"This book is not meant to be an academic dates-and-places report of the pioneer journals of Western America. While great pains have been taken to establish historical authenticity, the author's chief goal has been to recreate the flavor and the atmosphere of newspapering on the frontier"--Page 7.
For the first time, the long, exciting, often surprising story of journalism in the Old West--from the freewheeling days of the early 1800s when all the news was an expression of the editor's opinion, to the more balanced reporting of the classic small-town weeklies and busy city newsrooms of the 1920s. Here are the printers who founded the first papers, arriving in town with a shirttail of type and a secondhand press, setting up shop under trees, in tents, in barns or storefronts, moving on when the town failed, or into larger quarters if it flourished. Using many excerpts from the early papers themselves, Dary shows us the amazing ways the early editors stretched the language, often inventing new words to describe unusual events or to lambaste their targets--and how they sometimes had to defend their right of free speech with fists or guns. We see women working in partnership with their husbands or out on their own, and tramp printers who moved from place to place as need for their services rose and fell. Here, too, are Mark Twain, Bret Harte, Horace Greeley--and William Allen White writing on the death of his young daughter. Here is the Telegraph and Texas Register article that launched the legend of the Alamo, and dozens of tongue-in-cheek, brilliant, or moving reports of national events and local doings, including holdups, train robberies, wars, elections, shouting matches, hyperbolic vegetable-growing contests, weddings, funerals, births, and much, much more. In Red Blood & Black Ink David Dary makes a strong case for the importance of the press in settling the West and helping to knit the nation together, making us into the country we are today. A fascinating look at aneglected part of our history.
Soon to be a Major Motion Picture National Book Award Finalist—Fiction In the aftermath of the Civil War, an aging itinerant news reader agrees to transport a young captive of the Kiowa back to her people in this exquisitely rendered, morally complex, multilayered novel of historical fiction from the author of Enemy Women that explores the boundaries of family, responsibility, honor, and trust. In the wake of the Civil War, Captain Jefferson Kyle Kidd travels through northern Texas, giving live readings from newspapers to paying audiences hungry for news of the world. An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence. In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows. Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land. Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.
A riveting and previously untold history of the American West, as seen by the pioneering women who advocated for their rights amidst challenges of migration and settlement, and transformed the country in the process Between 1840 and 1910, hundreds of thousands of men and women traveled deep into the underdeveloped American West, lured by adventure, opportunity, and the spirit of Manifest Destiny. These settlers soon realized that survival in a new society required women to compromise eastern sensibilities and take on some of their husbands’ responsibilities. At a time when women had very few legal or economic--much less political--rights, these women soon proved just as essential as men to westward expansion. During the mid-nineteenth century, the traditional domestic model of womanhood shifted to include public service, with the women of the West becoming town mothers who established schools, churches, and philanthropies, while also coproviding for their families. They claimed their own homesteads and graduated from new, free coeducational colleges that provided career alternatives to marriage. In 1869, the men of the Wyoming Territory gave women the right to vote--partly to persuade more of them to move west--but with this victory in hand, western suffragists fought relentlessly until the rest of the region followed suit. By 1914 western women became the first American women to vote--a right still denied to women in every eastern state. In New Women in the Old West, Winifred Gallagher brings to life the riveting history of the little-known women--the White, Black, and Asian settlers, and the Native Americans and Hispanics they displaced--who played monumental roles in one of America's most transformative periods. Drawing on an extraordinary collection of research, Gallagher weaves together the striking legacy of the persistent individuals who not only created homes on weather-wracked prairies, but also played a vital, unrecognized role in the women's rights movement and forever redefined the "American woman."
Cowboy and drifter Frank Clifford lived a lot of lives—and raised a lot of hell—in the first quarter of his life. The number of times he changed his name—Clifford being just one of them—suggests that he often traveled just steps ahead of the law. During the 1870s and 1880s his restless spirit led him all over the Southwest, crossing the paths of many of the era’s most notorious characters, most notably Clay Allison and Billy the Kid. More than just an entertaining and informative narrative of his Wild West adventures, Clifford’s memoir also paints a picture of how ranchers and ordinary folk lived, worked, and stayed alive during those tumultuous years. Written in 1940 and edited and annotated by Frederick Nolan, Deep Trails in the Old West is likely one of the last eyewitness histories of the old West ever to be discovered. As Frank Clifford, the author rode with outlaw Clay Allison’s Colfax County vigilantes, traveled with Charlie Siringo, cowboyed on the Bell Ranch, contended with Apaches, and mined for gold in Hillsboro. In 1880 he was one of the Panhandle cowboys sent into New Mexico to recover cattle stolen by Billy the Kid and his compañeros—and in the process he got to know the Kid dangerously well. In unveiling this work, Nolan faithfully preserves Clifford’s own words, providing helpful annotation without censoring either the author’s strong opinions or his racial biases. For all its roughness, Deep Trails in the Old West is a rich resource of frontier lore, customs, and manners, told by a man who saw the Old West at its wildest—and lived to tell the tale.
Chronicles the history of the American frontier from 1800 to 1899, discussing how the expansion into the lands west of the Mississippi influenced the nation's formation.
In this gorgeous graphic memoir, Joe Ciardiello gracefully weaves together his Italian family history and the mythology of the American West while paying homage to the classic movie and TV Westerns. Featuring John Ford, John Wayne, Clint Eastwood, Sophia Loren, and many more, this book is a paean to Hollywood and a love letter to the Western.
This rare collection of wanted posters from the American West is a historical treasure. The book's nearly 150 original wanted posters, fugitive notices, and Pinkerton Agency circulars are supplemented by fascinated details about the technology of identification, the history of wanted posters, and the stories behind the crimes, which ranged from horse theft, safe blowing, train robbery, seduction, ''white slavery,'' and murder. Posters for notorious bandits such as Jesse James, Butch Cassidy, and the Sundance Kid are also featured.
Jolie Anderson's collection of wild west tales focuses on the early frontier history of Colorado's plains and includes a look at some of the state's early pioneers like the "59ers" who promoted the state through travel guides and newspapers, exaggerating tales of gold discovery and even providing inaccurate maps to promote settlement in the plains; the perils of living and traveling the major gold routes the town of Julesburg relocated four times in a decade; feuds; Indian fights; outlaws, and even early rodeo history. These stories and events shaped the Colorado territory and are a rich glimpse into the early history of the state.