fundamental incompatibility' between his thought and the Christian doctrine, and was removed from his position as professor of philosophy at the Catholic University in Milan. The Essence of Nihilism published in 1972, was the first book to follow his expulsion, and to firmly establish Severino's preeminent position within the constellation of contemporary philosophy. In this groundbreaking book, Severino reinterprets the history of Western philosophy as the unfolding of 'the greatest folly', that is, of the belief that 'things come out of nothing and fall back into nothing'. According to Severino, such a typically Western understanding of reality has produced a belief in the radical 'nothingness' of things. This, in turn has justified the treatment of the world as an object of exploitation, degradation and destruction. To move beyond Western nihilism, suggests Severino, we must first of all 'return to Parmenides'. Joining forces with the most venerable of Greek philosophers, Severino confutes the 'path of night' of nihilism, and develops a new philosophy grounded on the principle of the eternity of reality and of every single existent.

Nihilism
Nihilism

Author: Nolen Gertz

Publisher: MIT Press

Published: 2019-09-10

Total Pages: 226

ISBN-13: 0262537176

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An examination of the meaning of meaninglessness: why it matters that nothing matters. When someone is labeled a nihilist, it's not usually meant as a compliment. Most of us associate nihilism with destructiveness and violence. Nihilism means, literally, “an ideology of nothing. “ Is nihilism, then, believing in nothing? Or is it the belief that life is nothing? Or the belief that the beliefs we have amount to nothing? If we can learn to recognize the many varieties of nihilism, Nolen Gertz writes, then we can learn to distinguish what is meaningful from what is meaningless. In this addition to the MIT Press Essential Knowledge series, Gertz traces the history of nihilism in Western philosophy from Socrates through Hannah Arendt and Jean-Paul Sartre. Although the term “nihilism” was first used by Friedrich Jacobi to criticize the philosophy of Immanuel Kant, Gertz shows that the concept can illuminate the thinking of Socrates, Descartes, and others. It is Nietzsche, however, who is most associated with nihilism, and Gertz focuses on Nietzsche's thought. Gertz goes on to consider what is not nihilism—pessimism, cynicism, and apathy—and why; he explores theories of nihilism, including those associated with Existentialism and Postmodernism; he considers nihilism as a way of understanding aspects of everyday life, calling on Adorno, Arendt, Marx, and prestige television, among other sources; and he reflects on the future of nihilism. We need to understand nihilism not only from an individual perspective, Gertz tells us, but also from a political one.

The Philosophy of Stanley Kubrick
The Philosophy of Stanley Kubrick

Author: Jerold Abrams

Publisher: University Press of Kentucky

Published: 2007-05-04

Total Pages: 290

ISBN-13: 081317256X

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In the course of fifty years, director Stanley Kubrick produced some of the most haunting and indelible images on film. His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other philosophical concept, existentialism—the belief that philosophical truth has meaning only if it is chosen by the individual—has come down from the ivory tower to influence popular culture at large. In virtually all of Kubrick’s films, the protagonist finds himself or herself in opposition to a hard and uncaring world, whether the conflict arises in the natural world or in human institutions. Kubrick’s war films (Fear and Desire, Paths of Glory, Dr. Strangelove, and Full Metal Jacket) examine how humans deal with their worst fears—especially the fear of death—when facing the absurdity of war. Full Metal Jacket portrays a world of physical and moral change, with an environment in continual flux in which attempting to impose order can be dangerous. The film explores the tragic consequences of an unbending moral code in a constantly changing universe. Essays in the volume examine Kubrick’s interest in morality and fate, revealing a Stoic philosophy at the center of many of his films. Several of the contributors find his oeuvre to be characterized by skepticism, irony, and unfettered hedonism. In such films as A Clockwork Orange and 2001: A Space Odyssey, Kubrick confronts the notion that we will struggle against our own scientific and technological innovations. Kubrick’s films about the future posit that an active form of nihilism will allow humans to accept the emptiness of the world and push beyond it to form a free and creative view of humanity. Taken together, the essays in The Philosophy of Stanley Kubrick are an engaging look at the director’s stark vision of a constantly changing moral and physical universe. They promise to add depth and complexity to the interpretation of Kubrick’s signature films.

The Philosophy of the Coen Brothers
The Philosophy of the Coen Brothers

Author: Mark T. Conard

Publisher: University Press of Kentucky

Published: 2008-12-12

Total Pages: 467

ISBN-13: 0813138698

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“Written for both fans of the Coen brothers and the philosophically curious, without the technical language . . . educational and entertaining.” —Library Journal Joel and Ethan Coen have made films that redefined the gangster movie, the screwball comedy, the fable, and the film noir, but no matter what genre they’re playing with, they consistently focus on the struggles of complex characters to understand themselves and their places in the strange worlds they inhabit. To borrow a phrase from Barton Fink, all Coen films explore “the life of the mind” and show that the human condition can often be simultaneously comic and tragic, profound and absurd. The essays in this book explore the challenging moral and philosophical terrain of the Coen repertoire. Several address how Coen films often share film noir’s essential philosophical assumptions: power corrupts, evil is real, and human control of fate is an illusion. In Fargo, not even Minnesota’s blankets of snow can hide Jerry Lundegaard’s crimes or brighten his long, dark night of the soul. The tale of love, marriage, betrayal, and divorce in Intolerable Cruelty transcends the plight of the characters to illuminate competing theories of justice. Even in lighter fare, such as Raising Arizona and The Big Lebowski, the comedy emerges from characters’ journeys to the brink of an amoral abyss. However, the Coens often knowingly and gleefully subvert conventions and occasionally offer symbolic rebirths and other hopeful outcomes. At the end of The Big Lebowski, for example, the Dude abides, his laziness has become a virtue, and the human comedy is perpetuating itself with the promised arrival of a newborn Lebowski. The Philosophy of the Coen Brothers sheds new light on the work of these cinematic visionaries. From Blood Simple to No Country for Old Men, the Coens’ characters look for answers—though in some cases, their quest for answers leads, at best, only to more questions.