Opera As Drama

Opera As Drama

Author: Joseph Kerman

Publisher: Knopf

Published: 2013-08-21

Total Pages: 243

ISBN-13: 030783400X

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Passionate, witty, and brilliant, Opera as Drama has been lauded as one of the most controversial, thought-provoking, and entertaining works of operatic criticism ever written. First published in 1956 and revised in 1988, Opera as Drama continues to be indispensable reading for all students and lovers of opera.


Duty and Desire Book Club Edition

Duty and Desire Book Club Edition

Author: Anju Gattani

Publisher:

Published: 2021-01-27

Total Pages: 344

ISBN-13: 9781953100092

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To uphold family honor and tradition, Sheetal Prasad is forced to forsake the man she loves and marry playboy millionaire Rakesh Dhanraj while the citizens of Raigun, India, watch in envy. On her wedding night, however, Sheetal quickly learns that the stranger she married is as cold as the marble floors of the Dhanraj mansion. Forced to smile at family members and cameras and pretend there's nothing wrong with her marriage, Sheetal begins to discover that the family she married into harbors secrets, lies and deceptions powerful enough to tear apart her world. With no one to rely on and no escape, Sheetal must ally with her husband in an attempt to protect her infant son from the tyranny of his family.sion.


Handel's Operas, 1704-1726

Handel's Operas, 1704-1726

Author: Winton Dean

Publisher: Boydell Press

Published: 2009

Total Pages: 771

ISBN-13: 9781843835257

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The first volume of this monumental study of Handel's operatic works, covering the first seventeen operas.


Companion to Baroque Music

Companion to Baroque Music

Author: Julie Anne Sadie

Publisher: Univ of California Press

Published: 1998-01-01

Total Pages: 596

ISBN-13: 9780520214149

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The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.