2017 Maine Literary Award, Children's Finalist It's bedtime for Bob. But, oh no, he sees a pair of eyes in the dark! Who is it? With a flashlight, Bob discovers it's a friendly creature wishing him goodnight. Goodnight, Bob! Then more eyes appear. Who is it now?
Following the Drums: African American Fife and Drum Music in Tennessee is an epic history of a little-known African American instrumental music form. John M. Shaw follows the music from its roots in West Africa and early American militia drumming to its prominence in African American communities during the time of Reconstruction, both as a rallying tool for political militancy and a community music for funerals, picnics, parades, and dances. Carefully documenting the music's early uses for commercial advertising and sports promotion, Shaw follows the strands of the music through the nadir of African American history during post-Reconstruction up to the form's rediscovery by musicologists and music researchers during the blues and folk revival of the late 1960s and early 1970s. Although these researchers documented the music, and there were a handful of public performances of the music at festivals, the story has a sad conclusion. Fife and drum music ultimately died out in Tennessee during the early 1980s. Newspaper articles from the period and interviews with music researchers and participants reawaken this lost expression, and specific band leaders receive the spotlight they so long deserved. Following the Drums is a journey through African American history and Tennessee history, with a fascinating form of music powering the story.
The ultimate guide to drumming styles by the co-author of the best-selling instructional book The Best Beginner Drum Book. Brandon Toews and Drumeo present... THE DRUMMER'S TOOLBOX! The Drummer's Toolbox presents drummers of all skill levels with the most comprehensive introduction to 100 different drumming styles from the past century. This ultimate guide includes more than 900 groove examples, as well as listening suggestions for 1000 recommended recordings. Throughout the book, drummers will also learn about the history of each drumming style, effective techniques for playing them, and how to break down different grooves limb-by-limb. The Drummer's Toolbox is for any drummer who's serious about expanding their musical vocabulary and becoming more versatile behind the drum-set. You will learn how to play: - Rock: Surf Rock, Progressive Rock, Punk Rock... - Jazz: 4/4 Swing, Up-Tempo Swing, Contemporary Jazz... - Blues: Texas Blues, Chicago Blues, Flat Tire Shuffle... - Country: Train Beat, Two-Step, Rockabilly... - Soul & Funk: Motown, Neo-Soul, New Orleans Funk... - Metal: Death Metal, Progressive Metal, Metalcore... - Electronic: Hip-Hop, Drum and Bass, Trap... - Afro-Cuban: Mambo, Nanigo, Songo... - Afro-Brazilian: Samba, Marcha, Bossa Nova... - Afro-Caribbean: Merengue, Reggae, Zouk... - And many more!
A brave and beautiful story that will make readers laugh, and break their hearts at the same time. Now with a special note from the author! Steven has a totally normal life (well, almost).He plays drums in the All-City Jazz Band (whose members call him the Peasant), has a crush on the hottest girl in school (who doesn't even know he's alive), and is constantly annoyed by his younger brother, Jeffrey (who is cuter than cute - which is also pretty annoying). But when Jeffrey gets sick, Steven's world is turned upside down, and he is forced to deal with his brother's illness, his parents' attempts to keep the family in one piece, his homework, the band, girls, and Dangerous Pie (yes, you'll have to read the book to find out what that is!).
To one who for a good many years has lived among the tropic isles of Torres Strait, and whose constant regret has been that their romantic attractiveness is so little known even to Australians, the Drums of Mer comes with very strong appeal. There are some who may think that Mr Idriess is giving us simply an imaginative picture, but the author has travelled the Strait with the discerning eye and contemplative soul of the artist who is satisfied only with first-hand colour, and who, while blending history and romance with subtle skill, at the same time keeps within the region of fact. The records and documents placed at his disposal by those who have patiently collected them in the interests of history, of ethnological and scientific research, and (if one may be allowed to say so) even of missionary theological science also, provide the rich store upon which he has drawn for the thrilling story he has woven round the people of Mer and the other islands of Torres Strait. We have been waiting for someone to catch the charm and appealing mysteriousness of these islands, and to visualize the days, not so very long past, when the great outrigger canoes, with their companies of feather-bedecked headhunters, traversed the opalescent waters a couple of hundred miles down the Barrier, to return perhaps with cowering white captives or grim human trophies for the ceremonies of the 'Au-gud-Au-Ai,' the 'Feast of the Great God.' And if it seems that the starkness of tragedy throws a cloud here and there over the dramatic episodes which the author has so well narrated, possibly it is a good thing for present-day tourist-travellers (and others too!), to realize that a trip along the Barrier and through the Strait on the way to China was not always so free from danger. (from Foreword by Wm. H. MacFarlane), Mission Priest, Torres Strait; Administrator of the Diocese of Carpentaria. 31 July 1933.)