Valentin Haussmann (1565/70-ca. 1614)

Valentin Haussmann (1565/70-ca. 1614)

Author: Robert Burgess Lynn

Publisher: Stuyvesant, NY : Pendragon Press

Published: 1997

Total Pages: 418

ISBN-13:

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Valentin Haussmann was a highly regarded composer in his time whose works had great popular appeal and were frequently reprinted, anthologized, and copied in lute or keyboard arrangements. His extensive travels and pioneering spirit led him to search out interesting repertories, such as Italian villanellas, canzonettas, and balletti which he published with his own German texts, as well as Polish dances which he heard in East Prussia. The main body of this catalogue is organized by musical sources, expanded to include manuscript sources, lost works, works in seventeenth-century collections, works edited by Haussmann with his own German texts, modern manuscript copies, and works by other composers using Haussmann's melodies or texts. Many sources, listed as lost in recent bibliographies, have been located and are included here. Title pages, dedications, laudatory poems, and letters are transcribed in full, and Cantus incipits are provided in musical notation. Additional sections include an Index of First Lines, two indexes of Cantus incipits (one indicating pitches and rhythms, the other interval progression), a listing of works in modern editions, and an extensive bibliography. This catalogue will be a basic research tool for anyone investigating the history of German music at the beginning of the seventeenth century.


Music in the Middle Ages and the Renaissance

Music in the Middle Ages and the Renaissance

Author: Harold Gleason

Publisher: Alfred Music Publishing

Published: 1981

Total Pages: 226

ISBN-13: 9780882843797

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This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.