In 1177, Pope Alexander III wrote a letter to the elusive King of the Indies, otherwise known as Prester John. The person who was selected and set out to deliver this letter into the hand of Prester John was never heard of again. 824 years later, armed with a copy of Pope Alexander's letter, Nick Jubber set out from Venice with the intention of somewhat belatedly completing Master Philip's mission. Over the next four months he would travel by bus, train, tractor, and horse-drawn cart around the Eastern Mediterranean, through the Middle East and North Africa before homing in on Ethiopia and the closely-guarded tomb of a medieval king who legend links with the mythical, mystical figure of Prester John.
How do you measure the size of the planet you're standing on? "Circumference" is the story of what happened when one man asked himself that very question. Nicholas Nicastro brings to life one of history's greatest experiments when an ancient Greek named Eratosthenes first accurately determined the distance around the spherical earth. In this fascinating narrative history, Nicastro takes a look at a deceptively simple but stunning achievement made by one man, millennia ago, with only the simplest of materials at his disposal. How was he able to measure the land at a time when distance was more a matter of a shrug and a guess at the time spent on a donkey's back? How could he be so confident in the assumptions that underlay his calculations: that the earth was round and the sun so far away that its rays struck the ground in parallel lines? Was it luck or pure scientific genius? Nicastro brings readers on a trip into a long-vanished world that prefigured modernity in many ways, where neither Eratosthenes' reputation, nor the validity of his method, nor his leadership of the Great Library of Alexandria were enough to convince all his contemporaries about the dimensions of the earth. Eratosthenes' results were debated for centuries until he was ultimately vindicated almost 2000 years later, during the great voyages of exploration. "Circumference" is a compelling scientific detective story that transports readers back to a time when humans had no idea how big their world was--and the fate of a man who dared to measure the incomprehensible.
Metafiction is one of the most distinctive features of postwar fiction, appearing in the work of novelists as varied as Eco, Borges, Martin Amis and Julian Barnes. It comprises two elements: firstly cause, the increasing interpenetration of professional literary criticism and the practice of writing; and secondly effect: an emphasis on the playing with styles and forms, resulting from an enhanced self-consciousness and awareness of the elusiveness of meaning and the limitations of the realist form. Dr Currie's volume examines first the two components of metafiction, with practical illustrations from the work of such writers as Derrida and Foucault. A final section then provides the view of metafiction as seen by metafictional writers themselves.
George Robert Stowe Mead (1863-1933) was a major translator, editor, and commentator on Gnostic and hermetic literature and thus a pivotal figure linking the late 19th-century esoteric revival to 20th-century art, literature, and psychology. As a young convert to the new movement of theosophy, he served as private secretary to its co-founder, Helena Petrovna Blavatsky, and after founding the European section of the Theosophical Society edited its London journal, Lucifer, for many years. Mead's initial interest in theosophy and Hinduism soon blossomed into a lifelong and wide-ranging engagement with the texts of Gnosticism, neo-Platonism, and hermeticism. His editions and commentaries on previously inaccessible sources became standard works before the First World War and an important source of inspiration to such figures as Jung, Ezra Pound, Yeats, and Robert Duncan. A new entry in the Western Masters Series of concise biographies noting key figures in the Western esoteric tradition, G.R.S. Mead and the Gnostic Quest introduces Mead's life, works, and influences, combining a substantial biography with a collection of his most important writings.
In this book, Yufang Ho compares the text style difference between the two versions of John Fowles' The Magus, exemplifying the methodological principles and analytic practices of the corpus stylistic approach. The Magus was first published in 1966 and was revised and republished by Fowles in 1977. Fowles' own comment on the second edition was that it was 'rather more than a stylistic revision.' The book explores how the revised version is linguistically different from the original, especially in terms of point of view (re) representation. The corpus stylistic approach adopted combines qualitative and quantitative comparison to confirm the overall text style difference. The analysis demonstrates that computer assisted methods can identify significant linguistic features which literary critics have not noticed and provide a more detailed descriptive basis for literary interpretation of (either edition) of the novel. This analysis of The Magus serves as a case study and exemplar of how corpus techniques may be used generally in the study of linguistics.
AUTHOR'S NOTE: An earlier, shorter version of The Quest was published in paperback in 1975. In 2013, I rewrote The Quest and doubled its length, making it, I hope, a far better story than the original, without deviating from the elements that made the story so powerful and compelling when I first wrote it. In other words, what made The Quest worth rewriting remains, and whatever is changed is for the better. I was happy and excited to have this opportunity to rewrite and republish what I consider my first "big" novel, and I hope you enjoy it as much as I did when I first wrote it. BOOK DESCRIPTION: A sweeping adventure that's equal parts thriller and love story, Nelson DeMille's newest novel takes the reader from the war torn jungles of Ethiopia to the magical city of Rome. While the Ethiopian Civil War rages, a Catholic priest languishes in prison. Forty years have passed since he last saw daylight. His crime? Claiming to know the true location of Christ's cup from the Last Supper. Then the miraculous happens - a mortar strikes the prison and he is free! Old, frail, and injured, he escapes to the jungle, where he encounters two Western journalists and a beautiful freelance photographer taking refuge from the carnage. As they tend to his wounds, he relates his incredible story. Motivated by the sensational tale and their desire to find the location of the holiest of relics, the trio agrees to search for the Grail. Thus begins an impossible quest that will pit them against murderous tribes, deadly assassins, fanatical monks, and the passions of their own hearts. THE QUEST is suspenseful, romantic, and filled with heart-pounding action. Nelson DeMille is at the top of his game as he masterfully interprets one of history's greatest mysteries.