These are the stories of people who have come to Ireland for work, education, retirement, love and in some cases forced from their homes by death and destruction. New to the Parish: Stories of Love, War and Adventure from Ireland's Immigrants is an important reminder that every migrant is a human being, and that every one of us has a story to tell.
Headlines rage with big stories about big churches. But tucked away in neighborhoods throughout North America is a profound work of hope quietly unfolding as the gospel takes root in the context of a place. The future of the church is local, connected to the struggles of the people and even to the land itself.
A New York City ethnography that explores men's unique approaches to Catholic devotion Every Saturday, and sometimes on weekday evenings, a group of men in old clothes can be found in the basement of the Shrine Church of Our Lady of Mount Carmel in Williamsburg, Brooklyn. Each year the parish hosts the Feast of Our Lady of Mount Carmel and San Paolino di Nola. Its crowning event is the Dance of the Giglio, where the men lift a seventy-foot tall, four-ton tower through the streets, bearing its weight on their shoulders. Drawing on six years of research, Alyssa Maldonado-Estrada reveals the making of this Italian American tower, as the men work year-round to prepare for the Feast. She argues that by paying attention to this behind-the-scenes activity, largely overlooked devotional practices shed new light on how men embody and enact their religiosity in sometimes unexpected ways. Lifeblood of the Parish evocatively and accessibly presents the sensory and material world of Catholicism in Brooklyn, where religion is raucous and playful. Maldonado-Estrada here offers a new lens through which to understand men’s religious practice, showing how men and boys become socialized into their tradition and express devotion through unexpected acts like painting, woodworking, fundraising, and sporting tattoos. These practices, though not usually considered religious, are central to the ways the men she studied embodied their Catholic identity and formed bonds to the church.
Fresh Expressions of Church are most significant development in the Church of England. Parishes are the mainstay of the 'inherited church'. The authors demonstrate that the traditions of the parish church represent ways in which time, space, community are ordered in relation to God and the gospel.
The bulk of criminal litigation in Jamaica takes place in the Parish Courts with little reference to recorded procedures. On Your Feet: Criminal Practice in the Parish Courts in Jamaica, written by a former Clerk of Courts, codifies the largely oral tradition of practice by presenting a guide to the practical day to day realities of the Parish Court system. Incorporating both legislation and the most up to date case law, and buttressed by over 50 sample documents, the entire sweep of criminal practice in the Parish Court is covered. From jurisdiction to file preparation, bail, forfeiture and fingerprintable offences, to committal proceedings, verdict and sentencing, the exhaustive contents make On Your Feet a ready reference and the ideal tool for the Clerk of Court, defence counsel and Parish Court Judge in particular and generally, for just about anyone whose work may take them into the Parish Court.
The Great Crowd is a social history of All Saints Episcopal Church of Omaha, Nebraska. Founded in 1885, precisely at the moment when Omaha was experiencing a spurt of rapid grown, the parish has continued to succeed as a religious community deeply enmeshed in the life of the city. It was from the beginning a distinctly urban parish and, as change came for the city, underwent its changes, including a major relocation of its facility. It also found itself navigating the changes in national culture and in the character of the larger Episcopal Church. Curiously, very different rectors--eight in all, with different configurations of lay leadership drawn from across the city--responded to these successive waves of change, and yet, they held on the conviction that they had maintained the unique identity of the parish that they had inherited from those who had gone before them. They did so in no small part by telling their story. Drawing from the parish archives, including its vestry minutes, correspondence, and publications the author, himself one of the eight rectors, has taken up a critical retelling the story bring up to 9/11, 2001. These pages contain a strange tapestry of names and faces, from Omaha's cowboy mayor to its storied lawyers and devout bus drivers who melded themselves in that strange unity called a parish. In the author's telling, the story becomes a critical tool for understanding how a Christian community works and for providing a basis for a critical assessment of the purpose and meaning of religious community in American life.