What are we? The Damned childer of caine? The grotesque lords of humanity? The pitiful wretches of eternal hell? We are vampires, and that is enough. I am a vampire, and that is far more than enough. I am that which must be feared, worshipped and adored. The world is mine -- now and forever. No one holds command over me. No man. No god. No prince. What is a claim of age for ones who are immortal? What is a claim of power for ones who defy death? Call your damnable hunt. We shall see whom I drag screaming to hell with me. Secrets revealed and cycles turned in the Year of Revelations.
It's obvious that Jesus fulfilled prophecies about the promised Messiah - or so the gospels make it seem. But the real story is more complex, and more compelling. In hindsight we can see that Jesus had help fulfilling prophecy. The gospel writers skillfully manipulated prophecies - carefully lifting them out of context, creatively reinterpreting them, even rewriting them - to match what Jesus would do in fulfilling them. The evangelists also used the prophecies themselves to shape the very stories that show their fulfillment. This book describes in detail how Christian authors helped Jesus fulfill prophecy. Studies of Greek oracles, the Dead Sea Scrolls, translations of the Hebrew Scriptures into Greek and Aramaic, and the writings of Josephus explore the interpretive techniques that paved the way for the New Testament's manipulation of prophecy. This book analyzes how the belief that Jesus fulfilled prophecy became an argument to justify a new notion: the view that Christians had replaced Jews as God's chosen people. An aggressive anti-Judaism is analyzed in chapters on patristic theologians such as Justin Martyr and Augustine, who embedded it into the argument from prophecy. The book concludes with an ethical argument for whyChristians should retire the argument from prophecy.
"While William Blake's The Four Zoas may be fascinating to Blake scholars, it presents formidable obstacles to even the most ardent Romanticist, let alone interested critics or the general reader. Blake's Prophetic Workshop attempts to clear some of these obstacles by studying the work from a variety of critical perspectives. It assumes some familiarity with Blake's prophecies, but is cast between the introductory and advanced levels of the two previous books published on the poem." "Although the major reading strategy is close textual analysis, the poem is marked by various cultural and social contexts that need elucidation. Chapters alternate between sketching these contexts and traditions and providing detailed readings within these contexts. The first chapters give a reception history of the work and set it within the tradition of the eighteenth-century "long poem," namely Thomson's Seasons, Pope's An Essay on Man, and Young's Night Thoughts, texts that Blake critiques as Newtonian substitutions of Miltonic prophecy. Chapter three tests these assertions by reading the poem's creation narratives in terms of Anglican-Dissenting apologetics. The final chapters sift the cultural contexts that shape Blake's use of biblical typology and scrutinize several continental philosophies of history, and how they encroach on The Four Zoas, as well as situate the poem in the apocalyptic moment of the 1790s." "While a pluralist approach is followed, author George Anthony Rosso, Jr., subscribes to a fundamentally historical theory that places The Four Zoas in the broad and eclectic tradition of English poetic prophecy. Aware of recent critiques of "the prophetic," Rosso pursues his theory with flexibility and tolerance for other viewpoints." "An appendix provides a useful commentary on the relations between the text and certain designs, drawings, and sketches in the manuscript. Its aim is to show that Blake repeats key images in various frames to provide a sense of context and development, and that the drawings expose what the narrative represses, often in graphic sexual detail. Rosso presents a Blake who is both deadly serious and disarmingly ironic about the relevance of prophecy in the modern world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
THE ONE THAT GOT AWAY is the first novel in a fantastic new series called THE HEN NIGHT PROPHECIES, following the fortunes of five different girls, each given their own puzzling prophecy at a friend's hen night... Zoe Piper adores her four best friends - Fern, Libby, Charlotte and Priya - so is thrilled when they can all make it to her hen night, where one of the girls arranges for a tarot-card reader to give them a reading individually. Afterwards, each one stumbles out a little dazed, perplexed by how spookily accurate the reader was, but each one keeps quiet about their own readings. In each of the five volumes of THE HEN NIGHT PROPHECIES we learn how their prophecies come true - this first book follows the fortunes of Fern, who is told that she has already met The One, but let him go...
