The battle for the city of Umber has begun. Emerane finds herself standing between the city she hates and total annihilation, and must decide if Umber, cruel and corrupt though it may be, deserves its fate. But the faces of terrified citizens make her decision easy. She finds herself fighting alongside the Furie himself, as well as her companions: the Asp, the Magus, and the Acolyte, each of whom reveal hidden power. But will they be enough? Against the overwhelming might of Death's army, is there any hope of victory?
Emerane and her companions narrowly escape the Cult of Uhlume and the relentless Furie, exhausted but no richer for their efforts. Going their separate ways into in the pitiless streets of Umber, they each find a dead end waiting. Now penniless, Emerane's quest to free her younger brother from debtor's prison seems more hopeless than ever. Until a possible solution comes from the most unlikely ally imaginable—the Furie himself. But his help comes with a dangerous price.
Clive Barker creates an unforgettable realm, the Imajica--five dominions of which one, the Earth, is isolated from the others. Formerly published as one volume, Imajica is now available as Books I and II. The stunning new repackage will appeal to old fans of the book and will draw new readers to this classic work.
For over thirty years, Dominion of Blades has been the hottest online role-playing game in the world. Any gamer with an immersion rig can enter the world of sword and sorcery, of goblins and dragons, and they can hack and slash their way to glory. But the game is too real for some, and after an epidemic of real-life fatalities, public use of the immersion technology has been banned, causing the game to be shut down. Jonah wakes to find himself in-game, level one, with no memory of how he arrived and no way to eject. With only two companions, trapped in a world that once hosted millions, Jonah must battle his way across a treacherous landscape, fighting virtual monsters, all-too-real pain, and a very human enemy in a desperate bid to survive.
How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In The Dominion of the Dead, Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living—the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us. This elegantly conceived work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn. The Dominion of the Dead is a profound meditation on how the thought of death shapes the communion of the living. A work of enormous scope, intellect, and imagination, this book will speak to all who have suffered grief and loss.
In the continuation of the epic Sunset Warrior fantasy series, a man-god rises once more to confront a fearsome and unstoppable evil in a savage world where nothing is as it seems Once he was but a man named Ronin. Trained as a swordsman, endowed with breathtaking skill, he was not destined merely to live and then die in a doomed city beneath a frozen world. Many years have passed since he first ventured into the void. Now he possesses powers beyond all imagining—godlike abilities both marvelous and terrible. Now he is revered and feared as savior and avenger, the tamer of monstrous beasts, the destroyer of the dark angel of Chaos—and dearly loved by his devoted bond-brother, Moichi Annai-Nin, and the beautiful, enigmatic, and lethal Chiisai. Now he is Dai-San, the Sunset Warrior. Gone are the days of fire, ice, and necromancy, and yet there are grave perils in this world of illusion—and enemies, once defeated, who seek a way back to this plane, driven by an insatiable need for vengeance. For Chaos must again have its day, and no power in the universe can prevent its terrible reemergence—not even the might of the Sunset Warrior. In the fifth novel of the Sunset Warrior Cycle—an ingenious blending of fantasy, technology, spirit, and swordplay—bestselling author Eric Van Lustbader brings back to life some of the most beloved characters in fantastic literature in a story of danger, loyalty, fate, and friendship. The legend of the Dai-San grows ever stronger as the action-packed epic tale continues.
A new force, the Amaraddan Guard, rules the streets of Umber, forcing citizens into indentured servitude to pay fines imposed upon them. With Emerane dead and the Furie still in hiding, the city's only hope lies with demi-god Grael. But when the Guard finds and exploits Grael's weakness, who will be left to stop them?
Joe Pitt’s life sucks. He hasn’t had a case or a job in God knows how long and his stashes are running on empty. What stashes? The only ones that count to a guy like Joe: blood and money. The money he uses to buy blood; the blood he drinks. Hey, buddy, it’s that or your neck—you want to choose? The only way to lay his hands on both is to take a gig with the local Vampyre Clan. See, something new is on the streets, a new high, a high so strong it can send a Vampyre spazzing through Joe’s local watering hole. Till Joe sends him through a plate-glass window, that is. So it’s time for Joe to gut up and swallow that pride and follow the leads wherever they go. It won’ t be long before he’s slapping stoolies, getting sapped, and being taken for a ride above 110th Street. Someone’s pulling Joe’s strings, and now he’s riding the A train, looking to find who it is. He’s gonna cut them when he finds them—the strings and the hands that hold them.
