New Theatre Quarterly 55: Volume 14, Part 3

New Theatre Quarterly 55: Volume 14, Part 3

Author: Clive Barker

Publisher: Cambridge University Press

Published: 1998-11-19

Total Pages: 108

ISBN-13: 9780521648516

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New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.


Performing the Body in Irish Theatre

Performing the Body in Irish Theatre

Author: B. Sweeney

Publisher: Springer

Published: 2008-02-14

Total Pages: 253

ISBN-13: 0230582052

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This title examines the representation of the body in Irish theatre alongside the specific circumstances within which Irish theatre is performed, incorporating issues of gender and embodiment, and the performance of Irishness and tradition. The author contextualizes the body in Irish theatre, and includes in-depth analysis of five key productions.


New Theatre Quarterly 46: Volume 12, Part 2

New Theatre Quarterly 46: Volume 12, Part 2

Author: Clive Barker

Publisher: Cambridge University Press

Published: 1996-10-03

Total Pages: 108

ISBN-13: 9780521565028

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One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.


New Theatre Quarterly 49: Volume 13, Part 1

New Theatre Quarterly 49: Volume 13, Part 1

Author: Clive Barker

Publisher: Cambridge University Press

Published: 1997-08-21

Total Pages: 100

ISBN-13: 9780521589024

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Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.


New Theatre Quarterly 62: Volume 16, Part 2

New Theatre Quarterly 62: Volume 16, Part 2

Author: Clive Barker

Publisher: Cambridge University Press

Published: 2000-08-17

Total Pages: 100

ISBN-13: 9780521789028

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New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 62 include: Staging and Storytelling, Theatre and Film: Richard III at Stratford; The Theatrical Biosphere and Ecologies of Performance; The Afro-Caribbean Identity and the English Stage; A Riposte to David Mamet: Heresy and Common Sense in True and False; Form as Weapon: the Political Function of Song in Urban Zimbabwean Theatre; 'Aphrodite Speaks': on the recent Performance Art of Carolee Schneemann; Theatre and Urban Space: the Case of Birmingham Rep; Across Two Eras: Slovak Theatre from Communism to Independence; Whatever Happened to Gay Theatre?


New Theatre Quarterly 50: Volume 13, Part 2

New Theatre Quarterly 50: Volume 13, Part 2

Author: Clive Barker

Publisher: Cambridge University Press

Published: 1997-08-21

Total Pages: 98

ISBN-13: 9780521589017

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Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.


New Theatre Quarterly 73: Volume 19, Part 1

New Theatre Quarterly 73: Volume 19, Part 1

Author: Simon Trussler

Publisher: Cambridge University Press

Published: 2003-08-25

Total Pages: 98

ISBN-13: 9780521535885

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New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. Articles in volume 73 include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; 'The Maker and the Tool': Charles Parker, Documentary Performance, and the Search for a Popular Culture; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance; NTQ Reports and Announcements; NTQ Book Reviews.