Neo-Burlesque
Neo-Burlesque

Author: Lynn Sally

Publisher: Rutgers University Press

Published: 2021-10-27

Total Pages: 193

ISBN-13: 1978828101

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The neo-burlesque movement seeks to restore a sense of glamour, theatricality, and humor to striptease. Neo-burlesque performers strut their stuff in front of audiences that appreciate their playful brand of pro-sex, often gender-bending, feminism. Performance studies scholar and acclaimed burlesque artist Lynn Sally offers an inside look at the history, culture, and philosophy of New York’s neo-burlesque scene. Revealing how twenty-first century neo-burlesque is in constant dialogue with the classic burlesque of the nineteenth and twentieth centuries, she considers how today’s performers use camp to comment on preconceived notions of femininity. She also explores how the striptease performer directs the audience’s gaze, putting on layers of meaning while taking off layers of clothing. Through detailed profiles of iconic neo-burlesque performers such as Dita Von Teese, Dirty Martini, Julie Atlas Muz, and World Famous *BOB*, this book makes the case for understanding neo-burlesque as a new sexual revolution. Yet it also examines the broader community of “Pro-Am” performers who use neo-burlesque as a liberating vehicle for self-expression. Raising important questions about what feminism looks like, Neo-Burlesque celebrates a revolutionary performing art and participatory culture whose acts have political reverberations, both onstage and off.

Burlesque and the New Bump-n-grind
Burlesque and the New Bump-n-grind

Author: Michelle Baldwin

Publisher: Speck Press

Published: 2004

Total Pages: 188

ISBN-13: 9780972577625

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Though burlesque has survived in the back of our cultural consciousness after being pushed aside by modern stripping in the '50s, the revival that began in the early '90s has finally brought burlesque back to the forefront of popular culture. Evolving from an underground movement to a nearly mainstream fetish, neo-burlesque embraces a wide variety of modern interpretations all based on the classic bump and grind and "taking it off" with a wink and a smile. From classic tributes to punk rock revisionists, women of all ages, sizes, and backgrounds are rediscovering burlesque and reinventing it. A sense of heightened imagination, empowerment and energy are being delivered to the stage, perhaps even more so than during the historic heyday, the Golden Age of Burlesque. Slipping behind the scene, Burlesque and the New Bump-n-Grind undresses the issues of feminism, modern popularity, and what exactly draws the unique and varied audience members to the shows. The women--and men!--of burlesque also receive their fleshed-out dues by a categorized peek into the various troupe styles including classical, re-creationists, revivalists, modern, circus, performance art, political, queer, bawdy singers and comics. Peppered throughout the book are full-color and black-and-white photographs that fully instill the picturesque dance into the reader's mind. Founder of one of the first neo-burlesque troupes, author Michelle Baldwin (a.k.a, Vivienne Va-Voom) has helped to bring the lost art of burlesque back to the forefront of pop culture. Baldwin has served as the creative director, choreographer, music director, costumer, financial head, and performer for her troupe, "Burlesque As It Was." Her deep immersion into this art form has provided her with a rare view into the growth and evolution of the revival.

Revolutionary Nostalgia
Revolutionary Nostalgia

Author: Marie-Cécile Cervellon

Publisher: Emerald Group Publishing

Published: 2018-10-31

Total Pages: 228

ISBN-13: 1787693465

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Long regarded as a maudlin mental state, nostalgia is everywhere and has been reimagined as a signifier of good mental health. It is no longer the bailiwick of right-wing reactionaries but a crucible of critical thinking and revolutionary intent. This book explores the revolution in nostalgia and the nostalgia in revolution.

The Burlesque Handbook
The Burlesque Handbook

Author: Jo Weldon

Publisher: Harper Collins

Published: 2010-05-14

Total Pages: 293

ISBN-13: 0061997005

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The Burlesque Handbook is the essential manual to understanding and performing both classic and neo-burlesque. Written by Jo Weldon, award-winning founder of the New York School of Burlesque, this book features easy-to-follow suggestions and exercises for developing stage-worthy confidence, presence, and sexiness. You'll learn about the fabulous makeup, costumes—including pasties!—moves, grooves, and attitudes of burlesque. The Burlesque Handbook is the must-have guide for everyone interested in this vibrant and wildly popular performance art, providing inspiration and practical information that readers can take straight from the page to the stage!

Horrible Prettiness
Horrible Prettiness

Author: Robert Allen

Publisher: Univ of North Carolina Press

Published: 2000-11-09

Total Pages: 369

ISBN-13: 0807860085

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Robert Allen's compelling book examines burlesque not only as popular entertainment but also as a complex and transforming cultural phenomenon. When Lydia Thompson and her controversial female troupe of "British Blondes" brought modern burlesque to the United States in 1868, the result was electric. Their impertinent humor, streetwise manner, and provocative parodies of masculinity brought them enormous popular success--and the condemnation of critics, cultural commentators, and even women's rights campaigners. Burlesque was a cultural threat, Allen argues, because it inverted the "normal" world of middle-class social relations and transgressed norms of "proper" feminine behavior and appearance. Initially playing to respectable middle-class audiences, burlesque was quickly relegated to the shadow-world of working-class male leisure. In this process the burlesque performer "lost" her voice, as burlesque increasingly revolved around the display of her body. Locating burlesque within the context of both the social transformation of American theater and its patterns of gender representation, Allen concludes that burlesque represents a fascinating example of the potential transgressiveness of popular entertainment forms, as well as the strategies by which they have been contained and their threats defused.

Stripped Down
Stripped Down

Author: Anna Brooke

Publisher: The Unapologetic Voice House

Published: 2020-05-26

Total Pages: 135

ISBN-13: 1733419780

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“I didn’t want to think about spiritual woo-woo or goddesses or mindfulness. But Legs, without even deliberately intending to, led me to see that all those things supported my individuality while helping me be of more service to my students. She led by example, keeping her sharp sense of humor even as she maintained her kindness and sensitivity.” - Jo Weldon, Headmistress of the New York School of Burlesque and author of The Burlesque Handbook Stripped Down is about one woman’s journey into deeper levels of acceptance and love of herself through the powerful art form of burlesque. When she was young, she “felt adrift...like I was water, taking the shape of whatever container I was currently poured into." Like many, she felt anxious around her appearance, struggling with an eating disorder and toxic beauty standards. When Anna discovers a vibrant form of self-expression in the most unlikely of places, the rest of her life begins. She explores her growth and development through the book, but even more: in sharing her story, she can teach every reader the same things she learned. Chapters include: • Why This and Why Me? • Burlesque the Beginning: The Celebration of the Sensual, Sacred Feminine • The Myth of Separation: How Being "Not Enough" Led Me to Burlesque • Hiding the Magic: Fear and Limitations of the Female Form & Feminine Energy • Judgment: Releasing the Ties that Bind • Burlesque as Medicine: The Revolution Starts Within • Making Peace with the Body Anna, through her alter ego Legs Malone, explores what creates limitations - money, power, misogyny, trauma, systemic racism, shame - to help the reader break free. By saying yes to the messages that lie deep in her heart, she shows us how the opinions, judgments and fears of others fall away as her unexpected path emerges - and how you can do it too, with or without burlesque. As she says so eloquently in Stripped Down, "When one person makes the brave choice to own their joy and honor their unique voice, it acts as a giant game of dominoes. Inspiration and recognition build and resonate with each dropped and fallen thought of not-enoughness." If Yes Please, Year of Yes and Girl, Wash Your Face had a baby birthed by Dita von Teese, it would be this book.

New Burlesque
New Burlesque

Author: Katharina Bosse

Publisher: Distributed Art Publishers (DAP)

Published: 2003

Total Pages: 94

ISBN-13:

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Before it was a show business genre, burlesque was an attitude. It was parody, outrageousness, exaggeration, pastiche--even grotesquerie. If in 19th- and 20th-century America the term came to signify a variety show of light comedy, dance, and strip tease, eventually descending to a plateau of triviality, cheap sexuality, and predictable gaudy costumes, it has now--Woo Hoo! Ladies!--been resuscitated. (It's amazing what a feminist revolution can accomplish when pasties and sequins are introduced.) In New Burlesque, Katharina Bosse takes a trip across the United States to meet and document every proponent of the unabashed renaissance that she can get her camera lens around. Her colorful series of let-it-all-hang-out portraits of Babette la Fave, Kitten DeVille, Kitty Crimson, Ruby Darling, Dirty Martini, D'Milo, Starlet O'Hara, Scarlette Fever, Ursulina, and their many sisters give a wild, wicked stage to the very grown-up darlings of a new century. Whether pictured in a saloon or a kitchen, by the side of a country road or in front of a parking lot, these dames show it just how they please.

The Costumes of Burlesque
The Costumes of Burlesque

Author: Coleen Scott

Publisher: Routledge

Published: 2019-06-03

Total Pages: 560

ISBN-13: 1351713809

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The Costumes of Burlesque: 1866-2018 is the first volume to inclusively document burlesque costume from its birth in the 1860’s through the global burlesque movement in 2018. This lushly illustrated book presents the history and development of this American art form by documenting the origins, influencers, and genuine articles that created its aesthetic. Showcases of legendary performers, including Lydia Thompson, Gypsy Rose Lee, Sally Rand, Bettie Page, Kitten Natividad, and Dita Von Teese, demonstrate costume styles through the years. This guide gives readers a clear view of how burlesque costume looked and why. It teaches collectors, burlesque performers, and fans alike to recognize vintage pieces for what they are and to design their own costumes with inspiration from the originals. By including detailed costume documentation, over 400 images, and interviews with prominent costume designers such as Catherine D’Lish and Garo Sparo, The Costumes of Burlesque brings 150 years of burlesque costume history to life.

The League of Exotic Dancers
The League of Exotic Dancers

Author: Kaitlyn Regehr

Publisher: Oxford University Press

Published: 2017-04-04

Total Pages: 320

ISBN-13: 0190457589

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Every year in downtown Las Vegas, often called "Old Vegas," The Burlesque Hall of Fame reunion brings together members of the League of Exotic Dancers, one of the earliest unions for women in exotic entertainment, to perform their half-century-old routines. In this annual tradition, performers from the golden age of Vegas burlesque rally counter-culture neo-burlesque fans who both keep the tradition alive and add new meaning to it. Over the past four years, documentarian Kaitlyn Regehr and photographer Matilda Temperley have embedded themselves within this community-a group, which like Old Vegas itself, continues to survive and thrive sixty years past its supposed prime. Here, in a smoky, off-strip casino, they found women, at times well into their 80s, subversively bumping and grinding away preconceptions about appropriate behavior for a pensioner. This collection of interviews and photographs is drawn from the backstage dressing rooms, homes, and lives of this aging burlesque community, as well as the young neo-burlesque community who adore them. The authors present an inter-generational sisterhood that is both unique and socially significant. Through a range of experiences-from discussing struggles for wage equality, to helping stabilize an 85 year old as she steps into a sequined g-string-the authors describe the complexity of the lives of these performers and the burlesque history from which they come. Regehr and Temperley present multidimensional portraits of this community and conclude that they are at their most vital when read with all the nuances, troubles, trials, and triumphs that they formerly and currently experience.