Abandoned by her husband and facing foreclosure on her home, Alison Waxman Koff takes a job as a maid for malicious celebrity biographer Melanie Moloney, only to find herself the prime suspect in her employer's murder.
The suspicious circumstances of her best friend's apparent suicide drive a young woman to the possibility that it was murder, and might involve the same man who killed her sister eighteen years ago.
After a market crash, a rich suburbanite turns to cleaning houses—and solving murders—in a “sexy and humorous” romp by a New York Times–bestselling author (Library Journal). What’s a woman to do when her husband loses everything in the stock market . . . then ditches her for his first wife? For Alison Waxman Koff, who up until now has been living the good life in her Connecticut McMansion, the answer is to sell her furs and starts doing her own nails. But that isn’t enough to stave off foreclosure, so she falls back on her one marketable skill: housecleaning . . . Secretly becoming a maid-for-hire, she piles her Windex, Fantastik, and vacuum into her Porsche and finds her first client: a sleazy celebrity biographer. But after her only customer is killed, Alison’s run of bad luck gets even worse as she becomes a suspect herself . . . “What’s so great about Heller’s writing is her wit.” —The Plain Dealer “Will be enjoyed by fans of Susan Isaacs’s After All These Years and Judith Viorst’s Murdering Mr. Monti.” —Library Journal “A bright, lively comedy that zips right along.” —Booklist
Funny, passionate, outrageous and honest, this is a memoir about travel, house renovations, food, music, men and change. ‘I’ve escaped more houses than I’ve said Hail Marys.’ Peta Mathias has been making major moves since leaving home to train as a nurse, before living in Canada, London and later France, where she set up her own restaurant. Although she returned to New Zealand, writing food books and making television series, she continued to yoyo back to Europe and started culinary tours to Spain, Italy, Morocco, India, Vietnam, and the recurring attraction: France. In this ‘memoir of sorts’, Peta looks back at the patterns of her life while she embarks on the next big stage in it: selling her beloved cottage in Auckland to buy a dilapidated old house in Uzès in the south of France and transforming the old wreck into a stylish home and cooking school. This new domesticity is set against her nomadic instincts and past history of running away from all conventional expectations of settling down. Spiced with recipes, the thrills and tribulations of reinventing yourself and her trademark humour, this book is really about never putting all your eggs in one bastard.
‘The point of this book is to explore my ideas for sartorial satisfaction, to tell the stories associated with my love of clothes and fashion, and to share the message of accidental sustainability.’ When Peta Mathias dug through the clothes she had stored away for twenty years in her shed, she realised it was full of valuable, beautiful items that were crying out to be worn again: ‘Fashion is mysterious, irresistible and alluring . . . they are not just frocks — they are beauty, art, history, emotion, memory, identity and, above all, joy.’ From this arose a new appreciation of buying well but cannily, so your clothes will not bankrupt you nor go out of fashion. Reviving her neglected wardrobe, Peta revelled in mixing fabrics, colours and patterns, considering how to make an impact and how that dull pair of shoes can be transformed into something just a little bit fabulous.
In a world of hate, let’s serve up some love . . . Peta Mathias has encountered many a lovelorn tale on her gastronomic travels around the world. Searching further, she has unearthed more stories — the heart-warming and heart-rending, the passionate and poignant, the macabre and merry — and in these retellings brings them all to life. With her characteristic wit and colour, she also dishes up many of the ingredients of love: * intriguing courtship rituals, such as bundling and the apple slice dance; * poetry penned by those with their own stories to tell; * and, of course, romantic recipes, purported aphrodisiacs and alluring delicacies. Entertaining, hilarious and informative, this book is a smorgasbord of love.
The bestselling author of Close My Eyes returns with a chilling psychological thriller. Julia has always been the friend that Livy turns to when life is difficult. United fifteen years ago by grief at the brutal murder of Livy's sister, Kara, they've always told each other everything. Or so Livy thought. So when Julia is found dead in her home, Livy cannot come to terms with the news that she chose to end her own life. The Julia that Livy knew was vibrant and vivacious, a far cry from the selfish neurotic that her family seem determined to paint her as. Troubled by doubt but alone in her suspicions, Livy sets out to prove that Julia was in fact murdered. But little does she realise that digging into her best friend's private life will cause her to question everything she thought she knew about Julia. And the truth that Livy discovers will tear the very fabric of her own life apart.
Americans have a gift for coining proverbs. "A picture is worth a thousand words" was not, as you might imagine, the product of ancient Chinese wisdom -- it was actually minted by advertising executive Fred Barnard in a 1921 advertisement for Printer's Ink magazine. After all, Americans are first and foremost a practical people and proverbs can be loosely defined as pithy statements that are generally accepted as true and useful. The next logical step would be to gather all of this wisdom together for a truly American celebration of shrewd advice.A Dictionary of American Proverbs is the first major collection of proverbs in the English language based on oral sources rather than written ones. Listed alphabetically according to their most significant key word, it features over 15,000 entries including uniquely American proverbs that have never before been recorded, as well as thousands of traditional proverbs that have found their way into American speech from classical, biblical, British, continental European, and American literature. Based on the fieldwork conducted over thirty years by the American Dialect Society, this volume is complete with historical references to the earliest written sources, and supplies variants and recorded geographical distribution after each proverb.Many surprised await the reader in this vast treasure trove of wit and wisdom. Collected here are nuggets of popular wisdom on all aspects of American life: weather, agriculture, travel, money, business, food, neighbors, friends, manners, government, politics, law, health, education, religion, music, song, and dance. And, to further enhance browsing pleasure, the editors have provided a detailed guide to the use of the work. While it's true that many of our best known proverbs have been supplied by the ever-present "Anonymous," many more can be attributed to some very famous Americans, like Ernest Hemingway, Abraham Lincoln, Benjamin Franklin, Mark Twain, J. Pierpont Morgan, Thomas Alva Edison, Abigail Adams, and Ralph Waldo Emerson, to name but a few offered in this fascinating collection.Who wouldn't want to know the origin of "the opera ain't over till the fat lady sings?" This uniquely American proverb and many more are gathered together in A Dictionary of American Proverbs. A great resource for students and scholars of literature, psychology, folklore, linguistics, anthropology, and cultural history, this endlessly intriguing volume is also a delightful companion for anyone with an interest in American culture.
Jenny is a third-rate music-hall chanteuse living in Edwardian London. When she remarks to her mentor and lover Leo that she never wants to grow old, she is unwittingly making a pact with the Devil. Her contract to love him will reside at the Metaphysical Bank in High Street Kensington—forever. Leo has lived through thousands of years in numerous incarnations. As he gleefully exploits what 20th century London has to offer—as a magician ("the Great Pantoffsky"), fighter pilot, coke dealer, city banker—Jenny finds that the joy of eternal youth is short-lived. Her unchanging appearance provokes questions and Jenny has to move abroad or constantly reinvent herself. For 60 years she has to pass herself off as her own offspring. When she bears a real daughter that may or may not be Leo's, his destructive nature comes to the fore. She flees from him and destroys the contract that she has never read. At the same time Leo understands that Jenny is the one woman that he has truly loved and that perhaps it is time the Devil made a stab at family life, whatever the consequences. A compelling journey through 20th-century Europe and beyond, Miranda Miller’s ingenious take on the Faust story is by turns humorous, erotic, and terrifying.
Inspirational, razor-witted and funny, Can We Help It if We're Fabulous is Peta Mathias at her wisest — and naughtiest. The irrepressible Peta Mathias is a woman who has never been afraid to embrace life with all its glorious inconsistencies, joys and heartbreaks. With ten topics relevant to all women — Fashion, Food, Relationships, Music, Travel, Beauty, Work, Sex, Happiness and, of course, Men — Peta's sagacious, sexy and occasionally scurrilous book will encourage and inspire readers to reinvent, spice up, embrace and celebrate the lives they have. As well as recounting her own life lessons, Peta interviews a range of women — from psychologists to plastic surgeons, sex therapists to hairdressers, doctors to singers — and discovers what a woman needs to make her happy, independent and successful.